Criticism
Tuesday, April 21st, 2020
 
Installation view of Kara Walker’s Turbine Hall Commission 2019, Fons Americanus. ©Tate photography, Photo by Matt Greenwood.
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
 
Vera Iliatova
The Ties That Bind, 2019
oil on canvas, 24 by 30 inches. Courtesy of Monya Rowe Gallery, New York.
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Thursday, January 23rd, 2020
 
Anna Sui Fashion Show Spring 1994. Photograph by Raoul Gatchalian
An exhibition that follows a fashion designer as she channels the spirit of her times ...
 

Thursday, November 29th, 2018

Installation shot, Stanley Whitney: In the Color, Lisson Gallery, New York, 2018 © Stanley Whitney; Courtesy Lisson Gallery

Where Color Takes Shape: Stanley Whitney at Lisson Gallery


His fourth show with the gallery, up through December 21

Sunday, November 11th, 2018

JM-cover

The Painted Word: Monique Johannet at The Painting Center


Her project room show, Intimations, is up through November 24

Saturday, November 10th, 2018

Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. ©Kara Walker. Courtesy of the artist and Sikkema Jenkins & Co., New York

Representing Rape: A Powerful Show at John Jay College


Curated by Monika Fabijianska earlier this fall

Monday, November 5th, 2018

Katinka Lampe, 6080179, 2017. Oil on canvas, 31 1/2 x 23 3/5 inches.
Courtesy of Elizabeth Houston Gallery.

Nemo: The Anonymous Portaits of Katinka Lampe and Colin Chillag


Overlapping Lower East Side shows at Elizabeth Houston Gallery

Thursday, November 1st, 2018

Installation shot, Ron Baron: Ode to A Void, at Studio 10, Brooklyn, 2018

Silent Procession: Ron Baron in Bushwick


Ode to a Void, at Studio 10, through Sunday

Saturday, October 27th, 2018

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Initial Impact: Benjamin Pritchard and the Art of Legible Shapes


Wayfarer, his first show at SFA Projects, through Sunday

Sunday, October 21st, 2018

Elena Sisto, Rapunella, 2018. Oil on linen, 24 x 30 inches. Courtesy of the artist and Bookstein Projects

A New Ecology of Signs: Elena Sisto beyond the studio


As We Dream at Bookstein Projects through October 27

Thursday, October 18th, 2018

Installation shot, Graham Nickson: Cumulus, Monumental Trees and Transient Skies, at the New York Studio School, 2018, with works from the Monumental Tree series in the collection of the Louis-Drefus Family Collection. Image courtesy of the New York Studio School

Saturated Color and Subtle Harmonies: Graham Nickson’s Watercolors


“Cumulus, Monumental Trees and Transient Skies”, on view at the New York Studio School

Saturday, October 13th, 2018

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The Sounds of Music: Marilyn Lerner at Kate Werble Gallery


Walking Backward Running Forward was on view this fall

Friday, October 12th, 2018

lunch

Subtle Ambiguities: Katherine Bradford at CANADA


Her show, titled “Friends and Strangers”, is up through October 21