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	<title>Allora &amp; Calzadilla &#8211; artcritical</title>
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		<title>September 2014: Alexander Nagel, Dorothy Spears and Robert Storr with moderator David Cohen</title>
		<link>https://artcritical.com/2014/09/26/the-review-panel-september-2014/</link>
					<comments>https://artcritical.com/2014/09/26/the-review-panel-september-2014/#respond</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 26 Sep 2014 21:16:19 +0000</pubDate>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[Allora & Calzadilla]]></category>
		<category><![CDATA[David Zwirner Gallery]]></category>
		<category><![CDATA[Dufresne| Angela]]></category>
		<category><![CDATA[Dzama| Marcel]]></category>
		<category><![CDATA[Gladstone Gallery]]></category>
		<category><![CDATA[Kurland| Justine]]></category>
		<category><![CDATA[Mitchell-Innes & Nash]]></category>
		<category><![CDATA[Monya Rowe]]></category>
		<category><![CDATA[Nagel| Alexander]]></category>
		<category><![CDATA[Spears| Dorothy]]></category>
		<category><![CDATA[Storr| Robert]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=42684</guid>

					<description><![CDATA[<p>Allora &#038; Calzadilla at Gladstone Gallery, Marcel Dzama at David Zwirner, Angela Dufresne at Monya Rowe and Justine Kurland at Mitchell-Innes &#038; Nash.</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/09/26/the-review-panel-september-2014/">September 2014: Alexander Nagel, Dorothy Spears and Robert Storr with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/201610815&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; /]</p>
<p>&nbsp;</p>
<figure id="attachment_42686" aria-describedby="caption-attachment-42686" style="width: 423px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/09/marcel-dzama-bouffons.jpg"><img loading="lazy" class="wp-image-42686 size-full" src="https://www.artcritical.com/wp-content/uploads/2014/09/marcel-dzama-bouffons.jpg" alt="Cover of 7-inch vinyl record designed by the artist to coincide with the exhibition at David Zwirner in New York (September 9 – October 25, 2014) and The Believer magazine’s recent music issue" width="423" height="432" srcset="https://artcritical.com/app/uploads/2014/09/marcel-dzama-bouffons.jpg 423w, https://artcritical.com/app/uploads/2014/09/marcel-dzama-bouffons-275x280.jpg 275w" sizes="(max-width: 423px) 100vw, 423px" /></a><figcaption id="caption-attachment-42686" class="wp-caption-text">Cover of 7-inch vinyl record designed by the artist to coincide with the exhibition at David Zwirner in New York (September 9 – October 25, 2014) and The Believer magazine’s recent music issue</figcaption></figure>
<p>September 26, 2014 saw the season premiere of the tenth year of The Review Panel with newcomers Alexander Nagel and Dorothy Spears joining veteran guest Robert Storr with David Cohen moderating as ever.  The shows under review were of Allora &amp; Calzadilla at Gladstone Gallery, Marcel Dzama at David Zwirner, Angela Dufresne at Monya Rowe and Justine Kurland at Mitchell-Innes &amp; Nash.</p>
<p>In discussing Angela Dufresne&#8217;s exhibition, Robert Storr introduces the work of Jane Corrigan, showing at Kerry Schuss next door.</p>
<figure id="attachment_43848" aria-describedby="caption-attachment-43848" style="width: 275px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/09/corrogan.jpg"><img loading="lazy" class="size-medium wp-image-43848" src="https://www.artcritical.com/wp-content/uploads/2014/09/corrogan-275x204.jpg" alt="Jane Corrigan, Three GIrls in a Field, 2014. Oil on linen, 27 x 36-1/2 inches. Courtesy of Kerry Schuss (KS Art)" width="275" height="204" srcset="https://artcritical.com/app/uploads/2014/09/corrogan-275x205.jpg 275w, https://artcritical.com/app/uploads/2014/09/corrogan.jpg 550w" sizes="(max-width: 275px) 100vw, 275px" /></a><figcaption id="caption-attachment-43848" class="wp-caption-text">Jane Corrigan, Three GIrls in a Field, 2014. Oil on linen, 27 x 36-1/2 inches. Courtesy of Kerry Schuss (KS Art)</figcaption></figure>
