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	<title>Hirsch| Faye &#8211; artcritical</title>
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	<link>https://artcritical.com</link>
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		<title>Podcast of December&#8217;s edition of The Review Panel</title>
		<link>https://artcritical.com/2018/12/21/the-review-panel-december-2018/</link>
					<comments>https://artcritical.com/2018/12/21/the-review-panel-december-2018/#comments</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Sat, 22 Dec 2018 01:21:58 +0000</pubDate>
				<category><![CDATA[latest podcast]]></category>
		<category><![CDATA[Barlow| Phyllida]]></category>
		<category><![CDATA[BRIC]]></category>
		<category><![CDATA[Goldberg| Glenn]]></category>
		<category><![CDATA[Hauser & Wirth]]></category>
		<category><![CDATA[Hirsch| Faye]]></category>
		<category><![CDATA[Korman| Harriet]]></category>
		<category><![CDATA[Morgan| Robert C.]]></category>
		<category><![CDATA[Ray| Sharmistha]]></category>
		<category><![CDATA[Studio 10]]></category>
		<category><![CDATA[Thomas Erben Gallery]]></category>
		<category><![CDATA[Umbrico| Penelope]]></category>
		<guid isPermaLink="false">https://www.artcritical.com?p=80219&#038;preview_id=80219</guid>

					<description><![CDATA[<p>David Cohen's guests were Faye Hirsch, Robert C. Morgan and Sharmistha Ray</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2018/12/21/the-review-panel-december-2018/">Podcast of December&#8217;s edition of The Review Panel</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/548499375&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; /]</p>
<p><a href="https://www.artcritical.com/wp-content/uploads/2018/11/7370E248-36B5-4D89-908F-B133FEA126F7-e1543531406371.jpeg" rel="attachment wp-att-80099"><img loading="lazy" class="alignnone size-full wp-image-80099" src="https://www.artcritical.com/wp-content/uploads/2018/11/7370E248-36B5-4D89-908F-B133FEA126F7-e1543531406371.jpeg" alt="7370E248-36B5-4D89-908F-B133FEA126F7" width="800" height="257" srcset="https://artcritical.com/app/uploads/2018/11/7370E248-36B5-4D89-908F-B133FEA126F7-e1543531406371.jpeg 800w, https://artcritical.com/app/uploads/2018/11/7370E248-36B5-4D89-908F-B133FEA126F7-e1543531406371-275x88.jpeg 275w, https://artcritical.com/app/uploads/2018/11/7370E248-36B5-4D89-908F-B133FEA126F7-e1543531406371-768x247.jpeg 768w" sizes="(max-width: 800px) 100vw, 800px" /></a></p>
<p><strong><a href="https://www.thomaserben.com/" target="_blank">Harriet Korman: Permeable/Resistant</a></strong><br />
Thomas Erben Gallery, 526 West 26th Street, Fourth Floor, New York</p>
<p><strong><a href="https://www.hauserwirth.com/hauser-wirth-exhibitions/21981-phyllida-barlow-tilt" target="_blank">Phyllida Barlow: tilt</a></strong><br />
Hauser &amp; Wirth, 548 West 22nd Street, New York</p>
<p><strong><a href="https://www.bricartsmedia.org/art-exhibitions/penelope-umbrico-monument" target="_blank">Penelope Umbrico: Monument</a></strong><br />
BRIC, 647 Fulton Street, enter on Rockwell Place, Brooklyn</p>
<p><strong><a href="https://www.studio10bogart.com/pages/exhibitions_current.php" target="_blank">Glenn Goldberg: Beach and Quiet (a rest stop)</a></strong><br />
Studio 10, 56 Bogart Street, Brooklyn</p>
<p>Timings: Introductions and Barlow discussion followed by Umbrico at 30mins; audience responses to the first two shows at 47mins; Korman at 1h; and Goldberg at 1h23mins, followed by second round of audience responses.</p>
<p>Next panel: February 13, 2019</p>
<figure id="attachment_80095" aria-describedby="caption-attachment-80095" style="width: 275px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2018/11/41177697-E9CC-4663-9A6C-18CFAA897360-e1545488954617.jpeg" rel="attachment wp-att-80095"><img loading="lazy" class="size-medium wp-image-80095" src="https://www.artcritical.com/wp-content/uploads/2018/11/41177697-E9CC-4663-9A6C-18CFAA897360-275x203.jpeg" alt="Harriet Korman, Untitled, 2015. Oilstick on paper, 12 x 16 inches. Courtesy of Thomas Erben Gallery" width="275" height="203" /></a><figcaption id="caption-attachment-80095" class="wp-caption-text">Harriet Korman, Untitled, 2015. Oilstick on paper, 12 x 16 inches. Courtesy of Thomas Erben Gallery</figcaption></figure>
