The linear and the painterly: How art today uses its traditions
Saul Steinberg at the Morgan Library, Merlin James at the Studio School
High Times, Hard Times: New York Painting, 1967-1975
an exhibition curated by Katy Siegel with David Reed
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Postwar: A Revisionist Vision from Munich
Starry Starry Knight: Malcolm Morley at Sperone Westwater
“Right There, Looking”: Brian O’Doherty’s Collected Essays
“Flesh is the reason oil paint was invented”: Chaim Soutine at the Jewish Museum
A Scrambling of Clues: Paul Resika, Geometry and the Sea
The Museum Reimagined: “Carta Bianca” at Museo di Capodimonte
The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe
The Ideal Site: Graham Nickson at Betty Cuningham
Dispelled Illusions: Kenny Scharf takes on Color Field
Going His Own Way: A new monograph on Thomas Nozkowski by John Yau
From Mao to Matisse: Claude Viallat in New York
City as Museum: Mimmo Rotella at Gladstone
Hard-Edge Happiness: The Paintings of Harvey Quaytman
To Organize Delirium: Five Installations by Hélio Oiticica
A Natural-Born Storyteller: The Writings of Sean Scully
A Part of the Main: Davina Semo at Marlborough Contemporary
Erin Riley at Spring Break
Catherine Opie at Lehmann Maupin
Ronnie Landfield at STUX + HALLER
Moira Dryer at 11R
An Early Spring: The Review Panel Season Debut, Friday 13th
Superflex in “Bloodflames Revisited” at Paul Kasmin
Sun and Earth: Melanie Schiff at Kate Werble
Flows of Light and Form: The Life and Work of Emmanuel Cooper
Wood, Light and Steel from Ash: Xu Bing’s Phoenixes
Paul Cézanne: Site/Non-Site
Clint Jukkala: Cosmic Trigger at BravinLee programs
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The Review Panel, March 11, with Laurie Fendrich, Barbara MacAdam and Terence Trouillot
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