Comments on: Orchestration Transformed: Larry Poons, Early and New https://artcritical.com/2014/01/31/jill-nathanson-on-larry-poons/ Sat, 08 Feb 2014 21:50:06 +0000 hourly 1 https://wordpress.org/?v=5.5.3 By: Jill Nathanson https://artcritical.com/2014/01/31/jill-nathanson-on-larry-poons/#comment-79896 Mon, 03 Feb 2014 02:43:14 +0000 https://www.artcritical.com/?p=37915#comment-79896 In reply to Peter Malone.

Thanks for your comments. I really like your piece on Hyperallergic, especially your awareness of all the other art that Poons’ current work brings to mind. I don’t know about Pooons having sprayed paint in the ’70’s; likely he tried it at some point, but I was in his studio when paint was being thrown and it was just hurled by the bucket against the wall.

]]> By: Peter Malone https://artcritical.com/2014/01/31/jill-nathanson-on-larry-poons/#comment-79616 Sat, 01 Feb 2014 15:31:11 +0000 https://www.artcritical.com/?p=37915#comment-79616 Great insight to Poon’s background in music. And you’re characterization of his “pure craziness that is working with color” captures his unique method, which I find consistently motion-oriented without really falling in Harold Rosenberg’s “action” painting mode. I was told once by Larry Zox that some of Poons’ work from the 70s, work I had seen in Knoedler, was actually sprayed on the canvas with an open nozzle. Having interviewed Poons yourself, does that sound right?

]]> By: Sandi Slone https://artcritical.com/2014/01/31/jill-nathanson-on-larry-poons/#comment-79499 Sat, 01 Feb 2014 04:33:02 +0000 https://www.artcritical.com/?p=37915#comment-79499 Brilliantly written review of an important painter — with profound observations encompassing Poons’s long and experimental career. It was a great pleasure to read this .

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