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	<title>Howard| Heidi &#8211; artcritical</title>
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		<title>February 2015:  Vincent Katz, Martha Schwendener, and Christopher Stackhouse with moderator David Cohen</title>
		<link>https://artcritical.com/2015/02/13/the-review-panel-february-2015/</link>
					<comments>https://artcritical.com/2015/02/13/the-review-panel-february-2015/#respond</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 13 Feb 2015 16:45:41 +0000</pubDate>
				<category><![CDATA[The Review Panel]]></category>
		<category><![CDATA[Andersson| Mamma]]></category>
		<category><![CDATA[David Zwirner Gallery]]></category>
		<category><![CDATA[Howard| Heidi]]></category>
		<category><![CDATA[Jack Shainman Gallery]]></category>
		<category><![CDATA[James| Merlin]]></category>
		<category><![CDATA[Kaphar| Titus]]></category>
		<category><![CDATA[Katz| Vincent]]></category>
		<category><![CDATA[Nancy Margolis Gallery]]></category>
		<category><![CDATA[Schwendener| Martha]]></category>
		<category><![CDATA[Sikkema Jenkins & Co.]]></category>
		<category><![CDATA[Stackhouse| Christopher]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=46336</guid>

					<description><![CDATA[<p>Mamma Andersson, Titus Kaphar, Merlin James</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2015/02/13/the-review-panel-february-2015/">February 2015:  Vincent Katz, Martha Schwendener, and Christopher Stackhouse with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>[soundcloud url=&#8221;https://api.soundcloud.com/tracks/201611134&#8243; params=&#8221;auto_play=false&amp;hide_related=false&amp;show_comments=true&amp;show_user=true&amp;show_reposts=false&amp;visual=true&#8221; width=&#8221;100%&#8221; height=&#8221;450&#8243; iframe=&#8221;true&#8221; /]</p>
<p>&nbsp;</p>
<p>February 2015: Vincent Katz, Martha Schwendener and Christopher Stackhouse</p>
<p>Joining Moderator David Cohen February 13, 2015, at the National Academy Museum, the panelists reviewed exhibitions of Mamma Andersson at David Zwirner, Merlin James at Sikkema Jenkins &amp; Co., Titus Kaphar at Jack Shainman Gallery, and Heidi Howard at Nancy Margolis Gallery.</p>
<p>We regret to inform listeners that due to equipment failure the last segment of the event was not recorded; Heidi Howard&#8217;s review ends part way through and the audience response to the second half of the program (Kaphar and Howard) was lost. Special thanks to recording engineer Isaac Derfel for defying the odds and saving the bulk of this month&#8217;s recording.</p>
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<p><span style="color: #000000;"><span style="color: #000000;">For images of the show, please watch the promo: </span></span></p>
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<video class="wp-video-shortcode" id="video-46336-1" width="640" height="360" preload="metadata" controls="controls"><source type="video/mp4" src="https://www.artcritical.com/wp-content/uploads/2015/01/TRP.2.13.15.promo_.m4v?_=1" /><a href="https://www.artcritical.com/wp-content/uploads/2015/01/TRP.2.13.15.promo_.m4v">https://www.artcritical.com/wp-content/uploads/2015/01/TRP.2.13.15.promo_.m4v</a></video></div>
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<p>MAMMA ANDERSSON: BEHIND THE CURTAIN<br />
David Zwirner, 519 &amp; 525 West 19th Street</p>
<p>MERLIN JAMES: GENRE PAINTINGS<br />
Sikkema Jenkins &amp; Co, 530 West 22nd Street</p>
<p>HEIDI HOWARD: PORTRAIT &amp; DREAM<br />
Nancy Margolis Gallery, 523 West 25th Street</p>
<p>TITUS KAPHAR: DRAWING THE BLINDS/ASPHALT AND CHALK<br />
Jack Shainman Gallery, 513 West 20th Street, 524 West 24th Street<br />
in conjunction with <em>Titus Kaphar: The Jerome Project</em> at The Studio Museum in Harlem</p>
</div>
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<figure id="attachment_47532" aria-describedby="caption-attachment-47532" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2015/03/merlin-james-Location.jpg"><img loading="lazy" class="size-thumbnail wp-image-47532" src="https://www.artcritical.com/wp-content/uploads/2015/03/merlin-james-Location-71x71.jpg" alt="Merlin James, Location (Corp. Build.), 2014. Acrylic fabric, wood frame, acrylic paint, 31 x 30 inches. Courtesy of Sikkema, Jenkins &amp; Co" width="71" height="71" srcset="https://artcritical.com/app/uploads/2015/03/merlin-james-Location-71x71.jpg 71w, https://artcritical.com/app/uploads/2015/03/merlin-james-Location-150x150.jpg 150w" sizes="(max-width: 71px) 100vw, 71px" /></a><figcaption id="caption-attachment-47532" class="wp-caption-text">click to enlarge</figcaption></figure>
