<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd"
	xmlns:media="http://search.yahoo.com/mrss/"
>

<channel>
	<title>artcritical &#187; The Review Panel</title>
	<atom:link href="http://artcritical.com/category/the-review-panel/feed/" rel="self" type="application/rss+xml" />
	<link>http://artcritical.com</link>
	<description></description>
	<lastBuildDate>Thu, 23 Feb 2012 03:07:44 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.0-RC3</generator>
	<!-- podcast_generator="podPress/8.8" - maintenance_release="8.8.5.2" -->
	<copyright>Copyright &#xA9; 2012 artcritical </copyright>
	<managingEditor>artcritical@gmail.com</managingEditor>
	<webMaster>artcritical@gmail.com</webMaster>
	<category>posts</category>
	<ttl>1440</ttl>
	<image>
		<url>http://artcritical.com/wp-content/themes/artcritical/images/podcastlogosmall.png</url>
		<title>artcritical &#187; The Review Panel</title>
		<link>http://artcritical.com</link>
		<width>144</width>
		<height>144</height>
	</image>
	<itunes:subtitle></itunes:subtitle>
	<itunes:summary></itunes:summary>
	<itunes:keywords></itunes:keywords>
	<itunes:category text="Arts" />
	<itunes:category text="Arts">
		<itunes:category text="Visual Arts" />
	</itunes:category>
	<itunes:author></itunes:author>
	<itunes:owner>
		<itunes:name></itunes:name>
		<itunes:email>artcritical@gmail.com</itunes:email>
	</itunes:owner>
	<itunes:block>no</itunes:block>
	<itunes:explicit>no</itunes:explicit>
	<itunes:image href="http://artcritical.com/wp-content/themes/artcritical/images/podcastlogo.png" />
		<item>
		<title>THE REVIEW PANEL: Podcast of the January 2012 Edition</title>
		<link>http://artcritical.com/2012/01/27/review-panel-january-2012/</link>
		<comments>http://artcritical.com/2012/01/27/review-panel-january-2012/#comments</comments>
		<pubDate>Fri, 27 Jan 2012 16:28:47 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Ai Weiwei]]></category>
		<category><![CDATA[Asia Society]]></category>
		<category><![CDATA[Bradley, Slater]]></category>
		<category><![CDATA[Cone, Michèle C.]]></category>
		<category><![CDATA[Finel-Honigman, Ana]]></category>
		<category><![CDATA[Haden-Guest, Anthony]]></category>
		<category><![CDATA[Mary Boone Gallery]]></category>
		<category><![CDATA[Schnabel, Julian]]></category>
		<category><![CDATA[Schnabel, Lola Montes]]></category>
		<category><![CDATA[Sze, Sarah]]></category>
		<category><![CDATA[Team Gallery]]></category>
		<category><![CDATA[The Hole]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=21471</guid>
		<description><![CDATA[<p>Michèle Cone, Ana Finel-Honigman, Anthony Haden-Guest on Ai Weiwei, Slater Bradley, Sarah Sze, Lola Montes Schnabel.</p>
]]></description>
			<content:encoded><![CDATA[<div class="mceTemp">
<dl id="attachment_21482" class="wp-caption alignnone" style="width: 560px;">
<p style="text-align: left;">
</dl>
</div>
<p><strong>January 27, 2012 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>Michèle C. Cone,  Ana Finel-Honigman and Anthony Haden-Guest joined David Cohen to review exhibitions of Ai Weiwei, Slater Bradley, Sarah Sze, and Lola Montes Schnabel.</p>
<div class="wp-caption alignnone" style="width: 510px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/aiweiwei.jpg" class="thickbox no_icon" rel="gallery-21471" title="Ai Weiwei, Sunflower Seeds, 2010. Installation shot. Courtesy Mary Boone Gallery"><img class=" " title="Ai Weiwei, Sunflower Seeds, 2010. Installation shot. Courtesy Mary Boone Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/aiweiwei.jpg" alt="Ai Weiwei, Sunflower Seeds, 2010. Installation shot. Courtesy Mary Boone Gallery" width="500" height="332" /></a><p class="wp-caption-text">Ai Weiwei, Sunflower Seeds, 2010. Installation shot. Courtesy Mary Boone Gallery</p></div>
<div class="wp-caption alignnone" style="width: 650px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/slaterbradley.jpg" class="thickbox no_icon" rel="gallery-21471" title="Slater Bradley, Don't Let Me Disappear, 2009-11. Video Still. Courtesy Team Gallery"><img title="Slater Bradley, Don't Let Me Disappear, 2009-11. Video Still. Courtesy Team Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/slaterbradley.jpg" alt="Slater Bradley, Don't Let Me Disappear, 2009-11. Video Still. Courtesy Team Gallery" width="640" height="360" /></a><p class="wp-caption-text">Slater Bradley, Don&#39;t Let Me Disappear, 2009-11. Video Still. Courtesy Team Gallery</p></div>
<div class="wp-caption alignnone" style="width: 650px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/sarahsze.jpg" class="thickbox no_icon" rel="gallery-21471" title="Sarah Sze, Day, 2003. Offset lithograph and silkscreen, 37 3/4 x 71 Inches. Courtesy the Asia Society"><img class=" " title="Sarah Sze, Day, 2003. Offset lithograph and silkscreen, 37 3/4 x 71 Inches. Courtesy the Asia Society" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/sarahsze.jpg" alt="Sarah Sze, Day, 2003. Offset lithograph and silkscreen, 37 3/4 x 71 Inches. Courtesy the Asia Society" width="640" height="334" /></a><p class="wp-caption-text">Sarah Sze, Day, 2003. Offset lithograph and silkscreen, 37 3/4 x 71 Inches. Courtesy the Asia Society</p></div>
<div class="wp-caption alignnone" style="width: 535px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/lolaschnabel.jpg" class="thickbox no_icon" rel="gallery-21471" title="Lola Montes Schnabel, The Fox, 2011. Courtesy The Hole"><img title="Lola Montes Schnabel, The Fox, 2011. Courtesy The Hole" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/lolaschnabel.jpg" alt="Lola Montes Schnabel, The Fox, 2011. Courtesy The Hole" width="525" height="414" /></a><p class="wp-caption-text">Lola Montes Schnabel, The Fox, 2011. Courtesy The Hole</p></div>
<div class="mceTemp">
<dl id="attachment_21483" class="wp-caption alignnone" style="width: 560px;">
<dt class="wp-caption-dt"> </dt>
</dl>
</div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2012/01/27/review-panel-january-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://testingartcritical.com/artcritical/REVIEWPANEL/RP50Jan2012/0-Intro.mp3" length="1564002" type="audio/mpeg" />
		<itunes:duration>1:38</itunes:duration>
		<itunes:subtitle>January 27, 2012 at the National Academy Museum and School of Fine Arts, New York

Michèle C. Cone,  Ana Finel-Honigman and Anthony Haden-Guest joined David Cohen ...</itunes:subtitle>
		<itunes:summary>January 27, 2012 at the National Academy Museum and School of Fine Arts, New York

Michèle C. Cone,  Ana Finel-Honigman and Anthony Haden-Guest joined David Cohen to review exhibitions of Ai Weiwei, Slater Bradley, Sarah Sze, and Lola Montes Schnabel.

[caption id="" align="alignnone" width="500" caption="Ai Weiwei, Sunflower Seeds, 2010. Installation shot. Courtesy Mary Boone Gallery"][/caption]

[caption id="" align="alignnone" width="640" caption="Slater Bradley, Don&#39;t Let Me Disappear, 2009-11. Video Still. Courtesy Team Gallery"][/caption]

[caption id="" align="alignnone" width="640" caption="Sarah Sze, Day, 2003. Offset lithograph and silkscreen, 37 3/4 x 71 Inches. Courtesy the Asia Society"][/caption]

[caption id="" align="alignnone" width="525" caption="Lola Montes Schnabel, The Fox, 2011. Courtesy The Hole"][/caption]

