<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: The Painting Undone: Supports/Surfaces	</title>
	<atom:link href="https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/feed/" rel="self" type="application/rss+xml" />
	<link>https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/</link>
	<description></description>
	<lastBuildDate>Sun, 13 May 2018 13:54:00 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=5.5.3</generator>
	<item>
		<title>
		By: Sant Roch		</title>
		<link>https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-356442</link>

		<dc:creator><![CDATA[Sant Roch]]></dc:creator>
		<pubDate>Sun, 13 May 2018 13:54:00 +0000</pubDate>
		<guid isPermaLink="false">http://testingartcritical.com/?p=618#comment-356442</guid>

					<description><![CDATA[Bonjour, Es que il y à encore quelq&#039;ub sur ce groupe?????
Je suis à Céret à la Galerie Sant Roch, Cette association etait deja en placve en 1966. Notre artiste doyenne Pat Rowland rememors le vernissage qui as eu lieu dans le patio devant la galerie. Elle souviens de la venue de Ben Vautier , mais es que il faissait partie de Support Surfaces?]]></description>
			<content:encoded><![CDATA[<p>Bonjour, Es que il y à encore quelq&#8217;ub sur ce groupe?????<br />
Je suis à Céret à la Galerie Sant Roch, Cette association etait deja en placve en 1966. Notre artiste doyenne Pat Rowland rememors le vernissage qui as eu lieu dans le patio devant la galerie. Elle souviens de la venue de Ben Vautier , mais es que il faissait partie de Support Surfaces?</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Ciaran Lennon		</title>
		<link>https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-54225</link>

		<dc:creator><![CDATA[Ciaran Lennon]]></dc:creator>
		<pubDate>Tue, 10 Sep 2013 13:27:13 +0000</pubDate>
		<guid isPermaLink="false">http://testingartcritical.com/?p=618#comment-54225</guid>

					<description><![CDATA[Since 1970, I have been making a range of paintings  that were initially encouraged by the surface and support movement   .see: ciaranlennon.com]]></description>
			<content:encoded><![CDATA[<p>Since 1970, I have been making a range of paintings  that were initially encouraged by the surface and support movement   .see: ciaranlennon.com</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Sarah Wilson		</title>
		<link>https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-23200</link>

		<dc:creator><![CDATA[Sarah Wilson]]></dc:creator>
		<pubDate>Wed, 21 Nov 2012 23:12:12 +0000</pubDate>
		<guid isPermaLink="false">http://testingartcritical.com/?p=618#comment-23200</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-3210&quot;&gt;Linda Francis&lt;/a&gt;.

Jim Bishop was Marcelin Pleynet&#039;s very close friend - he wrote a lot about him - see Bibliothèque Kandinsky website]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-3210">Linda Francis</a>.</p>
<p>Jim Bishop was Marcelin Pleynet&#8217;s very close friend &#8211; he wrote a lot about him &#8211; see Bibliothèque Kandinsky website</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Piers Dudgeon		</title>
		<link>https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-9285</link>

		<dc:creator><![CDATA[Piers Dudgeon]]></dc:creator>
		<pubDate>Mon, 08 Aug 2011 16:30:29 +0000</pubDate>
		<guid isPermaLink="false">http://testingartcritical.com/?p=618#comment-9285</guid>

					<description><![CDATA[I was fascinated by this. I came to it in research of H Claude Pissarro aka Isaac Pomié, who was involved with Supports/Surfaces. You mention André-Pierre Arnal, Vincent Bioulés, Louis Cane, Marc Devade, Daniel Dezeuze, Noël Dolla, Toni Grand, Bernard Pagés, Jean-Pierre Pincemin, Patrick Saytour, André Valensi and Claude Viallat, but not Pissarro, who was the son of Paulemile, the youngest son of Camille. Can you tell me more about this or who might be able to?]]></description>
			<content:encoded><![CDATA[<p>I was fascinated by this. I came to it in research of H Claude Pissarro aka Isaac Pomié, who was involved with Supports/Surfaces. You mention André-Pierre Arnal, Vincent Bioulés, Louis Cane, Marc Devade, Daniel Dezeuze, Noël Dolla, Toni Grand, Bernard Pagés, Jean-Pierre Pincemin, Patrick Saytour, André Valensi and Claude Viallat, but not Pissarro, who was the son of Paulemile, the youngest son of Camille. Can you tell me more about this or who might be able to?</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Linda Francis		</title>
		<link>https://artcritical.com/2004/02/01/the-painting-undone-supportssurfaces/#comment-3210</link>

		<dc:creator><![CDATA[Linda Francis]]></dc:creator>
		<pubDate>Fri, 11 Feb 2011 16:06:07 +0000</pubDate>
		<guid isPermaLink="false">http://testingartcritical.com/?p=618#comment-3210</guid>

					<description><![CDATA[Can you place Jim Bishop in this?]]></description>
			<content:encoded><![CDATA[<p>Can you place Jim Bishop in this?</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
