Features
Monday, October 1st, 2018
 
Her exhibition at Theodore: Art runs through October 7 ...
Friday, September 28th, 2018
 
Natasha Wright, The Believers, 2018. Oil on canvas, 50 x 44 inches. Courtesy of the artist
Her recent show, Les Biches, was seen on the Lower East Side ...
Tuesday, September 4th, 2018
 
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His public sculpture, Spot, is at NYU’s Hassenfield Children’s Hospital ...
 

Tuesday, March 1st, 2005

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Albert Kresch


A new model of modern art has emerged since MOMA’s 2004 reopening, one that is quite helpful in appreciating the long yet underknown career of Albert Kresch (born 1922). The reconfigured galleries at MOMA were hung to reflect a hard won principle: there have been “a succession of arguments and counter-arguments on the continually disputed…

Thursday, February 17th, 2005

Meyer Schapiro, Slipped Grid, 3-Jul-79 1979. Oil on plasterboard, 7 x 10 inches Estate of Meyer Shapiro

The Continuous Mark: 40 Years of the New York Studio School


New York Studio School 8 West 8th Street New York NY 10011 212 673 6466 February 17 to May 7, 2005 The New York Studio School of Drawing, Painting, and Sculpture is housed in a nationally land marked building on 8th Street – a maze-like architectural wonder that combines four Victorian townhouses, mews carriage houses,…

Tuesday, February 1st, 2005

China Blue, Landscape, 1-16-04. Pencil on paper, 22-1/2 x 28-1/2 inches. Courtesy the Artist

China Blue


Sound artist China Blue was the subject of two solo exhibitions last Fall in Dijon, France and one in Tornio, Finland which closes April 3rd, 2005. On the eve of chairing a panel at the CAA conference in 2005 titled “Contact: Works that Create a Community Through Physical, Virtual or Momentary Relationships” she talked about her work with JILL CONNER.

Thursday, September 30th, 2004

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“Coaxed into fullness of existence”: A conversation with Rackstraw Downes


Published on the occasion of the inaugural exhibition at the Betty Cuningham Gallery in 2004

Wednesday, September 1st, 2004

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Susanna Heller


Heller is on view at John Davis Gallery until April 24

Sunday, August 1st, 2004

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Karlis Rekevics


Karlis Rekevics is at the beginning of his career, and yet his work doesn’t bring to mind any other artist. His complex white plaster sculptures, cast from molds made of plywood, masonite and blue foam, are multi-part forms with neon tubes and/or light bulbs attached to them. They are intuitively composed amalgamations of anonymous objects…

Thursday, July 8th, 2004

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Willard Boepple


Willard Boepple continues through July 31 at Salander-O’Reilly Galleries (20 E 79th Street between Fifth and Madison Avenues, 212-879-6606) “Abstract sculpture has the wonderful potential of catching people coming around a corner and making them say, ‘what the hell is that?’” So says Willard Boepple (pronounced BUP-lee), whose point is proven at Salander-O’Reilly Galleries where…

Thursday, July 1st, 2004

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Bettina Blohm


Bettina Blohm’s paintings are Haiku-like visual landscapes that distill emotion into abstract form. They reflect a love of Eastern art with its focus on intuitive states of mind. Blohm’s paintings also engage with a Matisse inspired sense of color and an Abstract Expressionist scale, both of which come across especially within her compositional placement of…

Sunday, May 30th, 2004

Salvador Dalí, Archaeological Reminiscence of Millet's "Angelus", 1933-35. Oil on panel, 12-1/2 z 15-1/2 inches Salvador Dalí Museum, St Petersburg, Florida

From Critical Paranoia to Uncritical Banality: 100 Years of Salvador Dalí and 25 of Jeff Koons


The Dalí centenary and an American acolyte

Saturday, May 1st, 2004

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Audrey Niffenegger


“Time is a state: the flame in which there lives the salamander of the human soul.” -Andrei Tarkovsky Chicago-based artist Audrey Niffenegger has always had a strong sense of storytelling: A compelling grasp of contradiction, humor, tragedy, and fantasy permeates the twenty odd years of her visual art career. Her work, an affirmation of Chicago’s…