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	<title>Ratcliffe| Oona &#8211; artcritical</title>
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		<title>Paolo and Francesca, with paintings by Oona Ratcliffe</title>
		<link>https://artcritical.com/2009/03/09/berkson-ratcliffe/</link>
					<comments>https://artcritical.com/2009/03/09/berkson-ratcliffe/#respond</comments>
		
		<dc:creator><![CDATA[Bill Berkson]]></dc:creator>
		<pubDate>Mon, 09 Mar 2009 19:38:21 +0000</pubDate>
				<category><![CDATA[Poetry For Art]]></category>
		<category><![CDATA[Ratcliffe| Oona]]></category>
		<guid isPermaLink="false">https://artcritical.com/?p=16813</guid>

					<description><![CDATA[<p>Bill Berkson's 1982 translation of Dante revised in 2009 and coupled with paintings by Oona Ratcliffe</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2009/03/09/berkson-ratcliffe/">Paolo and Francesca, with paintings by Oona Ratcliffe</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p><!-- p.p1 {margin: 0.0px 0.0px 16.0px 0.0px; font: 18.0px Arial; color: #993333} p.p2 {margin: 0.0px 0.0px 14.0px 0.0px; font: 14.0px Arial} p.p3 {margin: 0.0px 0.0px 16.0px 0.0px; font: 10.0px Arial} p.p4 {margin: 0.0px 0.0px 16.0px 0.0px; font: 18.0px Arial} p.p5 {margin: 0.0px 0.0px 16.0px 0.0px; font: 16.0px Times; min-height: 19.0px} p.p6 {margin: 0.0px 0.0px 0.0px 0.0px; font: 16.0px Times; min-height: 19.0px} span.s1 {font: 14.0px Arial; color: #000000} span.s2 {font: 16.0px Times; color: #000000} span.s3 {font: 16.0px Arial} span.s4 {font: 16.0px Times} span.s5 {font: 16.0px Arial; color: #993333} --><strong><em>Oona Ratcliffe: Deep Forgetting</em> at gallerynine5 </strong><br />
POEM BY BILL BERKSON</p>
<p>March 6 to 24, 2009<br />
24 Spring Street<br />
New York City, 212 965 9995</p>
<p>POETRY FOR ART presents newly published poetry (or poetry posted to the web for the first time) that relates, responds, or is dedicated to the work of a contemporary artist on display in New York or elsewhere at the time of posting. <strong>Bill Berkson</strong> &#8211; who is editorial advisor to the series &#8211; is a poet and critic who lives in San Francisco and New York. His recent books include <em>Sudden Address: Selected Lectures 1981-2006</em>;<em> Goods and Services</em>;<em> Bill</em>, a words-and-images collaboration with Colter Jacobsen; and <em>Portrait and Dream: New &amp; Selected Poems</em> just out from Coffee House Press. He was awarded the 2008 Goldie for Literature from the San Francisco <em>Bay Guardian</em>. <strong>Oona Ratcliffe </strong>lives and works in Brooklyn. She has participated in various exhibitions across the U.S., including a solo show at Susan Inglett Gallery, New York, and recent group shows at the Morgan Lehman Gallery, New York; Jeff Bailey Gallery, New York,;the Bolinas Museum, California; Roberts &amp; Tilton, California; and Geoffrey Young Gallery, Massachusetts. Ratcliffe received a Janet Sloane Residency Award from Yaddo in 2005.</p>
<figure id="attachment_16814" aria-describedby="caption-attachment-16814" style="width: 560px" class="wp-caption alignnone"><a href="https://artcritical.com/wp-content/uploads/2011/06/Oona-Ratcliffe-Heartspring.jpg"><img loading="lazy" class="size-full wp-image-16814  " title="Oona Ratcliffe, Heartspring the wreckage (diptych), 2008. Acrylic on canvas, 72 x 168 Inches. Courtesy of the artist" src="https://artcritical.com/wp-content/uploads/2011/06/Oona-Ratcliffe-Heartspring.jpg" alt="Oona Ratcliffe, Heartspring the wreckage (diptych), 2008. Acrylic on canvas, 72 x 168 Inches. Courtesy of the artist" width="560" height="330" srcset="https://artcritical.com/app/uploads/2011/06/Oona-Ratcliffe-Heartspring.jpg 700w, https://artcritical.com/app/uploads/2011/06/Oona-Ratcliffe-Heartspring-275x162.jpg 275w" sizes="(max-width: 560px) 100vw, 560px" /></a><figcaption id="caption-attachment-16814" class="wp-caption-text">Oona Ratcliffe, Heartspring the wreckage (diptych), 2008. Acrylic on canvas, 72 x 168 Inches. Courtesy of the artist</figcaption></figure>
