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	<title>
	Comments on: A Critics&#8217; Roundtable on Christopher Wool at the Guggenheim	</title>
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	<link>https://artcritical.com/2014/01/22/christopher-wool-roundtable/</link>
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		<title>
		By: Noah Dillon		</title>
		<link>https://artcritical.com/2014/01/22/christopher-wool-roundtable/#comment-177606</link>

		<dc:creator><![CDATA[Noah Dillon]]></dc:creator>
		<pubDate>Thu, 16 Oct 2014 04:47:21 +0000</pubDate>
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					<description><![CDATA[In reply to &lt;a href=&quot;https://artcritical.com/2014/01/22/christopher-wool-roundtable/#comment-175684&quot;&gt;virginia bryant&lt;/a&gt;.

What do you mean by &quot;authentic&quot;? Authentically empathic? Empathy for whom?]]></description>
			<content:encoded><![CDATA[<p>In reply to <a href="https://artcritical.com/2014/01/22/christopher-wool-roundtable/#comment-175684">virginia bryant</a>.</p>
<p>What do you mean by &#8220;authentic&#8221;? Authentically empathic? Empathy for whom?</p>
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		<title>
		By: virginia bryant		</title>
		<link>https://artcritical.com/2014/01/22/christopher-wool-roundtable/#comment-175684</link>

		<dc:creator><![CDATA[virginia bryant]]></dc:creator>
		<pubDate>Mon, 13 Oct 2014 22:30:23 +0000</pubDate>
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					<description><![CDATA[I&#039;ve always thought of Worringer&#039;s &quot;Abstraction &#038; Empathy&quot; as being off by being backwards. Empathy is found in deep rooted authenticity, and for some, painting is most nearly itself as abstraction. There are some of us (many? perhaps mostly painters) believing that painting has the most capacity for empathy in abstraction because the newness of its space may provide relief from all other spaces as poetry does. Mimicry too easily forgets the poetry that soothes as music does, abstractly.]]></description>
			<content:encoded><![CDATA[<p>I&#8217;ve always thought of Worringer&#8217;s &#8220;Abstraction &amp; Empathy&#8221; as being off by being backwards. Empathy is found in deep rooted authenticity, and for some, painting is most nearly itself as abstraction. There are some of us (many? perhaps mostly painters) believing that painting has the most capacity for empathy in abstraction because the newness of its space may provide relief from all other spaces as poetry does. Mimicry too easily forgets the poetry that soothes as music does, abstractly.</p>
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		<title>
		By: John Cheim		</title>
		<link>https://artcritical.com/2014/01/22/christopher-wool-roundtable/#comment-78575</link>

		<dc:creator><![CDATA[John Cheim]]></dc:creator>
		<pubDate>Sun, 26 Jan 2014 19:49:01 +0000</pubDate>
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					<description><![CDATA[where o where is Warhol in this discussion?]]></description>
			<content:encoded><![CDATA[<p>where o where is Warhol in this discussion?</p>
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