<figure id="attachment_43845" aria-describedby="caption-attachment-43845" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/09/Justine-Kurland.jpg"><img loading="lazy" class="size-thumbnail wp-image-43845" src="https://www.artcritical.com/wp-content/uploads/2014/09/Justine-Kurland-71x71.jpg" alt="Justine Kurland, For Abigail, 2014. Inkjet print, 18-1/2 by 24 inches. Courtesy of Mitchell-Innes &amp; Nash" width="71" height="71" srcset="https://artcritical.com/app/uploads/2014/09/Justine-Kurland-71x71.jpg 71w, https://artcritical.com/app/uploads/2014/09/Justine-Kurland-150x150.jpg 150w" sizes="(max-width: 71px) 100vw, 71px" /></a><figcaption id="caption-attachment-43845" class="wp-caption-text">click to enlarge</figcaption></figure>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/09/26/the-review-panel-september-2014/">September 2014: Alexander Nagel, Dorothy Spears and Robert Storr with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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		<title>&#8220;Après moi, le deluge&#8221;: The Review Panel in Its Tenth Year</title>
		<link>https://artcritical.com/2014/09/17/apres-moi-le-deluge-the-review-panel-in-its-tenth-year/</link>
					<comments>https://artcritical.com/2014/09/17/apres-moi-le-deluge-the-review-panel-in-its-tenth-year/#respond</comments>
		
		<dc:creator><![CDATA[David Cohen]]></dc:creator>
		<pubDate>Wed, 17 Sep 2014 21:46:47 +0000</pubDate>
				<category><![CDATA[Welcome to this Issue]]></category>
		<category><![CDATA[Allora & Calzadilla]]></category>
		<category><![CDATA[Barbara Gladstone]]></category>
		<category><![CDATA[David Zwirner Gallery]]></category>
		<category><![CDATA[Dufresne| Angela]]></category>
		<category><![CDATA[Dzama| Marcel]]></category>
		<category><![CDATA[Johnson| Ken]]></category>
		<category><![CDATA[Kurland| Justine]]></category>
		<category><![CDATA[Mitchell-Innes & Nash]]></category>
		<category><![CDATA[Monya Rowe]]></category>
		<category><![CDATA[newsletter]]></category>
		<category><![CDATA[Saltz| Jerry]]></category>
		<category><![CDATA[The Review Panel]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=42856</guid>

					<description><![CDATA[<p>A welcome note from our publisher and editor</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/09/17/apres-moi-le-deluge-the-review-panel-in-its-tenth-year/">&#8220;Après moi, le deluge&#8221;: The Review Panel in Its Tenth Year</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>SEPTEMBER 2014</strong></p>
<p>Maybe the Jeff Koons portrait of Louis XIV triggers the association, but Labor Day always reminds me of the Sun King: “après moi, le deluge.” We are certainly in the thick of back-to-school excitement in New York City.  The need for critical clarity and a roadmap are all the more acute. So, welcome to the new season from artcritical.com</p>
<figure id="attachment_42857" aria-describedby="caption-attachment-42857" style="width: 375px" class="wp-caption alignleft"><a href="https://www.artcritical.com/wp-content/uploads/2014/09/sta7_sm.jpg"><img loading="lazy" class="size-full wp-image-42857" src="https://www.artcritical.com/wp-content/uploads/2014/09/sta7_sm.jpg" alt="Jeff Koons, Louis XIV, 1986.  Stainless steel, 46 x 27 x 15 inches, edition of three © Jeff Koons" width="375" height="380" srcset="https://artcritical.com/app/uploads/2014/09/sta7_sm.jpg 375w, https://artcritical.com/app/uploads/2014/09/sta7_sm-71x71.jpg 71w, https://artcritical.com/app/uploads/2014/09/sta7_sm-275x278.jpg 275w" sizes="(max-width: 375px) 100vw, 375px" /></a><figcaption id="caption-attachment-42857" class="wp-caption-text">Jeff Koons, Louis XIV, 1986. Stainless steel, 46 x 27 x 15 inches, edition of three © Jeff Koons</figcaption></figure>
<p>With artist duo Allora &amp; Calzadilla at Barbara Gladstone getting off to a singing start last weekend (literally, enlisting the service of boy choristers) all four shows selected for the season premiere of <strong>The Review Panel</strong> are now open for inspection. Newcomers to the program, Alexander Nagel and Dorothy Spears join veteran Review Panelist Rob Storr and myself <strong>September 26 </strong>at the National Academy Museum for an evening of critical debate.</p>
<p>The other shows under consideration are Angela Dufresne at Monya Rowe, Marcel Dzama at David Zwirner and Justine Kurland at Mitchell-Innes &amp; Nash. Can you believe it’s the tenth year of The Review Panel? It seems like no time has passed since Jerry Saltz and Ken Johnson locked horns that <a href="https://www.artcritical.com/2004/10/01/review-panel-october-2004/">October</a> night in 2004, with Walter Robinson and Alexi Worth heckling from the back row that we weren’t doing our job properly. The Review Panel now seems like an institution. The event also enters its fourth annual season in Philadelphia, at the Pennsylvania Academy, next month. Details of all the dates, speakers and venues are at <a href="https://www.artcritical.com/2014/09/09/review-panel-news-10th-season-launches-september-26-nagel-spears-storr/">artcritical</a> with links to a decade of podcasts.</p>
