The Art Fairs This Week: A Cheat Sheet from the Editors of THE LIST » ThingGapMethod-Kincheloe-SpringBreak

Spring/Break is the most anarchic and exuberant of the fairs: each room of these administrative offices of the USPS (the space has a David Lynch-like quality, a time-capsule of New Deal-era bureaucracy) has its own organizing principle. Here is artist Megan Liu Kincheloe installing Thing Gap Method in Room 23 featuring works by Sophia Flood, Sascha Ingber, Kelly McCafferty, Sarah Tortora and herself.

Spring/Break is the most anarchic and exuberant of the fairs: each room of these administrative offices of the USPS (the space has a David Lynch-like quality, a time-capsule of New Deal-era bureaucracy) has its own organizing principle. Here is artist Megan Liu Kincheloe installing Thing Gap Method in Room 23 featuring works by Sophia Flood, Sascha Ingber, Kelly McCafferty, Sarah Tortora and herself.

Jefferson Pinder’s Afro-Cosmonaut/Alien (White Noise) is, according to his gallery, Curator’s Office of Bathesda, Md., “an escapist video narrative that ends in destruction when the protagonist plummets back to Earth after a mystical space journey. Like the doomed Icarus of Ancient Greek myth, the epic fall comes after reaching a brilliant zenith that is both mesmerizing and lethal. This white-faced Butoh-inspired performance is a crude metaphor of the civil rights legacy. Taking cues from experimental films, Pinder plants himself within the work, asking the viewers to watch the images of propulsion and power.”

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