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Its a Gray Old World: Grisaille at Luxembourg & Dayan
Paintings You Can Jump On: George McNeil in the 1960s
Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison
All That Is Solid Melts Into Air: Simone Jones at Ronald Feldman
In Pursuit of Sensual Form: Vita Petersen (1915-2011)
Not Dotty About Damien: Hirst’s Spot Paintings Go Global
A Success on His Own Terms: A Studio Visit with Rupert Goldsworthy
The Memory of the Dance: Trisha Brown at Sikkema Jenkins
Intimate Love, Infinite Line and Sunflower Seeds by the Thousand
Quiz: How closely did you read artcritical in 2011?
The Faceless Bride: Eva Hesse’s Early Paintings at the Brooklyn Museum
Triggering the Ingres Reflex: Brett Bigbee, His Powers and His Intentions
Looking to Poussin: Bob Thompson’s Drawings
Defying Categories: Helen Frankenthaler, 1928-2011
The Curtain Man: Harry Roseman at Nancy Margolis
Ralph Lemon at BAM
The Fifth Leg: Pam Lins at Rachel Uffner Gallery
Redeemed from Aesthetic Limbo: Aimée Price Brown on Pierre Puvis de Chavannes
David Salle sallies forth, round table on Leo Castelli, and troika from polymath Harry Berger, Jr.
Seeing the World Differently: Bill Berkson’s lectures on art and poetry
So Pretty When You Smile: The Gothic Enigmas of Tommy White
Beta Get Your Act Together, PBS: A critical look at their new arts website
Vitality Amidst the Ruins: Lower Manhattan’s gritty golden age
“With the figure, anything is possible”: Nicolas Carone, 1917-2010
Never Trust a Laura Newman Vertical
The Arts Died with Dada: Roy Harris and the Great Debate About Art
The New Jerusalem: Israel Museum reopens
Our Bodies, Ourselves: elles@centrepompidou
Death, Loss, Pain and Longing: Core themes abound in the profound work of Brenda Goodman
What you bump into when you stand back from a photograph
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Philip Guston Double Bill
Lucian Freud Remembered
Bookmarked
Essay
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Welcome to this Issue
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A Topical Pick from the Archives
Poetry For Art
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Intimate Love, Infinite Line and Sunflower Seeds by the Thousand
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