<figure id="attachment_37389" aria-describedby="caption-attachment-37389" style="width: 275px" class="wp-caption alignleft"><a href="https://www.artcritical.com/wp-content/uploads/2014/01/Dillon-Pagk2.jpg"><img loading="lazy" class="wp-image-37389 size-medium" src="https://www.artcritical.com/wp-content/uploads/2014/01/Dillon-Pagk2-275x183.jpg" alt="" width="275" height="183" srcset="https://artcritical.com/app/uploads/2014/01/Dillon-Pagk2-275x183.jpg 275w, https://artcritical.com/app/uploads/2014/01/Dillon-Pagk2.jpg 550w" sizes="(max-width: 275px) 100vw, 275px" /></a><figcaption id="caption-attachment-37389" class="wp-caption-text">New Associate Editor Noah Dillon and artist Paul Pagk at artcritical&#8217;s 2013 holiday party at Zürcher Studio.</figcaption></figure>
<p>Our other big news at artcritical is that we have a new Associate Editor: Noah Dillon. Noah, who is also an artist, is a graduate of the Art Criticism and Writing MFA program at SVA, and both he and that program’s director, David Levi Strauss, will appear on The Review Panel next Spring. Noah’s critical acumen and intellectual ambition have already made themselves felt in our pages over the summer. He replaces our first Associate Editor, Nora Griffin, who is now a contributing editor. To get a flavor of his mind, check out his contribution to <a href="%20https://www.artcritical.com/2014/08/22/noah-dillon-bookmarked/">BOODMARKED</a>, the series where writers and artists show us the scope of their online reading.</p>
<p><a href="https://www.artcritical.com/wp-content/uploads/2014/09/signature.jpg"><img loading="lazy" class="alignnone size-full wp-image-42858" src="https://www.artcritical.com/wp-content/uploads/2014/09/signature.jpg" alt="signature" width="288" height="65" srcset="https://artcritical.com/app/uploads/2014/09/signature.jpg 288w, https://artcritical.com/app/uploads/2014/09/signature-275x62.jpg 275w" sizes="(max-width: 288px) 100vw, 288px" /></a></p>
<p>David Cohen, Publisher and Editor</p>
<p>Selected articles posted recently: <a href="https://www.artcritical.com/2014/09/12/irving-sandler-in-conversation-with-franklin-einspruch/">Irving Sandler</a> in conversation with Franklin Einspruch, discussing the show he has curated at Loretta Howard Gallery; Alexandra Nicolaides brings a forensic eye to bear on media representations of the tragic shooting in <a href="https://www.artcritical.com/2014/09/09/nicolaides-on-ferguson/">Ferguson</a>, MO; Lilly Wei remembers critic, curator and dandy <a href="https://www.artcritical.com/2014/09/14/lilly-wei-on-edward-leffingwell/">Edward Leffingwell</a>; Barry Schwabsky on <a href="https://www.artcritical.com/2014/09/06/barry-schwabsky-on-danielle-tegeder/">Danielle Tegeder</a>, in our Essay series of catalogue publications from significant solo exhibitions in public spaces outside New York.</p>
<p>And a few to look out for in the coming week: Hearne Pardee writing from Paris on Martial Raysse; David Carrier on Harry Roseman getting a haircut; Jessica Holmes on Monika Sosnowska’s Tower at Hauser &amp; Wirth; David Cohen on Matthew Ritchie, and John Goodrich on Geoffrey Dorfman. To get the fastest scoop on postings, follow us on <a href="https://www.facebook.com/artcritical">Facebook</a>, <a href="https://twitter.com/artcritical">Twitter</a>, and <a href="http://instagram.com/artcritical.editors">Instagram</a>.</p>
<figure id="attachment_42685" aria-describedby="caption-attachment-42685" style="width: 600px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/09/TRP.9.26.14-flyer.jpg"><img loading="lazy" class="size-full wp-image-42685" src="https://www.artcritical.com/wp-content/uploads/2014/09/TRP.9.26.14-flyer.jpg" alt="Flyer for September 26 with Season line-up" width="600" height="400" srcset="https://artcritical.com/app/uploads/2014/09/TRP.9.26.14-flyer.jpg 600w, https://artcritical.com/app/uploads/2014/09/TRP.9.26.14-flyer-275x183.jpg 275w" sizes="(max-width: 600px) 100vw, 600px" /></a><figcaption id="caption-attachment-42685" class="wp-caption-text">Flyer for September 26 with Season line-up</figcaption></figure>
<p>&nbsp;</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/09/17/apres-moi-le-deluge-the-review-panel-in-its-tenth-year/">&#8220;Après moi, le deluge&#8221;: The Review Panel in Its Tenth Year</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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