<p>The post <a rel="nofollow" href="https://artcritical.com/2018/12/21/the-review-panel-december-2018/">Podcast of December&#8217;s edition of The Review Panel</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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		<title>November 2013: Faye Hirsch, Stephen Maine, Joan Waltemath</title>
		<link>https://artcritical.com/2013/11/01/the-review-panel-november-2013/</link>
					<comments>https://artcritical.com/2013/11/01/the-review-panel-november-2013/#comments</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 01 Nov 2013 17:00:25 +0000</pubDate>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[Brooklyn Museum]]></category>
		<category><![CDATA[Hirsch| Faye]]></category>
		<category><![CDATA[Hollis Taggart Galleries]]></category>
		<category><![CDATA[Maine| Stephen]]></category>
		<category><![CDATA[Mutu| Wangechi]]></category>
		<category><![CDATA[Pearson| Bruce]]></category>
		<category><![CDATA[Ronald Feldman Fine Arts]]></category>
		<category><![CDATA[Scott| Bill]]></category>
		<category><![CDATA[Waltemath| Joan]]></category>
		<category><![CDATA[Whitney Museum]]></category>
		<category><![CDATA[Wilcox| T.J.]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=35473</guid>

					<description><![CDATA[<p>reviewing shows of Wangechi Mutu, T.J. Wilcox, Bruce Pearson and Bill Scott</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2013/11/01/the-review-panel-november-2013/">November 2013: Faye Hirsch, Stephen Maine, Joan Waltemath</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>Friday November 1, 2013 at the National Academy Museum.</strong></p>
<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/201610331&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; /]</p>
<p>&nbsp;</p>
<p>Joining moderator David Cohen, the panel discussed Wangechi Mutu: A Fantastic Journey, T.J. Wilcox: In the Air at the Whitney Museum of American Art, Bruce Pearson: Getaways at Ronald Feldman Gallery, and Arcadia: Paintings by Bill  Scott at Hollis Taggart Galleries.</p>
<figure id="attachment_35478" aria-describedby="caption-attachment-35478" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/Pearson-Drenching-Pleasure-20111.jpg"><img loading="lazy" class="size-thumbnail wp-image-35478 " title="Bruce Pearson, Drenching Pleasure, 2011.  Courtesy of Ronald Feldman Gallery" src="https://www.artcritical.com/wp-content/uploads/2013/10/Pearson-Drenching-Pleasure-20111-71x71.jpg" alt="Bruce Pearson, Drenching Pleasure, 2011.  Courtesy of Ronald Feldman Gallery" width="71" height="71" srcset="https://artcritical.com/app/uploads/2013/10/Pearson-Drenching-Pleasure-20111-71x71.jpg 71w, https://artcritical.com/app/uploads/2013/10/Pearson-Drenching-Pleasure-20111-275x275.jpg 275w, https://artcritical.com/app/uploads/2013/10/Pearson-Drenching-Pleasure-20111.jpg 500w" sizes="(max-width: 71px) 100vw, 71px" /></a><figcaption id="caption-attachment-35478" class="wp-caption-text">click to enlarge</figcaption></figure>
<figure id="attachment_35476" aria-describedby="caption-attachment-35476" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/TRP.November.2013.flyer_1.jpg"><img loading="lazy" class="size-thumbnail wp-image-35476 " title="TRP.November.2013.flyer" src="https://www.artcritical.com/wp-content/uploads/2013/10/TRP.November.2013.flyer_1-71x71.jpg" alt="TRP.November.2013.flyer" width="71" height="71" /></a><figcaption id="caption-attachment-35476" class="wp-caption-text">please share</figcaption></figure>
<p>&nbsp;</p>