   </itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>November, 2011: Brody, Gover, and Merjian</title>
		<link>http://artcritical.com/2011/11/18/review-panel-november-2011/</link>
		<comments>http://artcritical.com/2011/11/18/review-panel-november-2011/#comments</comments>
		<pubDate>Fri, 18 Nov 2011 19:23:06 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Anton Kern Gallery]]></category>
		<category><![CDATA[Brody, David]]></category>
		<category><![CDATA[Goldin, Nan]]></category>
		<category><![CDATA[Gover, Karen]]></category>
		<category><![CDATA[Lambie, Jim]]></category>
		<category><![CDATA[Matthew Marks Gallery]]></category>
		<category><![CDATA[McClelland, Suzanne]]></category>
		<category><![CDATA[Merjian, Ara]]></category>
		<category><![CDATA[Morgan Lehman Gallery]]></category>
		<category><![CDATA[Santibanez, Katia]]></category>
		<category><![CDATA[Sue Scott Gallery]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=20534</guid>
		<description><![CDATA[<p>David Brody, Karen Gover, and Ara Merjian join David Cohen to review shows of Nan Goldin, Jim Lambie, Suzanne McClelland and Katia Santibãnez</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>November 18, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>David Brody, Karen Gover, and Ara Merjian join David Cohen to discuss Nan Goldin at Matthew Marks, Jim Lambie at Anton Kern, Suzanne McClelland at Sue Scott, and Katia Santibañez at Morgan Lehman.</p>
<div class="wp-caption alignnone" style="width: 641px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/nangoldin.jpg" class="thickbox no_icon" rel="gallery-20534" title="Nan Goldin, Swan-like embrace, Paris, 2010. Chromogenic print, 30 x 40 Inches, Courtesy Matthew Marks Gallery"><img class=" " title="Nan Goldin, Swan-like embrace, Paris, 2010. Chromogenic print, 30 x 40 Inches, Courtesy Matthew Marks Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/nangoldin.jpg" alt="Nan Goldin, Swan-like embrace, Paris, 2010. Chromogenic print, 30 x 40 Inches, Courtesy Matthew Marks Gallery" width="631" height="480" /></a><p class="wp-caption-text">Nan Goldin, Swan-like embrace, Paris, 2010. Chromogenic print, 30 x 40 Inches, Courtesy Matthew Marks Gallery</p></div>
<div class="wp-caption alignnone" style="width: 560px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/jimlambie.jpg" class="thickbox no_icon" rel="gallery-20534" title="Jim Lambie, Spritualized, 2011. Installation view, Courtesy Anton Kern Gallery"><img title="Jim Lambie, Spritualized, 2011. Installation view, Courtesy Anton Kern Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/jimlambie.jpg" alt="Jim Lambie, Spritualized, 2011. Installation view, Courtesy Anton Kern Gallery" width="550" height="359" /></a><p class="wp-caption-text">Jim Lambie, Spritualized, 2011. Installation view, Courtesy Anton Kern Gallery</p></div>
<div class="wp-caption alignnone" style="width: 413px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/suzannemcclelland.jpg" class="thickbox no_icon" rel="gallery-20534" title="Suzanne McClelland, Spin, 2011. Polymer, charcoal on linen, 18 x 18 Inches, Courtesy Sue Scott Gallery"><img title="Suzanne McClelland, Spin, 2011. Polymer, charcoal on linen, 18 x 18 Inches, Courtesy Sue Scott Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/suzannemcclelland.jpg" alt="Suzanne McClelland, Spin, 2011. Polymer, charcoal on linen, 18 x 18 Inches, Courtesy Sue Scott Gallery" width="403" height="400" /></a><p class="wp-caption-text">Suzanne McClelland, Spin, 2011. Polymer, charcoal on linen, 18 x 18 Inches, Courtesy Sue Scott Gallery</p></div>
<div class="wp-caption alignnone" style="width: 610px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/katiasantibanez.jpg" class="thickbox no_icon" rel="gallery-20534" title="Katia Santibañez, The Red Path, 2011. Flashe on panel,  60 x 72 Inches, Courtesy Morgan Lehman Gallery"><img title="Katia Santibañez, The Red Path, 2011. Flashe on panel,  60 x 72 Inches, Courtesy Morgan Lehman Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/katiasantibanez.jpg" alt="Katia Santibañez, The Red Path, 2011. Flashe on panel,  60 x 72 Inches, Courtesy Morgan Lehman Gallery" width="600" height="500" /></a><p class="wp-caption-text">Katia Santibañez, The Red Path, 2011. Flashe on panel,  60 x 72 Inches, Courtesy Morgan Lehman Gallery</p></div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/11/18/review-panel-november-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://testingartcritical.com/artcritical/REVIEWPANEL/RP49Nov2011/01-Intro.mp3" length="5076113" type="audio/mpeg" />
		<itunes:duration>5:17</itunes:duration>
		<itunes:subtitle>November 18, 2011 at the National Academy Museum and School of Fine Arts, New York

David Brody, Karen Gover, and Ara Merjian join David Cohen to ...</itunes:subtitle>
		<itunes:summary>November 18, 2011 at the National Academy Museum and School of Fine Arts, New York

David Brody, Karen Gover, and Ara Merjian join David Cohen to discuss Nan Goldin at Matthew Marks, Jim Lambie at Anton Kern, Suzanne McClelland at Sue Scott, and Katia Santibañez at Morgan Lehman.

[caption id="" align="alignnone" width="631" caption="Nan Goldin, Swan-like embrace, Paris, 2010. Chromogenic print, 30 x 40 Inches, Courtesy Matthew Marks Gallery"][/caption]

[caption id="" align="alignnone" width="550" caption="Jim Lambie, Spritualized, 2011. Installation view, Courtesy Anton Kern Gallery"][/caption]

[caption id="" align="alignnone" width="403" caption="Suzanne McClelland, Spin, 2011. Polymer, charcoal on linen, 18 x 18 Inches, Courtesy Sue Scott Gallery"][/caption]

[caption id="" align="alignnone" width="600" caption="Katia Santibañez, The Red Path, 2011. Flashe on panel,  60 x 72 Inches, Courtesy Morgan Lehman Gallery"][/caption]</itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>October, 2011: Milder, Panero, and Plagens</title>
		<link>http://artcritical.com/2011/10/28/review-panel-october-2011/</link>
		<comments>http://artcritical.com/2011/10/28/review-panel-october-2011/#comments</comments>
		<pubDate>Sat, 29 Oct 2011 03:19:05 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Cutler, Amy]]></category>
		<category><![CDATA[Friedrich Petzel Gallery]]></category>
		<category><![CDATA[Lennon Weinberg Inc]]></category>
		<category><![CDATA[Leslie Tonkonow Artworks + Projects]]></category>
		<category><![CDATA[Lopez, Michelle]]></category>
		<category><![CDATA[Meyer, Melissa]]></category>
		<category><![CDATA[Milder, Patricia]]></category>
		<category><![CDATA[Panero, James]]></category>
		<category><![CDATA[Plagens, Peter]]></category>
		<category><![CDATA[Simon Preston Gallery]]></category>
		<category><![CDATA[Tyson, Nicola]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=19532</guid>
		<description><![CDATA[<p>Patricia Milder, James Panero, Peter Plagens, David Cohen discuss Amy Cutler, Michelle Lopez, Melissa Meyer, Nicola Tyson.</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>October 28, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<div>Patricia Milder, James Panero and Peter Plagens join David Cohen to discuss Amy Cutler at Leslie Tonkonow Artworks + Projects, Michelle Lopez at Simon Preston Gallery, Melissa Meyer at Lennon, Weinberg, Inc., and Nicola Tyson at Friedrich Petzel Gallery.</div>
<div>
<div id="attachment_20183" class="wp-caption alignnone" style="width: 430px"></p>
<div class="mceTemp">
<dl id="attachment_20184" class="wp-caption alignnone" style="width: 430px;">
<dt class="wp-caption-dt"><a  href="http://artcritical.com/wp-content/uploads/2011/10/cutler1.jpg" class="thickbox no_icon" rel="gallery-19532" title="Amy Cutler, Tethered, 2011. Hand-colored working proof sheet, 25 3/16 x 17 3/16 Inches, Courtesy Leslie Tonkonow Artworks + Projects "><img class="size-full wp-image-20184 " title="Amy Cutler, Tethered, 2011. Hand-colored working proof sheet, 25 3/16 x 17 3/16 Inches, Courtesy Leslie Tonkonow Artworks + Projects " src="http://artcritical.com/wp-content/uploads/2011/10/cutler1.jpg" alt="Amy Cutler, Tethered, 2011. Hand-colored working proof sheet, 25 3/16 x 17 3/16 Inches, Courtesy Leslie Tonkonow Artworks + Projects " width="420" height="458" /></a><p class="wp-caption-text">Amy Cutler, Tethered, 2011. Hand-colored working proof sheet, 25 3/16 x 17 3/16 Inches, Courtesy Leslie Tonkonow Artworks + Projects </p></div>
</dt>
</dl>
</div>
<div style="text-align: left;">
<div id="attachment_20185" class="wp-caption alignnone" style="width: 442px"><a  href="http://artcritical.com/wp-content/uploads/2011/10/lopez.jpg" class="thickbox no_icon" rel="gallery-19532" title="Michelle Lopez, Blue Angel, 2011. Mirrored aluminum and automotive paint, 120 x 24 x 12 Inches, Courtesy Simon Preston Gallery"><img class="size-full wp-image-20185    " title="Michelle Lopez, Blue Angel, 2011. Mirrored aluminum and automotive paint, 120 x 24 x 12 Inches, Courtesy Simon Preston Gallery" src="http://artcritical.com/wp-content/uploads/2011/10/lopez.jpg" alt="Michelle Lopez, Blue Angel, 2011. Mirrored aluminum and automotive paint, 120 x 24 x 12 Inches, Courtesy Simon Preston Gallery" width="432" height="646" /></a><p class="wp-caption-text">Michelle Lopez, Blue Angel, 2011. Mirrored aluminum and automotive paint, 120 x 24 x 12 Inches, Courtesy Simon Preston Gallery</p></div>
<div id="attachment_20188" class="wp-caption alignnone" style="width: 300px"><a  href="http://artcritical.com/wp-content/uploads/2011/10/meyer_2011_1-1.jpg" class="thickbox no_icon" rel="gallery-19532" title="Melissa Meyer, Forlana, 2011. Oil on canvas, 20 x 18 Inches, Courtesy Lennon, Weinberg, Inc."><img class="size-full wp-image-20188  " title="Melissa Meyer, Forlana, 2011. Oil on canvas, 20 x 18 Inches, Courtesy Lennon, Weinberg, Inc." src="http://artcritical.com/wp-content/uploads/2011/10/meyer_2011_1-1.jpg" alt="Melissa Meyer, Forlana, 2011. Oil on canvas, 20 x 18 Inches, Courtesy Lennon, Weinberg, Inc." width="290" height="323" /></a><p class="wp-caption-text">Melissa Meyer, Forlana, 2011. Oil on canvas, 20 x 18 Inches, Courtesy Lennon, Weinberg, Inc.</p></div>
<div id="attachment_20189" class="wp-caption alignnone" style="width: 520px"><a  href="http://artcritical.com/wp-content/uploads/2011/10/tyson4.jpg" class="thickbox no_icon" rel="gallery-19532" title="Nicola Tyson, Figure with Sphinx, 2011. Oil on canvas, 72 x 72 Inches, Courtesy Friedrich Petzel Gallery"><img class="size-full wp-image-20189  " title="Nicola Tyson, Figure with Sphinx, 2011. Oil on canvas, 72 x 72 Inches, Courtesy Friedrich Petzel Gallery" src="http://artcritical.com/wp-content/uploads/2011/10/tyson4.jpg" alt="Nicola Tyson, Figure with Sphinx, 2011. Oil on canvas, 72 x 72 Inches, Courtesy Friedrich Petzel Gallery" width="510" height="509" /></a><p class="wp-caption-text">Nicola Tyson, Figure with Sphinx, 2011. Oil on canvas, 72 x 72 Inches, Courtesy Friedrich Petzel Gallery</p></div>
</div>
</div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/10/28/review-panel-october-2011/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
			<enclosure url="http://testingartcritical.com/artcritical/REVIEWPANEL/RP48Oct2011/1-Intro.mp3" length="1" type="audio/mpeg" />
		<itunes:duration>4:19</itunes:duration>
		<itunes:subtitle>October 28, 2011 at the National Academy Museum and School of Fine Arts, New York
Patricia Milder, James Panero and Peter Plagens join David Cohen to ...</itunes:subtitle>
		<itunes:summary>October 28, 2011 at the National Academy Museum and School of Fine Arts, New York
Patricia Milder, James Panero and Peter Plagens join David Cohen to discuss Amy Cutler at Leslie Tonkonow Artworks + Projects, Michelle Lopez at Simon Preston Gallery, Melissa Meyer at Lennon, Weinberg, Inc., and Nicola Tyson at Friedrich Petzel Gallery.


