At work on portraits of Yale women of the 1890s and 365 art world contemporaries
Harvey has painted a portrait, in silhouette, of each metal piece hanging in the Barnes
Strength and Splendor, works from Rouen, on view in Philadelphia through January 3.
Corbett discusses his personal and aesthetic interest in the work of Franz Kline.
“whatever micro/macro situation you’re in, how things are categorized is the way people understand them.”
The artist’s embroidered fragments act as drawing, sculpture, and collage.
In the Blancs, colored forms made by folding and creasing the canvas
This is a test article for the artcritcal newsletter. I used to cop a lot but never copped no drop. Hold mics like pony tails, tight and bob a lot. Stop and stick around, come through and dig the sound. Of the fly brown six-o sicko psycho who throws his dick around. Bound to go…
An artist returns from her day job with new work documenting life, big and small.