<figure id="attachment_35736" aria-describedby="caption-attachment-35736" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/wmutu.jpg"><img loading="lazy" class="size-thumbnail wp-image-35736 " title="still from video of Wangechi Mutu produced by the Nasher Museum of Art, Duke University." src="https://www.artcritical.com/wp-content/uploads/2013/10/wmutu-71x71.jpg" alt="still from video of Wangechi Mutu produced by the Nasher Museum of Art, Duke University." width="71" height="71" srcset="https://artcritical.com/app/uploads/2013/10/wmutu-71x71.jpg 71w, https://artcritical.com/app/uploads/2013/10/wmutu-150x150.jpg 150w" sizes="(max-width: 71px) 100vw, 71px" /></a><figcaption id="caption-attachment-35736" class="wp-caption-text">click to enlarge</figcaption></figure>
<p>To view Slideshows: While we sort out a minor technical issue, please click the &#8220;video mov&#8221; icon to view slideshows; the options underlined in blue are not currently working</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2013/11/01/the-review-panel-november-2013/">November 2013: Faye Hirsch, Stephen Maine, Joan Waltemath</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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		<title>February 2012: Faye Hirsch, Franklin Einspruch and Christina Kee with moderator David Cohen</title>
		<link>https://artcritical.com/2012/02/24/the-review-panel-february-2012/</link>
					<comments>https://artcritical.com/2012/02/24/the-review-panel-february-2012/#respond</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 24 Feb 2012 22:16:20 +0000</pubDate>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[Corse| Mary]]></category>
		<category><![CDATA[Einspruch| Franklin]]></category>
		<category><![CDATA[Friedrich Petzel Gallery]]></category>
		<category><![CDATA[Goldberg| Glenn]]></category>
		<category><![CDATA[Hirsch| Faye]]></category>
		<category><![CDATA[Howard| Ridley]]></category>
		<category><![CDATA[Jason McCoy Gallery]]></category>
		<category><![CDATA[Kee| Christina]]></category>
		<category><![CDATA[Lehmann Maupin]]></category>
		<category><![CDATA[Leo Koening]]></category>
		<category><![CDATA[Pensato| Joyce]]></category>
		<guid isPermaLink="false">https://artcritical.com/?p=22576</guid>

					<description><![CDATA[<p>Join David Cohen to discuss Mary Corse,  Ridley Howard, Glenn Goldberg, and Joyce Pensato.</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2012/02/24/the-review-panel-february-2012/">February 2012: Faye Hirsch, Franklin Einspruch and Christina Kee with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>February 24, 2012 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/201606324&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; /]</p>
<p>&nbsp;</p>
<p>Faye Hirsch, Franklin Einspruch, and Christina Kee, join David Cohen to review  Mary Corse at Lehmann Maupin,  Ridley Howard at Leo Koenig, Glenn Goldberg at Jason McCoy, and Joyce Pensato at Friedrich Petzel.</p>
<figure style="width: 550px" class="wp-caption alignnone"><a href="https://artcritical.com/wp-content/uploads/2012/02/corse.jpg"><img loading="lazy" class=" " title="Mary Corse, Installation shot. Courtesy of Lehmann Maupin" src="https://artcritical.com/wp-content/uploads/2012/02/corse.jpg" alt="Mary Corse, Installation shot. Courtesy of Lehmann Maupin" width="550" height="368" /></a><figcaption class="wp-caption-text">Mary Corse, Installation shot. Courtesy of Lehmann Maupin</figcaption></figure>
<figure style="width: 550px" class="wp-caption alignnone"><a href="https://artcritical.com/wp-content/uploads/2012/02/goldbergxx.jpg"><img loading="lazy" class=" " title="Glenn Goldberg, Fourth Elixir, 2011. Acrylic, ink and gesso on canvas, 30 x 60 Inches. Courtesy of Jason McCoy Gallery" src="https://artcritical.com/wp-content/uploads/2012/02/goldbergxx.jpg" alt="Glenn Goldberg, Fourth Elixir, 2011. Acrylic, ink and gesso on canvas, 30 x 60 Inches. Courtesy of Jason McCoy Gallery" width="550" height="268" /></a><figcaption class="wp-caption-text">Glenn Goldberg, Fourth Elixir, 2011. Acrylic, ink and gesso on canvas, 30 x 60 Inches. Courtesy of Jason McCoy Gallery</figcaption></figure>