[caption id="attachment_20183" align="alignnone" width="420" caption="Amy Cutler, Tethered, 2011. Hand-colored working proof sheet, 25 3/16 x 17 3/16 Inches, Courtesy Leslie Tonkonow Artworks + Projects "]
 [/caption]

 


[caption id="attachment_20185" align="alignnone" width="432" caption="Michelle Lopez, Blue Angel, 2011. Mirrored aluminum and automotive paint, 120 x 24 x 12 Inches, Courtesy Simon Preston Gallery"][/caption]

[caption id="attachment_20188" align="alignnone" width="290" caption="Melissa Meyer, Forlana, 2011. Oil on canvas, 20 x 18 Inches, Courtesy Lennon, Weinberg, Inc."][/caption]

[caption id="attachment_20189" align="alignnone" width="510" caption="Nicola Tyson, Figure with Sphinx, 2011. Oil on canvas, 72 x 72 Inches, Courtesy Friedrich Petzel Gallery"][/caption]


</itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>September, 2011: Berwick, Bronson, and Johnson</title>
		<link>http://artcritical.com/2011/09/30/review-panel-september-2011/</link>
		<comments>http://artcritical.com/2011/09/30/review-panel-september-2011/#comments</comments>
		<pubDate>Fri, 30 Sep 2011 20:25:13 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Berwick, Carly]]></category>
		<category><![CDATA[Bronson, Ellie]]></category>
		<category><![CDATA[Erlich, Leandro]]></category>
		<category><![CDATA[Gavin Brown's Enterprise]]></category>
		<category><![CDATA[Goicolea, Anthony]]></category>
		<category><![CDATA[Johnson, Ken]]></category>
		<category><![CDATA[Katz, Alex,]]></category>
		<category><![CDATA[Postmasters]]></category>
		<category><![CDATA[Sean Kelly Gallery]]></category>
		<category><![CDATA[Steinbach, Haim]]></category>
		<category><![CDATA[Tanya Bonakdar Gallery]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=18790</guid>
		<description><![CDATA[<p>Carly Berwick, Ellie Bronson, and Ken Johnson join David Cohen to discuss Anthony Goicolea, Leandro Erlich, Alex Katz, and Haim Steinbach.</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>September 30, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>Carly Berwick, Ellie Bronson, and Ken Johnson join David Cohen to discuss Anthony Goicolea at Postmasters, Leandro Erlich at Sean Kelly, Alex Katz at Gavin Brown&#8217;s enterprise, and Haim Steinbach at Tanya Bonakdar Gallery.</p>
<div class="wp-caption alignnone" style="width: 381px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/goicolea-osmosisl.jpg" class="thickbox no_icon" rel="gallery-18790" title="Anthony Goicolea, Osmosis, 2011. Graphite and ink on Mylar, 40 x 22 Inches, Courtesy Postmasters"><img title="Anthony Goicolea, Osmosis, 2011. Graphite and ink on Mylar, 40 x 22 Inches, Courtesy Postmasters" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/goicolea-osmosisl.jpg" alt="Anthony Goicolea, Osmosis, 2011. Graphite and ink on Mylar, 40 x 22 Inches, Courtesy Postmasters" width="371" height="503" /></a><p class="wp-caption-text">Anthony Goicolea, Osmosis, 2011. Graphite and ink on Mylar, 40 x 22 Inches, Courtesy Postmasters</p></div>
<div class="wp-caption alignnone" style="width: 277px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/erlich-installation.jpg" class="thickbox no_icon" rel="gallery-18790" title="Leandro Erlich, Installation shot, Courtesy Sean Kelly Gallery"><img title="Leandro Erlich, Installation shot, Courtesy Sean Kelly Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/erlich-installation.jpg" alt="Leandro Erlich, Installation shot, Courtesy Sean Kelly Gallery" width="267" height="400" /></a><p class="wp-caption-text">Leandro Erlich, Installation shot, Courtesy Sean Kelly Gallery</p></div>
<div class="wp-caption alignnone" style="width: 540px"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/Katz-sarah.jpg" class="thickbox no_icon" rel="gallery-18790" title="Alex Katz, Sarah, 2010. Oil on linen, 80 x 84 Inches, Courtesy Gavin Brown's enterprise"><img title="Alex Katz, Sarah, 2010. Oil on linen, 80 x 84 Inches, Courtesy Gavin Brown's enterprise" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/Katz-sarah.jpg" alt="Alex Katz, Sarah, 2010. Oil on linen, 80 x 84 Inches, Courtesy Gavin Brown's enterprise" width="530" height="504" /></a><p class="wp-caption-text">Alex Katz, Sarah, 2010. Oil on linen, 80 x 84 Inches, Courtesy Gavin Brown&#39;s enterprise</p></div>
<div class="wp-caption alignnone" style="width: 810px"></p>
<div class="mceTemp">
<dl class="wp-caption alignnone" style="width: 810px;">
<dt class="wp-caption-dt"><a  href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/steinbach-creature.jpg" class="thickbox no_icon" rel="gallery-18790" title="Haim Steinbach, wild things, 2011. Plastic laminated wood shelf, plastic Massimo Giacon “Mr. Cold” soap dispenser, vinyl “Mega Munny”, vinyl Bull “Where the Wild Things Are” figure, rubber dog chew, 40 1/2 x 72 3/4 x 19 Inches, Courtesy Tanya Bonakdar Gallery"><img title="Haim Steinbach, wild things, 2011. Plastic laminated wood shelf, plastic Massimo Giacon “Mr. Cold” soap dispenser, vinyl “Mega Munny”, vinyl Bull “Where the Wild Things Are” figure, rubber dog chew, 40 1/2 x 72 3/4 x 19 Inches, Courtesy Tanya Bonakdar Gallery" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/steinbach-creature.jpg" alt="Haim Steinbach, wild things, 2011. Plastic laminated wood shelf, plastic Massimo Giacon “Mr. Cold” soap dispenser, vinyl “Mega Munny”, vinyl Bull “Where the Wild Things Are” figure, rubber dog chew, 40 1/2 x 72 3/4 x 19 Inches, Courtesy Tanya Bonakdar Gallery" width="800" height="530" /></a><p class="wp-caption-text">Haim Steinbach, wild things, 2011. Plastic laminated wood shelf, plastic Massimo Giacon “Mr. Cold” soap dispenser, vinyl “Mega Munny”, vinyl Bull “Where the Wild Things Are” figure, rubber dog chew, 40 1/2 x 72 3/4 x 19 Inches, Courtesy Tanya Bonakdar Gallery</p></div>
</dt>
<dd class="wp-caption-dd"> </dd>
</dl>
</div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/09/30/review-panel-september-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://testingartcritical.com/artcritical/REVIEWPANEL/RP47Sept2011/2_Intro_David_Cohen.mp3" length="4769331" type="audio/mpeg" />
		<itunes:duration>4:58</itunes:duration>
		<itunes:subtitle>September 30, 2011 at the National Academy Museum and School of Fine Arts, New York

