<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>
	Comments on: Keeping Your Balance in the Windy City: Report from Chicago	</title>
	<atom:link href="https://artcritical.com/2011/10/09/chicago/feed/" rel="self" type="application/rss+xml" />
	<link>https://artcritical.com/2011/10/09/chicago/</link>
	<description></description>
	<lastBuildDate>Tue, 25 Oct 2011 02:18:07 +0000</lastBuildDate>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=5.5.3</generator>
	<item>
		<title>
		By: Brian Edmonds		</title>
		<link>https://artcritical.com/2011/10/09/chicago/#comment-11201</link>

		<dc:creator><![CDATA[Brian Edmonds]]></dc:creator>
		<pubDate>Tue, 25 Oct 2011 02:18:07 +0000</pubDate>
		<guid isPermaLink="false">https://artcritical.com/?p=19475#comment-11201</guid>

					<description><![CDATA[I have always felt the same way about Pearlstein.  His figures seem cold and detached.  I am sure that is his intent.  Freud&#039;s figures are also detached but the technique is of course much different.

I have always been a little disappointed in the Chicago art scene.  When you visited the galleries were you impressed?  Where would you rank Chicago among other U.S. cities?  Even the current museum shows seem a little lackluster.]]></description>
			<content:encoded><![CDATA[<p>I have always felt the same way about Pearlstein.  His figures seem cold and detached.  I am sure that is his intent.  Freud&#8217;s figures are also detached but the technique is of course much different.</p>
<p>I have always been a little disappointed in the Chicago art scene.  When you visited the galleries were you impressed?  Where would you rank Chicago among other U.S. cities?  Even the current museum shows seem a little lackluster.</p>
]]></content:encoded>
		
			</item>
		<item>
		<title>
		By: Steve Caler		</title>
		<link>https://artcritical.com/2011/10/09/chicago/#comment-10829</link>

		<dc:creator><![CDATA[Steve Caler]]></dc:creator>
		<pubDate>Fri, 14 Oct 2011 18:59:31 +0000</pubDate>
		<guid isPermaLink="false">https://artcritical.com/?p=19475#comment-10829</guid>

					<description><![CDATA[Valentine&#039;s work is immediate, raw and unfettered – striking a chord with both the familiar and the unrecognizable. The portraits are emotionally charged and calming. His paint speaks volumes.]]></description>
			<content:encoded><![CDATA[<p>Valentine&#8217;s work is immediate, raw and unfettered – striking a chord with both the familiar and the unrecognizable. The portraits are emotionally charged and calming. His paint speaks volumes.</p>
]]></content:encoded>
		
			</item>
	</channel>
</rss>