<p>&nbsp;</p>
<figure id="attachment_22787" aria-describedby="caption-attachment-22787" style="width: 550px" class="wp-caption alignnone"><a href="https://www.artcritical.com/2012/02/24/review-panel-february-2012/ridley/" rel="attachment wp-att-22787"><img loading="lazy" class="size-full wp-image-22787" title="Ridley Howard, Trattoria, 2011. Oil on linen, 24 x 30 Inches. Courtesy of Leo Koenig, Inc" src="https://www.artcritical.com/wp-content/uploads/2012/02/ridley.jpg" alt="Ridley Howard, Trattoria, 2011. Oil on linen, 24 x 30 Inches. Courtesy of Leo Koenig, Inc" width="550" height="437" srcset="https://artcritical.com/app/uploads/2012/02/ridley.jpg 550w, https://artcritical.com/app/uploads/2012/02/ridley-300x238.jpg 300w" sizes="(max-width: 550px) 100vw, 550px" /></a><figcaption id="caption-attachment-22787" class="wp-caption-text">Ridley Howard, Trattoria, 2011. Oil on linen, 24 x 30 Inches. Courtesy of Leo Koenig, Inc</figcaption></figure>
<figure style="width: 500px" class="wp-caption alignnone"><a href="http://testingartcritical.com/artcritical/REVIEWPANEL/RP51Feb2012/pensato.jpg"><img loading="lazy" title="Joyce Pensato, Batman Returns. Installation shot. Courtesy of Friedrich Petzel" src="http://testingartcritical.com/artcritical/REVIEWPANEL/RP51Feb2012/pensato.jpg" alt="Joyce Pensato, Batman Returns. Installation shot. Courtesy of Friedrich Petzel" width="500" height="399" /></a><figcaption class="wp-caption-text">Joyce Pensato, Batman Returns. Installation shot. Courtesy of Friedrich Petzel</figcaption></figure>
<p>The post <a rel="nofollow" href="https://artcritical.com/2012/02/24/the-review-panel-february-2012/">February 2012: Faye Hirsch, Franklin Einspruch and Christina Kee with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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		<title>September 2010: Esplund, Hirsch and Scott with moderator David Cohen</title>
		<link>https://artcritical.com/2010/09/24/september-2010/</link>
					<comments>https://artcritical.com/2010/09/24/september-2010/#respond</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 24 Sep 2010 19:19:22 +0000</pubDate>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[Betty Cuningham Gallery]]></category>
		<category><![CDATA[Cheim & Read]]></category>
		<category><![CDATA[Esplund| Lance]]></category>
		<category><![CDATA[Fuss| Adam]]></category>
		<category><![CDATA[Hirsch| Faye]]></category>
		<category><![CDATA[Jack Shainman Gallery]]></category>
		<category><![CDATA[Scott| Andrea K.]]></category>
		<category><![CDATA[Shechet| Arlene]]></category>
		<category><![CDATA[Signer| Roman]]></category>
		<category><![CDATA[Snyder| Joan]]></category>
		<category><![CDATA[Swiss Institute| New York]]></category>
		<guid isPermaLink="false">https://artcritical.com/?p=12016</guid>

					<description><![CDATA[<p>Adam Fuss at Cheim &#038; Read, Roman Signer at Swiss Institute, Arlene Shechet at Jack Shainman, and Joan Snyder at Betty Cuningham</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2010/09/24/september-2010/">September 2010: Esplund, Hirsch and Scott with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><strong>September 24, 2010 at the National Academy Museum and School of Fine Arts, New York</strong></p>
<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/201601831&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; /]</p>
<p>Lance Esplund, Faye Hirsch, and Andrea K. Scott joined David Cohen to discuss Adam Fuss at Cheim &amp; Read, Roman Signer at Swiss Institute, Arlene Shechet at Jack Shainman, and Joan Snyder at Betty Cuningham.</p>