Carly Berwick, Ellie Bronson, and Ken Johnson join David Cohen to ...</itunes:subtitle>
		<itunes:summary>September 30, 2011 at the National Academy Museum and School of Fine Arts, New York

Carly Berwick, Ellie Bronson, and Ken Johnson join David Cohen to discuss Anthony Goicolea at Postmasters, Leandro Erlich at Sean Kelly, Alex Katz at Gavin Brown's enterprise, and Haim Steinbach at Tanya Bonakdar Gallery.

[caption id="" align="alignnone" width="371" caption="Anthony Goicolea, Osmosis, 2011. Graphite and ink on Mylar, 40 x 22 Inches, Courtesy Postmasters"][/caption]

[caption id="" align="alignnone" width="267" caption="Leandro Erlich, Installation shot, Courtesy Sean Kelly Gallery"][/caption]

[caption id="" align="alignnone" width="530" caption="Alex Katz, Sarah, 2010. Oil on linen, 80 x 84 Inches, Courtesy Gavin Brown&#39;s enterprise"][/caption]

[caption id="" align="alignnone" width="800" caption="Haim Steinbach, wild things, 2011. Plastic laminated wood shelf, plastic Massimo Giacon “Mr. Cold” soap dispenser, vinyl “Mega Munny”, vinyl Bull “Where the Wild Things Are” figure, rubber dog chew, 40 1/2 x 72 3/4 x 19 Inches, Courtesy Tanya Bonakdar Gallery"]
 [/caption]

   </itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>THE REVIEW PANEL Returns</title>
		<link>http://artcritical.com/2011/09/10/september-30-the-review-panel-returns/</link>
		<comments>http://artcritical.com/2011/09/10/september-30-the-review-panel-returns/#comments</comments>
		<pubDate>Sat, 10 Sep 2011 16:37:06 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[Newsdesk]]></category>
		<category><![CDATA[details for next panel]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=18608</guid>
		<description><![CDATA[<p>September 30: Carly Berwick, Ellie Bronson, David Cohen and Ken Johnson discuss Goicolea, Erlich, Katz and Steinbach</p>
]]></description>
			<content:encoded><![CDATA[<p><img class="alignnone size-full wp-image-18688" title="rpsept" src="http://artcritical.com/wp-content/uploads/2011/09/rpsept.jpg" alt="" width="672" height="472" /></p>
<p>artcritical’s monthly forum, <strong>The Review Panel</strong>, returns to the National Academy Museum and School of  Art September 30 for its eighth season.  The line-up in September sees Carly Berwick, Ellie Bronson and Ken Johnson as David Cohen’s guests, and the shows covered are of artists Anothony Giocolea, Leandro Erlich, Alex Katz and Haim Steinbach</p>
<p>Bronson, a regular contributor at artcritical, appears on the panel for the first time while Berwick and Johnson are “repeat offenders.”  Other confirmed guests for the 2011/12 season include Peter Plagens, Michèle Cone,  Anthony Haden-Guest, Faye Hirsch, Bill Berkson, Karen Wilkin, Lance Esplund, and Barry Schwabsky.</p>
<p>The Review Panel conducted much of its 2010/11 season in an otherwise shuttered Huntington Mansion as the headquarters of the National Academy underwent extensive renovations.  The building is scheduled to reopen to the public in September 2011 with a series of festivities including a retrospective of Will Barnet, the artist, who recently turned 100.</p>
<p>The dates of the panel in the 2011/12 season will be  September 30, October 28, November 18, January 27, February 24, March 30, and April 27.  Cohen will moderate each evening, as he has all panels since the inception of the program in October 2004 when the guests were Ken Johnson, Maureen Mullarkey and Jerry Saltz.</p>
<div id="attachment_18610" class="wp-caption alignnone" style="width: 81px"><a  href="http://artcritical.com/wp-content/uploads/2011/09/leandro.jpg" class="thickbox no_icon" rel="gallery-18608" title="Installation view of Leandro Erlich: Two Different Tomorrows at Sean Kelly Gallery"><img class="size-thumbnail wp-image-18610  " title="Installation view of Leandro Erlich: Two Different Tomorrows at Sean Kelly Gallery" src="http://artcritical.com/wp-content/uploads/2011/09/leandro-71x71.jpg" alt="Installation view of Leandro Erlich: Two Different Tomorrows at Sean Kelly Gallery" width="71" height="71" /></a><p class="wp-caption-text">click to enlarge</p></div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/09/10/september-30-the-review-panel-returns/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Review Panel: May, 2011</title>
		<link>http://artcritical.com/2011/06/07/review-panel-may-2011/</link>
		<comments>http://artcritical.com/2011/06/07/review-panel-may-2011/#comments</comments>
		<pubDate>Tue, 07 Jun 2011 14:50:02 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Anna Kustera]]></category>
		<category><![CDATA[Asper, Colleen]]></category>
		<category><![CDATA[Budick, Ariella]]></category>
		<category><![CDATA[Jacquette, Julia]]></category>
		<category><![CDATA[Kastner, Jeffrey]]></category>
		<category><![CDATA[Meckseper, Josephine]]></category>
		<category><![CDATA[Metropolitan Museum of Art]]></category>
		<category><![CDATA[Pruitt, Rob]]></category>
		<category><![CDATA[Public Art Fund]]></category>
		<category><![CDATA[Sigurdardottir, Katrin]]></category>
		<category><![CDATA[The FLAG Art Foundation]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=16594</guid>
		<description><![CDATA[<p>Colleen Asper, Ariella Budick, David Cohen, Jeffrey Kastner discuss Julia Jacquette, Josephine Meckseper, Rob Pruitt, Katrin Sigurdardottir.</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>May 6, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>Colleen Asper, Ariella Budick, and Jeffrey Kastner joined David Cohen to discuss Julia Jacquette at Anna Kustera, Josephine Meckseper at the FLAG Art Foundation, Rob Pruitt at (Public Art Fund) Union Square, and Katrin Sigurdardottir at the Met.</p>
<div id="attachment_16596" class="wp-caption alignnone" style="width: 360px"><a  href="http://artcritical.com/wp-content/uploads/2011/06/Jacquette_TarmacWithJet_email.jpeg" class="thickbox no_icon" rel="gallery-16594" title="Julia Jacquette, Tarmac with Jet, 2008.  Oil on linen, 48 x 48 Inches, Courtesy Anna Kustera"><img class="size-full wp-image-16596  " title="Julia Jacquette, Tarmac with Jet, 2008.  Oil on linen, 48 x 48 Inches, Courtesy Anna Kustera" src="http://artcritical.com/wp-content/uploads/2011/06/Jacquette_TarmacWithJet_email.jpeg" alt="Julia Jacquette, Tarmac with Jet, 2008.  Oil on linen, 48 x 48 Inches, Courtesy Anna Kustera" width="350" height="351" /></a><p class="wp-caption-text">Julia Jacquette, Tarmac with Jet, 2008.  Oil on linen, 48 x 48 Inches, Courtesy Anna Kustera</p></div>
<div id="attachment_16597" class="wp-caption alignnone" style="width: 728px"><a  href="http://artcritical.com/wp-content/uploads/2011/06/Meckseper.jpeg" class="thickbox no_icon" rel="gallery-16594" title="Josephine Meckseper, Afrikan Spir, 2011. Mixed media in steel and glass vitrine, 80 x 80 x 20 Inches,  Courtesy the FLAG Art Foundation"><img class="size-full wp-image-16597 " title="Josephine Meckseper, Afrikan Spir, 2011. Mixed media in steel and glass vitrine, 80 x 80 x 20 Inches,  Courtesy the FLAG Art Foundation" src="http://artcritical.com/wp-content/uploads/2011/06/Meckseper.jpeg" alt="Josephine Meckseper, Afrikan Spir, 2011. Mixed media in steel and glass vitrine, 80 x 80 x 20 Inches,  Courtesy the FLAG Art Foundation" width="718" height="450" /></a><p class="wp-caption-text">Josephine Meckseper, Afrikan Spir, 2011. Mixed media in steel and glass vitrine, 80 x 80 x 20 Inches,  Courtesy the FLAG Art Foundation</p></div>
<div id="attachment_16598" class="wp-caption alignnone" style="width: 330px"><a  href="http://artcritical.com/wp-content/uploads/2011/06/Pruitt_05.jpeg" class="thickbox no_icon" rel="gallery-16594" title="Rob Pruitt, The Andy Monument 2011. Installation shot. Courtesy Public Art Fund"><img class="size-full wp-image-16598   " title="Rob Pruitt, The Andy Monument 2011. Installation shot. Courtesy Public Art Fund" src="http://artcritical.com/wp-content/uploads/2011/06/Pruitt_05.jpeg" alt="Rob Pruitt, The Andy Monument 2011. Installation shot. Courtesy Public Art Fund" width="320" height="480" /></a><p class="wp-caption-text">Rob Pruitt, The Andy Monument 2011. Installation shot. Courtesy Public Art Fund</p></div>
<div id="attachment_16599" class="wp-caption alignnone" style="width: 510px"><a  href="http://artcritical.com/wp-content/uploads/2011/06/Katrin.jpeg" class="thickbox no_icon" rel="gallery-16594" title="Katrin Sigurdardottir, Boiserie, 2010. Installation shot. Courtesy the Met"><img class="size-full wp-image-16599 " title="Katrin Sigurdardottir, Boiserie, 2010. Installation shot. Courtesy the Met" src="http://artcritical.com/wp-content/uploads/2011/06/Katrin.jpeg" alt="Katrin Sigurdardottir, Boiserie, 2010. Installation shot. Courtesy the Met" width="500" height="330" /></a><p class="wp-caption-text">Katrin Sigurdardottir, Boiserie, 2010. Installation shot. Courtesy the Met</p></div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/06/07/review-panel-may-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://artcritical.com/REVIEWPANEL/RP46May2011/0-Intro.mp3" length="3796322" type="audio/mpeg" />
		<itunes:duration>3:57</itunes:duration>
		<itunes:subtitle>May 6, 2011 at the National Academy Museum and School of Fine Arts, New York

