Installation shot of the exhibition under review. Courtesy of Y Gallery
The Israeli artist is at Y Gallery through February 5 ...
 
Eva Hesse, Untitled, 1960. Oil on canvas, 36 x 36 inches. The Rachofsky Collection
Spectres: 1960 is on view through January 8 ...
 
grown_walls
First New York show in a decade ends abruptly as storied gallery is shuttered ...
 


Joyce Pensato

Batman Returns: Joyce Pensato introduces color and studio detritus at Friedrich Petzel


Here show will be discussed by The Review Panel, February 24


February 24th Line Up

by Chief


Diane Arbus, Untitled (6), 1970-71 © The Estate of Diane Arbus

Rough Empathy: The Photographs of Diane Arbus


Aperture have reissued the 1972 monograph that accompanied her posthumous retrospective


Gerhard Richter, Grau, 1974. Oil on canvas, 78 3/4 x 59 1/8 inches. Private Collection. Photo Nicholas Moss

Its a Gray Old World: Grisaille at Luxembourg & Dayan


Not just another color: grisaille in historically diverse show


George McNeil, Landscape Motif, 1968. Oil on panel, 13 x 16 1/8 inches. Courtesy of Ameringer, McEnery, Yohe.

Paintings You Can Jump On: George McNeil in the 1960s


He aspired to be “completely sensate” – spontaneous, but with long periods of revision


Slater Bradley, Don't Let Me Disappear, 2009-11. Video Still. Courtesy Team Gallery

THE REVIEW PANEL: Podcast of the January 2012 Edition


Michèle Cone, Ana Finel-Honigman, Anthony Haden-Guest on Ai Weiwei, Slater Bradley, Sarah Sze, Lola Montes Schnabel.

 
 
 
 

Lori Ellison, Untitled, 2011, gouache on wood panel, 10 x 8 inches. Courtesy of McKenzie Fine Art

Mesmerizing Claustrophobia: Drawings and Paintings by Lori Ellison


“Impossibly dense, emphatically wobbly, but geometric to the core.” At McKenzie Fine Art


Simone Jones, All That Is Solid, 2011. Four-screen 3D animation, run time: 12 minutes. Edition of 3

All That Is Solid Melts Into Air: Simone Jones at Ronald Feldman


A new writer at artcritical. The show took place in November/December.


Vita Petersen (1915-2011). Still from a video from 2007. Courtesy of the New York Studio School.

In Pursuit of Sensual Form: Vita Petersen (1915-2011)


As her last paintings open at the New York Studio School, our tribute plus a film.


DAMIEN-HIRST-2005-Myristyl-Acetate-web

Not Dotty About Damien: Hirst’s Spot Paintings Go Global


An exhibition at all eleven international venues of Gagosian Gallery