<figure id="attachment_12017" aria-describedby="caption-attachment-12017" style="width: 420px" class="wp-caption alignnone"><a href="https://artcritical.com/2010/09/24/september-2010/roman-signer-four-rooms-one-artist-roman-signer-piano-detail-view-2010/" rel="attachment wp-att-12017"><img loading="lazy" class="size-full wp-image-12017" title="Roman Signer, Four Rooms, 2010, Installation detail, Courtesy Swiss Institute" src="https://artcritical.com/wp-content/uploads/2010/11/Roman-Signer-Four-Rooms-One-Artist-Roman-Signer-Piano-detail-view-2010.jpeg" alt="Roman Signer, Four Rooms, 2010, Installation detail, Courtesy Swiss Institute" width="420" height="279" srcset="https://artcritical.com/app/uploads/2010/11/Roman-Signer-Four-Rooms-One-Artist-Roman-Signer-Piano-detail-view-2010.jpeg 420w, https://artcritical.com/app/uploads/2010/11/Roman-Signer-Four-Rooms-One-Artist-Roman-Signer-Piano-detail-view-2010-275x182.jpeg 275w" sizes="(max-width: 420px) 100vw, 420px" /></a><figcaption id="caption-attachment-12017" class="wp-caption-text">Roman Signer, Four Rooms, 2010, Installation detail, Courtesy Swiss Institute</figcaption></figure>
<figure id="attachment_12018" aria-describedby="caption-attachment-12018" style="width: 426px" class="wp-caption alignnone"><a href="https://artcritical.com/2010/09/24/september-2010/shechetexhibition98-2/" rel="attachment wp-att-12023"><img loading="lazy" class="size-full wp-image-12023" title="Arlene Shechet, Sleepless Color, 2009-2010, Unglazed fired ceramic, glazed kiln bricks, painted hardwood, 9 x 18 1/8 x 60 3/8 Inches, Courtesy Jack Shainman Gallery" src="https://artcritical.com/wp-content/uploads/2010/09/shechetexhibition98.jpeg" alt="Arlene Shechet, Sleepless Color, 2009-2010, Unglazed fired ceramic, glazed kiln bricks, painted hardwood, 9 x 18 1/8 x 60 3/8 Inches, Courtesy Jack Shainman Gallery" width="426" height="700" srcset="https://artcritical.com/app/uploads/2010/09/shechetexhibition98.jpeg 426w, https://artcritical.com/app/uploads/2010/09/shechetexhibition98-182x300.jpg 182w" sizes="(max-width: 426px) 100vw, 426px" /></a><figcaption id="caption-attachment-12018" class="wp-caption-text">Arlene Shechet, Sleepless Color, 2009-2010, Unglazed fired ceramic, glazed kiln bricks, painted hardwood, 9 x 18 1/8 x 60 3/8 Inches, Courtesy Jack Shainman Gallery</figcaption></figure>
<p>&nbsp;</p>
<figure id="attachment_12019" aria-describedby="caption-attachment-12019" style="width: 659px" class="wp-caption alignnone"><a href="https://artcritical.com/2010/09/24/september-2010/detail-image/" rel="attachment wp-att-12019"><img loading="lazy" class="size-full wp-image-12019" title="Adam Fuss, Home and the World, 2010, Daguerreotype, 27 3/4 x 42 inches 70.5 x 106.7 Centimeters" src="https://artcritical.com/wp-content/uploads/2010/11/Detail-Image.jpeg" alt="Adam Fuss, Home and the World, 2010, Daguerreotype, 27 3/4 x 42 inches 70.5 x 106.7 Centimeters" width="659" height="413" srcset="https://artcritical.com/app/uploads/2010/11/Detail-Image.jpeg 659w, https://artcritical.com/app/uploads/2010/11/Detail-Image-300x188.jpg 300w" sizes="(max-width: 659px) 100vw, 659px" /></a><figcaption id="caption-attachment-12019" class="wp-caption-text">Adam Fuss, Home and the World, 2010, Daguerreotype, 27 3/4 x 42 inches 70.5 x 106.7 Centimeters</figcaption></figure>
<figure id="attachment_12024" aria-describedby="caption-attachment-12024" style="width: 577px" class="wp-caption alignnone"><a href="https://artcritical.com/2010/09/24/september-2010/joansnyder/" rel="attachment wp-att-12024"><img loading="lazy" class="size-full wp-image-12024" title="Joan Snyder, The Fall With Other Things in Mind, 2009, Oil, acrylic, papier mache, cloth, seeds, dried flower, and herbs on linen, Courtesy Betty Cuningham" src="https://artcritical.com/wp-content/uploads/2010/09/JoanSnyder.jpg" alt="Joan Snyder, The Fall With Other Things in Mind, 2009, Oil, acrylic, papier mache, cloth, seeds, dried flower, and herbs on linen, Courtesy Betty Cuningham" width="577" height="439" srcset="https://artcritical.com/app/uploads/2010/09/JoanSnyder.jpg 577w, https://artcritical.com/app/uploads/2010/09/JoanSnyder-300x228.jpg 300w" sizes="(max-width: 577px) 100vw, 577px" /></a><figcaption id="caption-attachment-12024" class="wp-caption-text">Joan Snyder, The Fall With Other Things in Mind, 2009, Oil, acrylic, papier mache, cloth, seeds, dried flower, and herbs on linen, Courtesy Betty Cuningham</figcaption></figure>