Colleen Asper, Ariella Budick, and Jeffrey Kastner joined David Cohen to ...</itunes:subtitle>
		<itunes:summary>May 6, 2011 at the National Academy Museum and School of Fine Arts, New York

Colleen Asper, Ariella Budick, and Jeffrey Kastner joined David Cohen to discuss Julia Jacquette at Anna Kustera, Josephine Meckseper at the FLAG Art Foundation, Rob Pruitt at (Public Art Fund) Union Square, and Katrin Sigurdardottir at the Met.

[caption id="attachment_16596" align="alignnone" width="350" caption="Julia Jacquette, Tarmac with Jet, 2008.  Oil on linen, 48 x 48 Inches, Courtesy Anna Kustera"][/caption]

[caption id="attachment_16597" align="alignnone" width="718" caption="Josephine Meckseper, Afrikan Spir, 2011. Mixed media in steel and glass vitrine, 80 x 80 x 20 Inches,  Courtesy the FLAG Art Foundation"][/caption]

[caption id="attachment_16598" align="alignnone" width="320" caption="Rob Pruitt, The Andy Monument 2011. Installation shot. Courtesy Public Art Fund"][/caption]

[caption id="attachment_16599" align="alignnone" width="500" caption="Katrin Sigurdardottir, Boiserie, 2010. Installation shot. Courtesy the Met"][/caption]</itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>April, 2011: Carrier, Diaz, and Welish</title>
		<link>http://artcritical.com/2011/04/01/april-2011-review-panel/</link>
		<comments>http://artcritical.com/2011/04/01/april-2011-review-panel/#comments</comments>
		<pubDate>Fri, 01 Apr 2011 19:52:43 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Carrier, David]]></category>
		<category><![CDATA[Chartier, Jaq]]></category>
		<category><![CDATA[Diaz, Eva]]></category>
		<category><![CDATA[Gavin Brown's Enterprise]]></category>
		<category><![CDATA[James Fuentes LLC]]></category>
		<category><![CDATA[Knowles, Alison]]></category>
		<category><![CDATA[Morgan Lehman]]></category>
		<category><![CDATA[Navarro, Iván]]></category>
		<category><![CDATA[Paul Kasmin Gallery]]></category>
		<category><![CDATA[Tiravanija, Rirkrit]]></category>
		<category><![CDATA[Welish, Marjorie]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=14722</guid>
		<description><![CDATA[<p>Discussing exhibitions of Alison Knowles, Jaq Chartier, Iván Navarro, and Rirkrit Tiravanija.</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>April 1, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>David Carrier, Eva Diaz, and Marjorie Welish joined David Cohen to discuss Alison Knowles at James Fuentes LLC, Jaq Chartier at Morgan Lehman, Iván Navarro at Paul Kasmin, and Rirkrit Tiravanija at Gavin Brown&#8217;s enterprise.</p>
<div id="attachment_15456" class="wp-caption alignnone" style="width: 448px"><a  href="http://artcritical.com/wp-content/uploads/2011/03/Alison-Knowles.jpeg" class="thickbox no_icon" rel="gallery-14722" title="Alison Knowles, A Rolling Stone Gathers No Moss, 2011. Found materials, acrylic, raw flax, hand stamps Raw cotton, hardwood maple, tea stained frame, 17 1/4 x 22 1/2 x 4 Inches. Courtesy James Fuentes LLC"><img class="size-full wp-image-15456  " title="Alison Knowles, A Rolling Stone Gathers No Moss, 2011. Found materials, acrylic, raw flax, hand stamps Raw cotton, hardwood maple, tea stained frame, 17 1/4 x 22 1/2 x 4 Inches. Courtesy James Fuentes LLC" src="http://artcritical.com/wp-content/uploads/2011/03/Alison-Knowles.jpeg" alt="Alison Knowles, A Rolling Stone Gathers No Moss, 2011. Found materials, acrylic, raw flax, hand stamps Raw cotton, hardwood maple, tea stained frame, 17 1/4 x 22 1/2 x 4 Inches. Courtesy James Fuentes LLC" width="438" height="350" /></a><p class="wp-caption-text">Alison Knowles, A Rolling Stone Gathers No Moss, 2011. Found materials, acrylic, raw flax, hand stamps Raw cotton, hardwood maple, tea stained frame, 17 1/4 x 22 1/2 x 4 Inches. Courtesy James Fuentes LLC</p></div>
<div id="attachment_15457" class="wp-caption alignnone" style="width: 635px"></p>
<div class="mceTemp">
<dl id="attachment_15458" class="wp-caption alignnone" style="width: 635px;">
<dt class="wp-caption-dt"><a  href="http://artcritical.com/wp-content/uploads/2011/03/Jaq-Chartier.jpg" class="thickbox no_icon" rel="gallery-14722" title="Jaq ChartierJaq Chartier, Large Spectrum Chart, 2010. Acrylic, stains, paint on panel, 40 x 50 Inches. Courtesy Morgan Lehman"><img class="size-full wp-image-15458 " title="Jaq ChartierJaq Chartier, Large Spectrum Chart, 2010. Acrylic, stains, paint on panel, 40 x 50 Inches. Courtesy Morgan Lehman" src="http://artcritical.com/wp-content/uploads/2011/03/Jaq-Chartier.jpg" alt="Jaq Chartier, Large Spectrum Chart, 2010. Acrylic, stains, paint on panel, 40 x 50 Inches. Courtesy Morgan Lehman" width="625" height="500" /></a><p class="wp-caption-text">Jaq Chartier, Large Spectrum Chart, 2010. Acrylic, stains, paint on panel, 40 x 50 Inches. Courtesy Morgan Lehman</p></div>
</dt>
</dl>
</div>
<p style="text-align: left;"><span style="line-height: 17px;"> </span></p>
<div id="attachment_15459" class="wp-caption alignnone" style="width: 510px"><a  href="http://artcritical.com/wp-content/uploads/2011/03/thumbnail.jpg" class="thickbox no_icon" rel="gallery-14722" title="Rirkrit Tiravanija, Fear Eats the Soul, Installation shot. Courtesy Gavin Brown enterprises"><img class="size-full wp-image-15459 " title="Rirkrit Tiravanija, Fear Eats the Soul, Installation shot. Courtesy Gavin Brown enterprises" src="http://artcritical.com/wp-content/uploads/2011/03/thumbnail.jpg" alt="Rirkrit Tiravanija, Fear Eats the Soul, Installation shot. Courtesy Gavin Brown enterprises" width="500" height="333" /></a><p class="wp-caption-text">Rirkrit Tiravanija, Fear Eats the Soul, Installation shot. Courtesy Gavin Brown enterprises</p></div>
<div id="attachment_15462" class="wp-caption alignnone" style="width: 510px"><a  href="http://artcritical.com/wp-content/uploads/2011/03/ivan-navarro.png" class="thickbox no_icon" rel="gallery-14722" title="Ivan Navarro Surrender (Flatiron), 2011. Neon, mirror, one way mirror, wood, paint and electric energy. 23 x 46 x 6 Inches, Courtesy Paul Kasmin Gallery"><img class="size-full wp-image-15462 " title="Ivan Navarro Surrender (Flatiron), 2011. Neon, mirror, one way mirror, wood, paint and electric energy. 23 x 46 x 6 Inches, Courtesy Paul Kasmin Gallery" src="http://artcritical.com/wp-content/uploads/2011/03/ivan-navarro.png" alt="Ivan Navarro Surrender (Flatiron), 2011. Neon, mirror, one way mirror, wood, paint and electric energy. 23 x 46 x 6 Inches, Courtesy Paul Kasmin Gallery" width="500" height="267" /></a><p class="wp-caption-text">Ivan Navarro Surrender (Flatiron), 2011. Neon, mirror, one way mirror, wood, paint and electric energy. 23 x 46 x 6 Inches, Courtesy Paul Kasmin Gallery</p></div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/04/01/april-2011-review-panel/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://www.artcritical.com/REVIEWPANEL/RP45April2011/0-Intro-1.mp3" length="6317452" type="audio/mpeg" />
		<itunes:duration>00:01:01</itunes:duration>
		<itunes:subtitle>April 1, 2011 at the National Academy Museum and School of Fine Arts, New York

