Thomas Nozkowski at Max Protetch, Tony Berlant at Lennon, Weinberg

THOMAS NOZKOWSKI Max Protetch until March 18 (511 W. 22 Street, between Tenth and Eleventh Avenues, 212-633-6999) TONY BERLANT: Within Lennon, Weinberg until March 11 (514 W. 24 Street, between Tenth and Eleventh Avenues, 212-941-0012) Thomas Nozkowski’s paintings call out for oxymoronic exaltations: bravura reticence! Fluent awkwardness! Grandiose humility! Mr. Nozkowski’s inventions burst with a … Continued

Howard Hodgkin at Gagosian and Thomas Nozkowski at Max Protetch

“Howard Hodgkin” at Gagosian Gallery, until December 20 (555 W.24th Street at Eleventh Avenue, 212 741 1111). “Thomas Nozkowski: New Paintings” at Max Protetch until December 20 (511 W.22nd Street between Tenth and Eleventh Avenues, 212 633 6999). For most of its history, non-representational painting favored the universal over the particular. The very word “abstraction” … Continued

Thomas Nozkowski: New Paintings

Max Protetch 511 W.22nd Street New York NY10011 Tel 212 633 6999 until December 20 Unpacking a Thomas Nozkowski painting is akin to reading Beckett, sinking into Raging Bull, or catching a Dylan song. An experience that always leaves you challenged but full of visual riches. First, the facts. Nozkowski’s working method is simple; a … Continued

Thomas Nozkowski Drawings

January 23 to March 1, 2003 New York Studio School 8 West 8 Street, New York NY 10011 The key drawings in Thomas Nozkowski’s exhibition were hung just inside the entrance to the gallery. S68, dated 1984, is a semi-abstract pictogram made from short brushstrokes. The image is centered on a large empty field of … Continued

A panel today on Lennart Anderson at the Resnick-Passlof Foundation with painters Steve Hicks, Rachel Rickert and Kyle Staver, 4-6PM

It takes an exhibition. Despite being in his studio every day, Lennart Anderson, who died in 2015 left a relatively modest oeuvre. An artist of legendary tonal subtlety, he obsessively reworked his classical idylls, contemporary street-scenes, portraits and still lifes over many years. In his last decade, Anderson was the victim of macular degeneration, persevering … Continued