<p>The post <a rel="nofollow" href="https://artcritical.com/2010/09/24/september-2010/">September 2010: Esplund, Hirsch and Scott with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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		<title>October 2008: Faye Hirsch, Joao Ribas, and Nick Stillman with moderator David Cohen</title>
		<link>https://artcritical.com/2008/10/17/review-paneloctober-2008/</link>
					<comments>https://artcritical.com/2008/10/17/review-paneloctober-2008/#respond</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 17 Oct 2008 15:38:25 +0000</pubDate>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[303 Gallery]]></category>
		<category><![CDATA[Ackermann| Rita]]></category>
		<category><![CDATA[Andrea Rosen Gallery]]></category>
		<category><![CDATA[Cherubini| Nicole]]></category>
		<category><![CDATA[Ezawa| Kota]]></category>
		<category><![CDATA[Greene Naftali]]></category>
		<category><![CDATA[Hirsch| Faye]]></category>
		<category><![CDATA[Krebber| Michael]]></category>
		<category><![CDATA[Mitchell-Innes & Nash]]></category>
		<category><![CDATA[Murray Guy]]></category>
		<category><![CDATA[Pope L| William]]></category>
		<category><![CDATA[Ribas| Joao]]></category>
		<category><![CDATA[Smith Stewart]]></category>
		<category><![CDATA[Stillman| Nick]]></category>
		<guid isPermaLink="false">https://artcritical.com/?p=9540</guid>

					<description><![CDATA[<p>Rita Ackermann at Andrea Rosen, Nicole Cherubini at Smith Stewart and 303 Gallery, Kota Ezawa at Murray Guy, Michael Krebber at Greene Naftali, and William Pope L at Mitchell-Innes and Nash</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2008/10/17/review-paneloctober-2008/">October 2008: Faye Hirsch, Joao Ribas, and Nick Stillman with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<div id="_mcePaste"><strong>October 17, 2008 at the National Academy Museum and School of Fine Arts, New York</strong></div>
<div>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/201584527&#8243; params=&#8221;color=ff5500&amp;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&#8221; width=&#8221;100%&#8221; height=&#8221;166&#8243; iframe=&#8221;true&#8221; /]</div>
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<div>Faye Hirsch, Joao Ribas, and Nick Stillman joined David Cohen to review Rita Ackermann at Andrea Rosen, Nicole Cherubini at Smith Stewart and 303 Gallery, Kota Ezawa at Murray Guy, Michael Krebber at Greene Naftali, and William Pope L at Mitchell-Innes and Nash.</div>
<div>
<figure id="attachment_9545" aria-describedby="caption-attachment-9545" style="width: 500px" class="wp-caption alignnone"><a href="https://artcritical.com/2008/10/17/review-paneloctober-2008/ezawa/" rel="attachment wp-att-9545"><img loading="lazy" class="size-full wp-image-9545" title="Kota Ezawa, Brawl, 2008, Digital animation transferred to 16mm film 4 minutes edition of 10" src="https://artcritical.com/wp-content/uploads/2008/10/ezawa.jpg" alt="Kota Ezawa, Brawl, 2008, Digital animation transferred to 16mm film 4 minutes edition of 10" width="500" height="375" srcset="https://artcritical.com/app/uploads/2008/10/ezawa.jpg 500w, https://artcritical.com/app/uploads/2008/10/ezawa-275x205.jpg 275w" sizes="(max-width: 500px) 100vw, 500px" /></a><figcaption id="caption-attachment-9545" class="wp-caption-text">Kota Ezawa, Brawl, 2008, Digital animation transferred to 16mm film 4 minutes edition of 10</figcaption></figure>