David Carrier, Eva Diaz, and Marjorie Welish joined David Cohen to ...</itunes:subtitle>
		<itunes:summary>April 1, 2011 at the National Academy Museum and School of Fine Arts, New York

David Carrier, Eva Diaz, and Marjorie Welish joined David Cohen to discuss Alison Knowles at James Fuentes LLC, Jaq Chartier at Morgan Lehman, Iván Navarro at Paul Kasmin, and Rirkrit Tiravanija at Gavin Brown's enterprise.

[caption id="attachment_15456" align="alignnone" width="438" caption="Alison Knowles, A Rolling Stone Gathers No Moss, 2011. Found materials, acrylic, raw flax, hand stamps Raw cotton, hardwood maple, tea stained frame, 17 1/4 x 22 1/2 x 4 Inches. Courtesy James Fuentes LLC"][/caption]

[caption id="attachment_15457" align="alignnone" width="625" caption="Jaq Chartier, Large Spectrum Chart, 2010. Acrylic, stains, paint on panel, 40 x 50 Inches. Courtesy Morgan Lehman"]
 [/caption]

 
 


[caption id="attachment_15459" align="alignnone" width="500" caption="Rirkrit Tiravanija, Fear Eats the Soul, Installation shot. Courtesy Gavin Brown enterprises"][/caption]

[caption id="attachment_15462" align="alignnone" width="500" caption="Ivan Navarro Surrender (Flatiron), 2011. Neon, mirror, one way mirror, wood, paint and electric energy. 23 x 46 x 6 Inches, Courtesy Paul Kasmin Gallery"][/caption]</itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>March, 2011: Storr, Valdez, and Waltemath</title>
		<link>http://artcritical.com/2011/03/04/march-2011-review-panel/</link>
		<comments>http://artcritical.com/2011/03/04/march-2011-review-panel/#comments</comments>
		<pubDate>Fri, 04 Mar 2011 16:23:40 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Alexandre Gallery]]></category>
		<category><![CDATA[Dodd, Lois]]></category>
		<category><![CDATA[Galerie Lelong]]></category>
		<category><![CDATA[Gasser Grunert Gallery]]></category>
		<category><![CDATA[Phelan, Ellen]]></category>
		<category><![CDATA[Salon 94]]></category>
		<category><![CDATA[Simmons, Laurie]]></category>
		<category><![CDATA[Storr, Robert]]></category>
		<category><![CDATA[Valdez, Sarah]]></category>
		<category><![CDATA[Waltemath, Joan]]></category>
		<category><![CDATA[Wodiczko, Krzysztof]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=14133</guid>
		<description><![CDATA[<p>Reviewing shows of Lois Dodd, Ellen Phelan, Laurie Simmons, and Krzysztof Wodiczko.</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>March 4, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>Robert Storr, Sarah Valdez, and Joan Waltemath joined David Cohen to discuss Lois Dodd at Alexandre Gallery, Ellen Phelan at Gasser Grunert Gallery, Laurie Simmons at Salon 94, and Krzysztof Wodiczko at Galerie Lelong.</p>
<p><span style="font-size: small;"><span style="line-height: normal;"> </span></span></p>
<div id="attachment_14135" class="wp-caption alignnone" style="width: 510px"><span style="font-size: small;"><a  href="http://artcritical.com/wp-content/uploads/2011/02/dodd.jpg" class="thickbox no_icon" rel="gallery-14133" title="Lois Dodd, Blair Pond Frozen, 2010. Oil on masonite, 14 x 19 3/4 Inches. Courtesy Alexandre Gallery"><img class="size-full wp-image-14135  " title="Lois Dodd, Blair Pond Frozen, 2010. Oil on masonite, 14 x 19 3/4 Inches. Courtesy Alexandre Gallery" src="http://artcritical.com/wp-content/uploads/2011/02/dodd.jpg" alt="Lois Dodd, Blair Pond Frozen, 2010. Oil on masonite, 14 x 19 3/4 Inches. Courtesy Alexandre Gallery" width="500" height="349" /></a></span><p class="wp-caption-text">Lois Dodd, Blair Pond Frozen, 2010. Oil on masonite, 14 x 19 3/4 Inches. Courtesy Alexandre Gallery</p></div>
<div id="attachment_14867" class="wp-caption alignnone" style="width: 519px"><span style="font-size: small;"><a  href="http://artcritical.com/wp-content/uploads/2011/02/Tulips-in-Foyer-2006.jpeg" class="thickbox no_icon" rel="gallery-14133" title="Ellen Phelan, Tulips in Foyer, 2006. Oil on linen, 39 3/4 x 57 1/2 Inches. Courtesy Gasser Grunert"><img class="size-full wp-image-14867   " title="Ellen Phelan, Tulips in Foyer, 2006. Oil on linen, 39 3/4 x 57 1/2 Inches. Courtesy Gasser Grunert" src="http://artcritical.com/wp-content/uploads/2011/02/Tulips-in-Foyer-2006.jpeg" alt="Ellen Phelan, Tulips in Foyer, 2006. Oil on linen, 39 3/4 x 57 1/2 Inches. Courtesy Gasser Grunert" width="509" height="350" /></a></span><p class="wp-caption-text">Ellen Phelan, Tulips in Foyer, 2006. Oil on linen, 39 3/4 x 57 1/2 Inches. Courtesy Gasser Grunert</p></div>
<div id="attachment_14868" class="wp-caption alignnone" style="width: 371px"><span style="font-size: small;"><a  href="http://artcritical.com/wp-content/uploads/2011/02/Laurie-Simmons.jpeg" class="thickbox no_icon" rel="gallery-14133" title="Laurie Simmons, Day 11 (Yellow) from The Love Doll, 2010. Fuji matte print  70 x 47 Inches. Courtesy Salon 94"><img class="size-full wp-image-14868  " title="Laurie Simmons, Day 11 (Yellow) from The Love Doll, 2010. Fuji matte print  70 x 47 Inches. Courtesy Salon 94" src="http://artcritical.com/wp-content/uploads/2011/02/Laurie-Simmons.jpeg" alt="Laurie Simmons, Day 11 (Yellow) from The Love Doll, 2010. Fuji matte print  70 x 47 Inches. Courtesy Salon 94" width="361" height="539" /></a></span><p class="wp-caption-text">Laurie Simmons, Day 11 (Yellow) from The Love Doll, 2010. Fuji matte print  70 x 47 Inches. Courtesy Salon 94</p></div>
<div id="attachment_14869" class="wp-caption alignnone" style="width: 442px"><a  href="http://artcritical.com/wp-content/uploads/2011/02/289.jpeg" class="thickbox no_icon" rel="gallery-14133" title="Krzysztof Wodiczko, Out of Here: The Veterans Project, 2009-2011. Installation shot. Courtesy Galerie Lelong"><img class="size-full wp-image-14869  " title="Krzysztof Wodiczko, Out of Here: The Veterans Project, 2009-2011. Installation shot. Courtesy Galerie Lelong" src="http://artcritical.com/wp-content/uploads/2011/02/289.jpeg" alt="Krzysztof Wodiczko, Out of Here: The Veterans Project, 2009-2011. Installation shot. Courtesy Galerie Lelong" width="432" height="323" /></a><p class="wp-caption-text">Krzysztof Wodiczko, Out of Here: The Veterans Project, 2009-2011. Installation shot. Courtesy Galerie Lelong</p></div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/03/04/march-2011-review-panel/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://artcritical.com/REVIEWPANEL/RP44March2011/1-Intro.mp3" length="5850409" type="audio/mpeg" />
		<itunes:duration>4:52</itunes:duration>
		<itunes:subtitle>March 4, 2011 at the National Academy Museum and School of Fine Arts, New York