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<p>&nbsp;</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2015/02/13/the-review-panel-february-2015/">February 2015:  Vincent Katz, Martha Schwendener, and Christopher Stackhouse with moderator David Cohen</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></content:encoded>
					
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			</item>
		<item>
		<title>One Year After Sandy&#8230;Brooklyn Comes Together</title>
		<link>https://artcritical.com/2013/10/15/one-year-after-sandy-brooklyn-comes-together/</link>
					<comments>https://artcritical.com/2013/10/15/one-year-after-sandy-brooklyn-comes-together/#respond</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Wed, 16 Oct 2013 00:34:45 +0000</pubDate>
				<category><![CDATA[Newsdesk]]></category>
		<category><![CDATA[Brown| Becky]]></category>
		<category><![CDATA[Bui| Phong]]></category>
		<category><![CDATA[Dedalus Foundation]]></category>
		<category><![CDATA[Ginsberg| Allison]]></category>
		<category><![CDATA[Gorchov| Ron]]></category>
		<category><![CDATA[Halvorson| Josephine]]></category>
		<category><![CDATA[Howard| Heidi]]></category>
		<category><![CDATA[Industry City]]></category>
		<category><![CDATA[Joo| Michael]]></category>
		<category><![CDATA[Landfield| Ronnie]]></category>
		<category><![CDATA[Martin| Chris]]></category>
		<category><![CDATA[Salazar| Gabriela]]></category>
		<category><![CDATA[Serra| Richard]]></category>
		<category><![CDATA[The Brooklyn Rail]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=35416</guid>

					<description><![CDATA[<p>300+ artists have contributed work to a benefit show, opening Sunday, October 20, 4-8 PM</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2013/10/15/one-year-after-sandy-brooklyn-comes-together/">One Year After Sandy&#8230;Brooklyn Comes Together</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<figure id="attachment_35420" aria-describedby="caption-attachment-35420" style="width: 561px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/RL11-248-Clear-As-Day.jpg"><img loading="lazy" class="size-full wp-image-35420   " title="Ronnie Landfield, Clear as Day, 2006, acrylic on canvas, 55 1/4 x 108 inches. Courtesy of Stephen Haller Gallery, New York." src="https://www.artcritical.com/wp-content/uploads/2013/10/RL11-248-55x108-Clear-As-Day.jpg" alt="Ronnie Landfield, Clear as Day, 2006, acrylic on canvas, 55 1/4 x 108 inches. Courtesy of Stephen Haller Gallery, New York." width="561" height="304" srcset="https://artcritical.com/app/uploads/2013/10/RL11-248-55x108-Clear-As-Day.jpg 561w, https://artcritical.com/app/uploads/2013/10/RL11-248-55x108-Clear-As-Day-275x149.jpg 275w" sizes="(max-width: 561px) 100vw, 561px" /></a><figcaption id="caption-attachment-35420" class="wp-caption-text">Ronnie Landfield, Clear as Day, 2006, acrylic on canvas, 55 1/4 x 108 inches. Courtesy of Stephen Haller Gallery, New York.</figcaption></figure>
<p>It&#8217;s been almost a year since Hurricane Sandy wrecked havoc on New York City and much of the East Coast. Artists were effected in a number of devastating ways: from water-clogged homes and studios in Red Hook, Brooklyn, to decades-worth of work lost in flooded Chelsea galleries. Phong Bui, artist and publisher of <em>The Brooklyn Rail</em> is recognizing this anniversary with <em>Come Together: Surviving Sandy, Year 1</em>, a benefit exhibition that is more in the spirit of celebration and solidarity than somber remembrance. Conceived in partnership with the Dedalus Foundation and Industry City, the show features more than 300 artists, roughly half of whom were directly affected by the storm, across a remarkable range of disciplines and career levels. Bui himself lost years of work and much of the <em>Rail&#8217;s</em> archive in his flooded Greenpoint studio. The two-month exhibition will also be the site of  poetry readings, film screenings,  musical performances, talks with conservators, and other cultural events.</p>
