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	<title>
	Comments on: The Pleasures of the Pursuit: Talks by William Kentridge and Philip Pearlstein in Jerusalem	</title>
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	<link>https://artcritical.com/2011/04/22/kentridge-and-pearlstein/</link>
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		<title>
		By: Barbara Meyerowitz		</title>
		<link>https://artcritical.com/2011/04/22/kentridge-and-pearlstein/#comment-5563</link>

		<dc:creator><![CDATA[Barbara Meyerowitz]]></dc:creator>
		<pubDate>Sun, 01 May 2011 16:17:32 +0000</pubDate>
		<guid isPermaLink="false">https://artcritical.com/?p=15779#comment-5563</guid>

					<description><![CDATA[What good title, &#039;The Pleasures of the Pusuit&#039;. 

I enjoy the way the article probes so many aspects of Kentridges work;  from theatrics to self-parody, and from the comic to the fragile. How beautifully the qualites of charcoal are captured in the words, &#039;vulnerable, smudgy&#039; &#039;ephemeral; leading to a sense of &#039;romance and nostalgia.&#039;

If I ever get to New York, I will ask for them to get the Pearlsteins out of storage.]]></description>
			<content:encoded><![CDATA[<p>What good title, &#8216;The Pleasures of the Pusuit&#8217;. </p>
<p>I enjoy the way the article probes so many aspects of Kentridges work;  from theatrics to self-parody, and from the comic to the fragile. How beautifully the qualites of charcoal are captured in the words, &#8216;vulnerable, smudgy&#8217; &#8216;ephemeral; leading to a sense of &#8216;romance and nostalgia.&#8217;</p>
<p>If I ever get to New York, I will ask for them to get the Pearlsteins out of storage.</p>
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		<title>
		By: Chief		</title>
		<link>https://artcritical.com/2011/04/22/kentridge-and-pearlstein/#comment-5421</link>

		<dc:creator><![CDATA[Chief]]></dc:creator>
		<pubDate>Wed, 27 Apr 2011 19:16:30 +0000</pubDate>
		<guid isPermaLink="false">https://artcritical.com/?p=15779#comment-5421</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://artcritical.com/2011/04/22/kentridge-and-pearlstein/#comment-5368&quot;&gt;rdebel&lt;/a&gt;.

Here is a good place to start: https://artcritical.com/author/anne-sassoon/]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://artcritical.com/2011/04/22/kentridge-and-pearlstein/#comment-5368">rdebel</a>.</p>
<p>Here is a good place to start: <a href="https://artcritical.com/author/anne-sassoon/" rel="nofollow ugc">https://artcritical.com/author/anne-sassoon/</a></p>
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		<title>
		By: rdebel		</title>
		<link>https://artcritical.com/2011/04/22/kentridge-and-pearlstein/#comment-5368</link>

		<dc:creator><![CDATA[rdebel]]></dc:creator>
		<pubDate>Tue, 26 Apr 2011 16:06:06 +0000</pubDate>
		<guid isPermaLink="false">https://artcritical.com/?p=15779#comment-5368</guid>

					<description><![CDATA[anne sasson makes you want to read more of her writings]]></description>
			<content:encoded><![CDATA[<p>anne sasson makes you want to read more of her writings</p>
]]></content:encoded>
		
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		<title>
		By: Shirley Sacks		</title>
		<link>https://artcritical.com/2011/04/22/kentridge-and-pearlstein/#comment-5340</link>

		<dc:creator><![CDATA[Shirley Sacks]]></dc:creator>
		<pubDate>Tue, 26 Apr 2011 00:35:31 +0000</pubDate>
		<guid isPermaLink="false">https://artcritical.com/?p=15779#comment-5340</guid>

					<description><![CDATA[What a insightful article.]]></description>
			<content:encoded><![CDATA[<p>What a insightful article.</p>
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