Robert Storr, Sarah Valdez, and Joan Waltemath joined David Cohen to ...</itunes:subtitle>
		<itunes:summary>March 4, 2011 at the National Academy Museum and School of Fine Arts, New York

Robert Storr, Sarah Valdez, and Joan Waltemath joined David Cohen to discuss Lois Dodd at Alexandre Gallery, Ellen Phelan at Gasser Grunert Gallery, Laurie Simmons at Salon 94, and Krzysztof Wodiczko at Galerie Lelong.

 

[caption id="attachment_14135" align="alignnone" width="500" caption="Lois Dodd, Blair Pond Frozen, 2010. Oil on masonite, 14 x 19 3/4 Inches. Courtesy Alexandre Gallery"][/caption]

[caption id="attachment_14867" align="alignnone" width="509" caption="Ellen Phelan, Tulips in Foyer, 2006. Oil on linen, 39 3/4 x 57 1/2 Inches. Courtesy Gasser Grunert"][/caption]

[caption id="attachment_14868" align="alignnone" width="361" caption="Laurie Simmons, Day 11 (Yellow) from The Love Doll, 2010. Fuji matte print  70 x 47 Inches. Courtesy Salon 94"][/caption]

[caption id="attachment_14869" align="alignnone" width="432" caption="Krzysztof Wodiczko, Out of Here: The Veterans Project, 2009-2011. Installation shot. Courtesy Galerie Lelong"][/caption]</itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>February, 2011: Diehl, Gopnik, and Kley</title>
		<link>http://artcritical.com/2011/02/16/review-panel-february-2011/</link>
		<comments>http://artcritical.com/2011/02/16/review-panel-february-2011/#comments</comments>
		<pubDate>Wed, 16 Feb 2011 15:15:14 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Alexander Gray Associates]]></category>
		<category><![CDATA[D'Amelio Terras]]></category>
		<category><![CDATA[Dellsperger, Brice]]></category>
		<category><![CDATA[Diehl, Carol]]></category>
		<category><![CDATA[Gilbert-Rolfe, Jeremy]]></category>
		<category><![CDATA[Gopnik, Blake]]></category>
		<category><![CDATA[Kley, Elizabeth]]></category>
		<category><![CDATA[Moffat, Tracey]]></category>
		<category><![CDATA[Parker, Cornelia]]></category>
		<category><![CDATA[Team Gallery]]></category>
		<category><![CDATA[Tyler Rollins Fine Art]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=14101</guid>
		<description><![CDATA[<p>Reviewing exhibitions of Brice Dellsperger, Jeremy Gilbert-Rolfe, Tracey Moffatt, and Cornelia Parker.</p>
]]></description>
			<content:encoded><![CDATA[<p><strong>February 4, 2011 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>Carol Diehl, Blake Gopnik, and Elizabeth Kley joined David Cohen to discuss Brice Dellsperger at team (gallery, inc.), Jeremy Gilbert-Rolfe at Alexander Gray Associates, Tracey Moffatt at Tyler Rollins Fine Art, and Cornelia Parker at D&#8217;Amelio Terras.</p>
<div id="attachment_14112" class="wp-caption alignnone" style="width: 573px"><a  href="http://artcritical.com/wp-content/uploads/2011/02/Plantation-Diptych-No1.jpeg" class="thickbox no_icon" rel="gallery-14101" title="Tracey Moffatt, Plantation (Diptych No.1), 2009. Digital print with archival pigments, inkaid, watercolor paint and archival glue on handmade chautara lokta paper, 18 X 20 Inches.  Courtesy Tyler Rollins Fine Art "><img class="size-full wp-image-14112  " title="Tracey Moffatt, Plantation (Diptych No.1), 2009. Digital print with archival pigments, inkaid, watercolor paint and archival glue on handmade chautara lokta paper, 18 X 20 Inches.  Courtesy Tyler Rollins Fine Art " src="http://artcritical.com/wp-content/uploads/2011/02/Plantation-Diptych-No1.jpeg" alt="Tracey Moffatt, Plantation (Diptych No.1), 2009. Digital print with archival pigments, inkaid, watercolor paint and archival glue on handmade chautara lokta paper, 18 X 20 Inches.  Courtesy Tyler Rollins Fine Art " width="563" height="246" /></a><p class="wp-caption-text">Tracey Moffatt, Plantation (Diptych No.1), 2009. Digital print with archival pigments, inkaid, watercolor paint and archival glue on handmade chautara lokta paper, 18 X 20 Inches.  Courtesy Tyler Rollins Fine Art </p></div>
<div id="attachment_14113" class="wp-caption alignnone" style="width: 469px"><a  href="http://artcritical.com/wp-content/uploads/2011/02/12713_1294169170.original1.jpeg" class="thickbox no_icon" rel="gallery-14101" title="Jeremy Gilbert-Rolfe, More, 2010. Oil on linen, 83 1/8 x 109 3/8 Inches, Courtesy Alexander Gray Associates"><img class="size-full wp-image-14113 " title="Jeremy Gilbert-Rolfe, More, 2010. Oil on linen, 83 1/8 x 109 3/8 Inches, Courtesy Alexander Gray Associates" src="http://artcritical.com/wp-content/uploads/2011/02/12713_1294169170.original1.jpeg" alt="Jeremy Gilbert-Rolfe, More, 2010. Oil on linen, 83 1/8 x 109 3/8 Inches, Courtesy Alexander Gray Associates" width="459" height="351" /></a><p class="wp-caption-text">Jeremy Gilbert-Rolfe, More, 2010. Oil on linen, 83 1/8 x 109 3/8 Inches, Courtesy Alexander Gray Associates</p></div>
<div id="attachment_14114" class="wp-caption alignnone" style="width: 610px"><a  href="http://artcritical.com/wp-content/uploads/2011/02/Bd27_03_600_4001.jpeg" class="thickbox no_icon" rel="gallery-14101" title="Brice Dellsperger, Body Double 27 (After in a Year with 13 Moons), 2010, Still, Courtesy team (gallery, inc.) "><img class="size-full wp-image-14114 " title="Brice Dellsperger, Body Double 27 (After in a Year with 13 Moons), 2010, Still, Courtesy team (gallery, inc.) " src="http://artcritical.com/wp-content/uploads/2011/02/Bd27_03_600_4001.jpeg" alt="Brice Dellsperger, Body Double 27 (After in a Year with 13 Moons), 2010, Still, Courtesy team (gallery, inc.) " width="600" height="338" /></a><p class="wp-caption-text">Brice Dellsperger, Body Double 27 (After in a Year with 13 Moons), 2010, Still, Courtesy team (gallery, inc.) </p></div>
<p><strong> </strong></p>
<p><strong> </strong></p>
<p><strong> </strong></p>
<div id="attachment_14105" class="wp-caption alignnone" style="width: 616px"><strong><a  href="http://artcritical.com/wp-content/uploads/2011/02/image-display.jpeg" class="thickbox no_icon" rel="gallery-14101" title="Cornelia Parker, Rorschach (Accidental III), 2006, Installation Shot, Courtesy D'Amelio Terras"><img class="size-full wp-image-14105 " title="Cornelia Parker, Rorschach (Accidental III), 2006, Installation Shot, Courtesy D'Amelio Terras" src="http://artcritical.com/wp-content/uploads/2011/02/image-display.jpeg" alt="Cornelia Parker, Rorschach (Accidental III), 2006, Installation Shot, Courtesy D'Amelio Terras" width="606" height="350" /></a></strong><p class="wp-caption-text">Cornelia Parker, Rorschach (Accidental III), 2006, Installation Shot, Courtesy D&#39;Amelio Terras</p></div>
<p><strong> </strong></p>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2011/02/16/review-panel-february-2011/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://www.artcritical.com/REVIEWPANEL/RP43Feb2011/1-Intro.mp3" length="6616790" type="audio/mpeg" />
		<itunes:duration>6:53</itunes:duration>
		<itunes:subtitle>February 4, 2011 at the National Academy Museum and School of Fine Arts, New York

Carol Diehl, Blake Gopnik, and Elizabeth Kley joined David Cohen to ...</itunes:subtitle>
		<itunes:summary>February 4, 2011 at the National Academy Museum and School of Fine Arts, New York

Carol Diehl, Blake Gopnik, and Elizabeth Kley joined David Cohen to discuss Brice Dellsperger at team (gallery, inc.), Jeremy Gilbert-Rolfe at Alexander Gray Associates, Tracey Moffatt at Tyler Rollins Fine Art, and Cornelia Parker at D'Amelio Terras.