<figure id="attachment_9546" aria-describedby="caption-attachment-9546" style="width: 500px" class="wp-caption alignnone"><a href="https://artcritical.com/2008/10/17/review-paneloctober-2008/krebber/" rel="attachment wp-att-9546"><img loading="lazy" class="size-full wp-image-9546" title="Installation shot, Michael Krebber, 2008" src="https://artcritical.com/wp-content/uploads/2008/10/Krebber.jpg" alt="Installation shot, Michael Krebber, 2008" width="500" height="335" srcset="https://artcritical.com/app/uploads/2008/10/Krebber.jpg 500w, https://artcritical.com/app/uploads/2008/10/Krebber-300x201.jpg 300w" sizes="(max-width: 500px) 100vw, 500px" /></a><figcaption id="caption-attachment-9546" class="wp-caption-text">Installation shot, Michael Krebber, 2008</figcaption></figure>
<figure id="attachment_9547" aria-describedby="caption-attachment-9547" style="width: 400px" class="wp-caption alignnone"><a href="https://artcritical.com/2008/10/17/review-paneloctober-2008/akermann/" rel="attachment wp-att-9547"><img loading="lazy" class="size-full wp-image-9547" title="Rita Ackerman, Ready to Fuck - Again, 2005-2008, Acrylic and oil paint, gel medium, dirt, sand, oil stick, graphite on canvas 19 3/4 x 23 3/4 inches" src="https://artcritical.com/wp-content/uploads/2008/10/akermann.jpg" alt="Rita Ackerman, Ready to Fuck - Again, 2005-2008, Acrylic and oil paint, gel medium, dirt, sand, oil stick, graphite on canvas 19 3/4 x 23 3/4 inches" width="400" height="332" srcset="https://artcritical.com/app/uploads/2008/10/akermann.jpg 400w, https://artcritical.com/app/uploads/2008/10/akermann-300x249.jpg 300w" sizes="(max-width: 400px) 100vw, 400px" /></a><figcaption id="caption-attachment-9547" class="wp-caption-text">Rita Ackerman, Ready to Fuck &#8211; Again, 2005-2008, Acrylic and oil paint, gel medium, dirt, sand, oil stick, graphite on canvas 19 3/4 x 23 3/4 inches</figcaption></figure>
<figure id="attachment_9548" aria-describedby="caption-attachment-9548" style="width: 500px" class="wp-caption alignnone"><a href="https://artcritical.com/2008/10/17/review-paneloctober-2008/popel/" rel="attachment wp-att-9548"><img loading="lazy" class="size-full wp-image-9548" title="William Pope L, Failure Drawing # 386 Worm in Class, Circa 2003-2008, Ball point pen and watercolor on newspaper over card, 4 1/2 x 6 5/16 inches" src="https://artcritical.com/wp-content/uploads/2008/10/PopeL.jpg" alt="William Pope L, Failure Drawing # 386 Worm in Class, Circa 2003-2008, Ball point pen and watercolor on newspaper over card, 4 1/2 x 6 5/16 inches" width="500" height="362" srcset="https://artcritical.com/app/uploads/2008/10/PopeL.jpg 500w, https://artcritical.com/app/uploads/2008/10/PopeL-300x217.jpg 300w" sizes="(max-width: 500px) 100vw, 500px" /></a><figcaption id="caption-attachment-9548" class="wp-caption-text">William Pope L, Failure Drawing # 386 Worm in Class, Circa 2003-2008, Ball point pen and watercolor on newspaper over card, 4 1/2 x 6 5/16 inches</figcaption></figure>
<figure id="attachment_9570" aria-describedby="caption-attachment-9570" style="width: 500px" class="wp-caption alignnone"><a href="https://artcritical.com/2008/10/17/review-paneloctober-2008/cherubini/" rel="attachment wp-att-9570"><img loading="lazy" class="size-full wp-image-9570" title="Installation shot, Nicole Cherubini, Nestoris II, 2008, Courtesy of Smith-Stewart" src="https://artcritical.com/wp-content/uploads/2008/10/cherubini.jpg" alt="Installation shot, Nicole Cherubini, Nestoris II, 2008, Courtesy of Smith-Stewart" width="500" height="698" srcset="https://artcritical.com/app/uploads/2008/10/cherubini.jpg 500w, https://artcritical.com/app/uploads/2008/10/cherubini-214x300.jpg 214w" sizes="(max-width: 500px) 100vw, 500px" /></a><figcaption id="caption-attachment-9570" class="wp-caption-text">Installation shot, Nicole Cherubini, Nestoris II, 2008, Courtesy of Smith-Stewart</figcaption></figure>
</div>
<p>The post <a rel="nofollow" href="https://artcritical.com/2008/10/17/review-paneloctober-2008/">October 2008: Faye Hirsch, Joao Ribas, and Nick Stillman with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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