<p>Exhibiting artists include: Marina Adams, Susan Bee, Katherine Bradford, Mike Cloud, Cora Cohen, Tamara Gonzales, Ron Gorchov, Josephine Halvorson, EJ Hauser, Michael Joo, Alex Katz, Ronnie Landfield, Chris Martin, Carrie Moyer, Nari Ward, Wendy White, Richard Serra, and newer faces such as Becky Brown, Allison Ginsberg, Heidi Howard, Osamu Kobayashi, Brie Ruais, Gabriela Salazar and Nicole Wittenberg.</p>
<p><strong>The opening of <em>Come Together: Surviving Sandy, Year 1</em> is Sunday, October 20 from 4 PM to 8 PM.</strong></p>
<p>Industry City is located at 220 36th Street in Sunset Park, Brooklyn. The exhibition is open Thursday through Sunday, from 2:00 PM to 6:00 PM , and will run from October 20 to December 15, 2013</p>
<p>For more information and a full schedule of events, please  visit: www.cometogethersandy.com, or email: <a href="mailto:info@dedalusfoundation.org">info@dedalusfoundation.org</a></p>
<figure id="attachment_35470" aria-describedby="caption-attachment-35470" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/Gabriela-Salazar_SandyinProgress.jpg"><img loading="lazy" class="size-thumbnail wp-image-35470 " title="Gabriela Salazar, Untitled (Drawing for Sandy), 2013, paper pulp, graphite powder, wood shingles, metal brackets and screws, 20 x 17 x 5 inches. Courtesy of the artist." src="https://www.artcritical.com/wp-content/uploads/2013/10/Gabriela-Salazar_SandyinProgress-71x71.jpg" alt="Gabriela Salazar, Untitled (Drawing for Sandy), 2013, paper pulp, graphite powder, wood shingles, metal brackets and screws, 20 x 17 x 5 inches. Courtesy of the artist." width="71" height="71" /></a><figcaption id="caption-attachment-35470" class="wp-caption-text">click to enlarge</figcaption></figure>
<figure id="attachment_35447" aria-describedby="caption-attachment-35447" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/RL11-246-Franz-Kline-in-Provincetown--71x71.jpg"><img loading="lazy" class="size-thumbnail wp-image-35447  " title="Ronnie Landfield, Franz Kline in Provincetown, 2010 , acrylic on canvas, 88 x 81 inches. Courtesy of Stephen Haller Gallery, New York. " src="https://www.artcritical.com/wp-content/uploads/2013/10/RL11-246-88x81-Franz-Kline-in-Provincetown--71x71.jpg" alt="Ronnie Landfield, Franz Kline in Provincetown, 2010 , acrylic on canvas, 88 x 81 inches. Courtesy of Stephen Haller Gallery, New York. " width="71" height="71" srcset="https://artcritical.com/app/uploads/2013/10/RL11-246-88x81-Franz-Kline-in-Provincetown--71x71.jpg 71w, https://artcritical.com/app/uploads/2013/10/RL11-246-88x81-Franz-Kline-in-Provincetown--150x150.jpg 150w" sizes="(max-width: 71px) 100vw, 71px" /></a><figcaption id="caption-attachment-35447" class="wp-caption-text">click to enlarge</figcaption></figure>
<figure id="attachment_35417" aria-describedby="caption-attachment-35417" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/HHoward_katie.jpg"><img loading="lazy" class="size-thumbnail wp-image-35417 " title="Heidi Howard, Katie Kline, her photos, crawfish boil, 32 x 40 inches, oil on canvas, 2013. Courtesy of the artist. " src="https://www.artcritical.com/wp-content/uploads/2013/10/HHoward_katie-71x71.jpg" alt="Heidi Howard, Katie Kline, her photos, crawfish boil, 32 x 40 inches, oil on canvas, 2013. Courtesy of the artist." width="71" height="71" /></a><figcaption id="caption-attachment-35417" class="wp-caption-text">click to enlarge</figcaption></figure>
<figure id="attachment_35452" aria-describedby="caption-attachment-35452" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2013/10/BeckyBrown.Assembly.jpg"><img loading="lazy" class="size-thumbnail wp-image-35452 " title="Becky Brown, Assembly, 2013, acrylic and collage on wood, with frame, 14 3/4 x 14 inches. Courtesy of the artist." src="https://www.artcritical.com/wp-content/uploads/2013/10/BeckyBrown.Assembly-71x71.jpg" alt="Becky Brown, Assembly, 2013, acrylic and collage on wood, with frame, 14 3/4 x 14 inches. Courtesy of the artist." width="71" height="71" /></a><figcaption id="caption-attachment-35452" class="wp-caption-text">click to enlarge</figcaption></figure>
<p>The post <a rel="nofollow" href="https://artcritical.com/2013/10/15/one-year-after-sandy-brooklyn-comes-together/">One Year After Sandy&#8230;Brooklyn Comes Together</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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