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	<title>
	Comments on: Collection of Sandy: Paintings Lost in Flooded Chelsea Gallery	</title>
	<atom:link href="https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/feed/" rel="self" type="application/rss+xml" />
	<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/</link>
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		<title>
		By: Walter Giles		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-356784</link>

		<dc:creator><![CDATA[Walter Giles]]></dc:creator>
		<pubDate>Tue, 17 Mar 2020 13:12:00 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-356784</guid>

					<description><![CDATA[Hi Rex,
~Just noticed this.
Walter]]></description>
			<content:encoded><![CDATA[<p>Hi Rex,<br />
~Just noticed this.<br />
Walter</p>
]]></content:encoded>
		
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		<title>
		By: eric holzman		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-241345</link>

		<dc:creator><![CDATA[eric holzman]]></dc:creator>
		<pubDate>Wed, 17 Dec 2014 20:59:58 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-241345</guid>

					<description><![CDATA[In reply to &lt;a href=&quot;https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-22516&quot;&gt;Rex Auchincloss&lt;/a&gt;.

Dear Rex, 
I&#039;m not sure if this will get to you, I have a wrong number for you.
If you get it
call or write
please.  212 966 3774
E]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-22516">Rex Auchincloss</a>.</p>
<p>Dear Rex,<br />
I&#8217;m not sure if this will get to you, I have a wrong number for you.<br />
If you get it<br />
call or write<br />
please.  212 966 3774<br />
E</p>
]]></content:encoded>
		
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		<item>
		<title>
		By: leslie samuel		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-73842</link>

		<dc:creator><![CDATA[leslie samuel]]></dc:creator>
		<pubDate>Mon, 30 Dec 2013 00:04:08 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-73842</guid>

					<description><![CDATA[rex please get in touch with me samuelleslie@yahoo.com]]></description>
			<content:encoded><![CDATA[<p>rex please get in touch with me <a href="mailto:samuelleslie@yahoo.com">samuelleslie@yahoo.com</a></p>
]]></content:encoded>
		
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		<item>
		<title>
		By: leslie samuel		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-73841</link>

		<dc:creator><![CDATA[leslie samuel]]></dc:creator>
		<pubDate>Mon, 30 Dec 2013 00:02:44 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-73841</guid>

					<description><![CDATA[rex i want to helpyou put the lost peices back together and help rebuild the gallery get in touch with me please]]></description>
			<content:encoded><![CDATA[<p>rex i want to helpyou put the lost peices back together and help rebuild the gallery get in touch with me please</p>
]]></content:encoded>
		
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		<title>
		By: Joshua Neustein		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-29226</link>

		<dc:creator><![CDATA[Joshua Neustein]]></dc:creator>
		<pubDate>Wed, 20 Feb 2013 18:23:51 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-29226</guid>

					<description><![CDATA[Dear David,
Am a long time enthusiast  of  Artcritical. 
I loved the Lois Dodd image that Artcritical posted.. The reprinted image of blue umber and white was a spare, urgent, economical poetic painting.. then I went to see the show and the rest of Dodd’s pictures were a disappointment. Fairfield Porter style platt American images.. Even Alex Katz and California period Hockney who was infected with this dry decal reality barely get away with it.

Joshua Neustein]]></description>
			<content:encoded><![CDATA[<p>Dear David,<br />
Am a long time enthusiast  of  Artcritical.<br />
I loved the Lois Dodd image that Artcritical posted.. The reprinted image of blue umber and white was a spare, urgent, economical poetic painting.. then I went to see the show and the rest of Dodd’s pictures were a disappointment. Fairfield Porter style platt American images.. Even Alex Katz and California period Hockney who was infected with this dry decal reality barely get away with it.</p>
<p>Joshua Neustein</p>
]]></content:encoded>
		
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		<title>
		By: Paul C Smith		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-22580</link>

		<dc:creator><![CDATA[Paul C Smith]]></dc:creator>
		<pubDate>Sat, 03 Nov 2012 16:06:44 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-22580</guid>

					<description><![CDATA[The Joan Mitchell Foundation has funds available for artists/orgs suffering Sandy damage--check their website]]></description>
			<content:encoded><![CDATA[<p>The Joan Mitchell Foundation has funds available for artists/orgs suffering Sandy damage&#8211;check their website</p>
]]></content:encoded>
		
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		<title>
		By: Rex Auchincloss		</title>
		<link>https://artcritical.com/2012/10/30/collection-of-sandy-paintings-lost-in-flooded-chelsea-gallery/#comment-22516</link>

		<dc:creator><![CDATA[Rex Auchincloss]]></dc:creator>
		<pubDate>Fri, 02 Nov 2012 00:56:09 +0000</pubDate>
		<guid isPermaLink="false">https://www.artcritical.com/?p=27091#comment-22516</guid>

					<description><![CDATA[I lament the loss of these paintings; as well, equally (if not more so), the missed opportunity for those who would have experienced the serendipitous impact of these works. I can bear witness to the mood that emanated from the space of the narrative outwards: inviting and indeterminate. One mingled in these scenes with the way the paintings&#039; borders faded and encroached further out kind of detached from the literal enclosure of setting. Joa has a lot of work behind (that went into) these canvases--she&#039;ll re-gather the strains towards new motifs of beautiful appropriation.]]></description>
			<content:encoded><![CDATA[<p>I lament the loss of these paintings; as well, equally (if not more so), the missed opportunity for those who would have experienced the serendipitous impact of these works. I can bear witness to the mood that emanated from the space of the narrative outwards: inviting and indeterminate. One mingled in these scenes with the way the paintings&#8217; borders faded and encroached further out kind of detached from the literal enclosure of setting. Joa has a lot of work behind (that went into) these canvases&#8211;she&#8217;ll re-gather the strains towards new motifs of beautiful appropriation.</p>
]]></content:encoded>
		
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