[caption id="attachment_14112" align="alignnone" width="563" caption="Tracey Moffatt, Plantation (Diptych No.1), 2009. Digital print with archival pigments, inkaid, watercolor paint and archival glue on handmade chautara lokta paper, 18 X 20 Inches.  Courtesy Tyler Rollins Fine Art "][/caption]

[caption id="attachment_14113" align="alignnone" width="459" caption="Jeremy Gilbert-Rolfe, More, 2010. Oil on linen, 83 1/8 x 109 3/8 Inches, Courtesy Alexander Gray Associates"][/caption]

[caption id="attachment_14114" align="alignnone" width="600" caption="Brice Dellsperger, Body Double 27 (After in a Year with 13 Moons), 2010, Still, Courtesy team (gallery, inc.) "][/caption]

 

 

 

[caption id="attachment_14105" align="alignnone" width="606" caption="Cornelia Parker, Rorschach (Accidental III), 2006, Installation Shot, Courtesy D&#39;Amelio Terras"][/caption]

 </itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
		<item>
		<title>November, 2010: Anderson-Spivy, Buhmann and Plagens</title>
		<link>http://artcritical.com/2010/11/19/november-2010-review-panel/</link>
		<comments>http://artcritical.com/2010/11/19/november-2010-review-panel/#comments</comments>
		<pubDate>Fri, 19 Nov 2010 21:52:28 +0000</pubDate>
		<dc:creator>THE EDITORS</dc:creator>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Anderson-Spivy, Alexandra]]></category>
		<category><![CDATA[Buhmann, Stephanie]]></category>
		<category><![CDATA[Casebere, James]]></category>
		<category><![CDATA[Gladstone Gallery]]></category>
		<category><![CDATA[James Cohan Gallery]]></category>
		<category><![CDATA[Levine, Sherrie]]></category>
		<category><![CDATA[Mutu, Wangechi]]></category>
		<category><![CDATA[Paine, Roxy]]></category>
		<category><![CDATA[Paula Cooper Gallery]]></category>
		<category><![CDATA[Plagens, Peter]]></category>
		<category><![CDATA[Sean Kelly Gallery]]></category>

		<guid isPermaLink="false">http://artcritical.com/?p=12188</guid>
		<description><![CDATA[November 19, 2010 at the National Academy Musuem and School of Fine Arts, New York Alexandra Anderson-Spivy, Stephanie Buhmann, and Peter Plagens joined David Cohen to discuss James Casebere at Sean Kelly Gallery, Sherrie Levine at Paula Cooper Gallery, Wangechi Mutu at Gladstone Gallery, and Roxy Paine at James Cohan Gallery.]]></description>
			<content:encoded><![CDATA[<p><strong>November 19, 2010 at the National Academy Musuem and School of Fine Arts, New York</strong></p>
<p>Alexandra Anderson-Spivy, Stephanie Buhmann, and Peter Plagens joined David Cohen to discuss James Casebere at Sean Kelly Gallery, Sherrie Levine at Paula Cooper Gallery, Wangechi Mutu at Gladstone Gallery, and Roxy Paine at James Cohan Gallery.</p>
<div id="attachment_13774" class="wp-caption alignnone" style="width: 512px"><img class="size-full wp-image-13774" title="Sherry Levine, Installation shot, Courtesy Paula Cooper Gallery" src="http://artcritical.com/wp-content/uploads/2010/09/levine.jpg" alt="Sherry Levine, Installation shot, Courtesy Paula Cooper Gallery" width="502" height="336" /><p class="wp-caption-text">Sherrie Levine, Installation shot, Courtesy Paula Cooper Gallery</p></div>
<div id="attachment_13775" class="wp-caption alignnone" style="width: 636px"><img class="size-full wp-image-13775 " title="James Casebere, Landscape with Houses (Dutchess County, NY) #4, 2010. Digital chromogenic print mounted to Dibond, 74 1/8 x 95 5/8 x 3 Inches, Courtesy Sean Kelly Gallery" src="http://artcritical.com/wp-content/uploads/2010/09/casebere.png" alt="James Casebere, Landscape with Houses (Dutchess County, NY) #4, 2010. Digital chromogenic print mounted to Dibond, 74 1/8 x 95 5/8 x 3 Inches, Courtesy Sean Kelly Gallery" width="626" height="479" /><p class="wp-caption-text">James Casebere, Landscape with Houses (Dutchess County, NY) #4, 2010. Digital chromogenic print mounted to Dibond, 74 1/8 x 95 5/8 x 3 Inches. Courtesy Sean Kelly Gallery</p></div>
<div id="attachment_13777" class="wp-caption alignnone" style="width: 294px"><img class="size-full wp-image-13777" title="Wangechi Mutu, Nobody loves me. It's true., 2010. Mixed media ink, paint, collage and Mylar, 95 x 54 Inches, Courtesy Gladstone Gallery	 " src="http://artcritical.com/wp-content/uploads/2010/09/mutu.jpg" alt="Wangechi Mutu, Nobody loves me. It's true., 2010. Mixed media ink, paint, collage and Mylar, 95 x 54 Inches, Courtesy Gladstone Gallery	 " width="284" height="462" /><p class="wp-caption-text">Wangechi Mutu, Nobody loves me. It&#39;s true., 2010. Mixed media ink, paint, collage and Mylar, 95 x 54 Inches. Courtesy Gladstone Gallery	 </p></div>
<div id="attachment_13778" class="wp-caption alignnone" style="width: 660px"><img class="size-full wp-image-13778" title="Roxy Paine,  Distillation, 2010. Stainless steel, glass, paint, pigment. Courtesy James Cohan Gallery" src="http://artcritical.com/wp-content/uploads/2010/09/paine.jpg" alt="Roxy Paine,  Distillation, 2010. Stainless steel, glass, paint, pigment. Courtesy James Cohan Gallery" width="650" height="359" /><p class="wp-caption-text">Roxy Paine,  Distillation, 2010. Stainless steel, glass, paint, pigment. Courtesy James Cohan Gallery</p></div>
]]></content:encoded>
			<wfw:commentRss>http://artcritical.com/2010/11/19/november-2010-review-panel/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
			<enclosure url="http://artcritical.com//REVIEWPANEL/RP42Nov2010/1_Intro.mp3" length="4218879" type="audio/mpeg" />
		<itunes:duration>4:24</itunes:duration>
		<itunes:subtitle>November 19, 2010 at the National Academy Musuem and School of Fine Arts, New York

Alexandra Anderson-Spivy, Stephanie Buhmann, and Peter Plagens joined David Cohen to ...</itunes:subtitle>
		<itunes:summary>November 19, 2010 at the National Academy Musuem and School of Fine Arts, New York

Alexandra Anderson-Spivy, Stephanie Buhmann, and Peter Plagens joined David Cohen to discuss James Casebere at Sean Kelly Gallery, Sherrie Levine at Paula Cooper Gallery, Wangechi Mutu at Gladstone Gallery, and Roxy Paine at James Cohan Gallery.

[caption id="attachment_13774" align="alignnone" width="502" caption="Sherrie Levine, Installation shot, Courtesy Paula Cooper Gallery"][/caption]

[caption id="attachment_13775" align="alignnone" width="626" caption="James Casebere, Landscape with Houses (Dutchess County, NY) #4, 2010. Digital chromogenic print mounted to Dibond, 74 1/8 x 95 5/8 x 3 Inches. Courtesy Sean Kelly Gallery"][/caption]

[caption id="attachment_13777" align="alignnone" width="284" caption="Wangechi Mutu, Nobody loves me. It&#39;s true., 2010. Mixed media ink, paint, collage and Mylar, 95 x 54 Inches. Courtesy Gladstone Gallery	 "][/caption]

[caption id="attachment_13778" align="alignnone" width="650" caption="Roxy Paine,  Distillation, 2010. Stainless steel, glass, paint, pigment. Courtesy James Cohan Gallery"][/caption]</itunes:summary>
		<itunes:keywords>The Review Panel, latest podcast</itunes:keywords>
		<itunes:author>artcritical@gmail.com</itunes:author>
		<itunes:explicit>no</itunes:explicit>
		<itunes:block>no</itunes:block>
	</item>
	</channel>
</rss>

