Among other distinctions, Spring Break is the only Armory Week fair to spill over to Monday, which fits its image of youthful overreach. It is the most anarchic and exuberant of the fairs: each room of these administrative offices of the USPS (the space has a David Lynch-like quality, a time-capsule of New Deal-era bureaucracy) has its own curator. Myla Dalbesio, for instance, orchestrated a suite of rooms into “you can call me baby,” with various post-feminist takes on the overarching theme of the fair, “cut and paste.” Erin Riley’s  (2015), for instance, appropriates a moment of girl-on-girl porn frozen on an iPhone. A postmodern gesture if ever, except that if you look at old tapestries there’s often fun and naughtiness going on there, too.

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2014
Joan Boykoff Baron and Reuben M. Baron at Art Miami

2013
Nico McIan at the Rubell, de la Cruz, and Marguiles Collections
Franklin Einspruch at Art Miami
Nico McIan at UNTITLED

2012
David Cohen at NADA
David Cohen at Art Basel Miami Beach

2011
Franklin Einspruch at Pulse
Joan Boykoff Baron and Reuben M. Baron at Art Miami
THE EDITORS at Art Basel Miami Beach
David Cohen at Art Basel Miami Beach

2007
John Zinsser at the fairs

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