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	Comments on: Passage to Postmodernity: Paris-Delhi-Bombay	</title>
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		By: CAP		</title>
		<link>https://artcritical.com/2011/08/03/paris-delhi-bombay/#comment-9644</link>

		<dc:creator><![CDATA[CAP]]></dc:creator>
		<pubDate>Wed, 31 Aug 2011 21:44:25 +0000</pubDate>
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					<description><![CDATA[It&#039;s true there are obvious influences to the Indian art under discussion, but I think Carrier misses some important differences as well. Gupta&#039;s installations of stainless steel, for instance, are not just McCollum&#039;s mass fabrications of ornament or machine component, anymore than they are earlier Minimalist tributes to modularity, or subsequent displays by Cady Noland of bulk commodities. There is room in there to discern other emphasis, other voices. It&#039;s a sign of a tired critic (pace Saltz @ Venice this year) when everything starts to look the same or worse than yesteryear.]]></description>
			<content:encoded><![CDATA[<p>It&#8217;s true there are obvious influences to the Indian art under discussion, but I think Carrier misses some important differences as well. Gupta&#8217;s installations of stainless steel, for instance, are not just McCollum&#8217;s mass fabrications of ornament or machine component, anymore than they are earlier Minimalist tributes to modularity, or subsequent displays by Cady Noland of bulk commodities. There is room in there to discern other emphasis, other voices. It&#8217;s a sign of a tired critic (pace Saltz @ Venice this year) when everything starts to look the same or worse than yesteryear.</p>
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