<p><strong>Paolo and Francesca</strong></p>
<p><em>after Dante Alighieri, from Canto 5, second circle Inferno, “La Bufera” –<br />
the whirlwind where souls reside whose reason was overwhelmed by desire.</em></p>
<p>Smitten, I began: “Poet, I would speak<br />
with that pair who go so lightly there<br />
together on the wind.”<br />
And he said: “You will see<br />
when they come a little closer, ask<br />
by the love that brings them on, they will come.”<br />
So, when the wind swept them near us,<br />
I raised my voice: “O breathless spirits! come,<br />
talk with us, unless another forbids it!”<br />
And as doves whom desire has called,<br />
with wings poised and resolute, borne by their will,<br />
come through the air to their sweet nest,<br />
These left the company where Dido is<br />
and approached us through that wretched air,<br />
such was the power of my soulful cry.</p>
<figure id="attachment_16815" aria-describedby="caption-attachment-16815" style="width: 413px" class="wp-caption alignnone"><a href="https://artcritical.com/wp-content/uploads/2011/06/Oona-Ratcliffe-hippies.jpg"><img loading="lazy" class="size-full wp-image-16815 " title="Oona Ratcliffe, Hippies in the dust, 2009. Acrylic on canvas, 72 x 84 inches. Courtesy of the artist" src="https://artcritical.com/wp-content/uploads/2011/06/Oona-Ratcliffe-hippies.jpg" alt="Oona Ratcliffe, Hippies in the dust, 2009. Acrylic on canvas, 72 x 84 inches. Courtesy of the artist" width="413" height="359" srcset="https://artcritical.com/app/uploads/2011/06/Oona-Ratcliffe-hippies.jpg 413w, https://artcritical.com/app/uploads/2011/06/Oona-Ratcliffe-hippies-300x260.jpg 300w" sizes="(max-width: 413px) 100vw, 413px" /></a><figcaption id="caption-attachment-16815" class="wp-caption-text">Oona Ratcliffe, Hippies in the dust, 2009. Acrylic on canvas, 72 x 84 inches. Courtesy of the artist</figcaption></figure>
<p>“O kind and gracious being<br />
who visits us in this perditious murk,<br />
we who stained the world with blood,<br />
If we could pray to the lord of the universe, we would,<br />
to grant you peace, since you have pitied us<br />
in our sad perversity.<br />
Whatever you please to speak of or to hear<br />
we will hear and speak of with you<br />
while the wind, as here it is, is still.<br />
The place where I was born sits<br />
by the shore where the Po descends,<br />
to be at rest with other lesser streams.<br />
Love, that wakens quickly in the gentlest heart,<br />
seized that one through this beautiful form<br />
which then was torn from me – and manner still offends me.<br />
Love, which excuses no one loved from loving,<br />
fixed this man’s charms on me so firmly<br />
that, as you see, they haven’t left me yet.<br />
Love brought us together to this death:<br />
Cold Hell waits for him who spent our life.”</p>
<figure id="attachment_16816" aria-describedby="caption-attachment-16816" style="width: 413px" class="wp-caption alignnone"><a href="https://artcritical.com/wp-content/uploads/2011/06/Oone-Ratcliffe-voracious.jpg"><img loading="lazy" class="size-full wp-image-16816 " title="Oona Ratcliffe, Voracious, 2008. Acrylic on canvas, 72 x 84 inches. Courtesy of the artist" src="https://artcritical.com/wp-content/uploads/2011/06/Oone-Ratcliffe-voracious.jpg" alt="Oona Ratcliffe, Voracious, 2008. Acrylic on canvas, 72 x 84 inches. Courtesy of the artist" width="413" height="354" srcset="https://artcritical.com/app/uploads/2011/06/Oone-Ratcliffe-voracious.jpg 413w, https://artcritical.com/app/uploads/2011/06/Oone-Ratcliffe-voracious-275x235.jpg 275w" sizes="(max-width: 413px) 100vw, 413px" /></a><figcaption id="caption-attachment-16816" class="wp-caption-text">Oona Ratcliffe, Voracious, 2008. Acrylic on canvas, 72 x 84 inches. Courtesy of the artist</figcaption></figure>
<p>These words carried from them to us.<br />
And when I heard how doomed these spirits were,<br />
I hung my head and kept it so long like that<br />
until finally the Poet asked what I thought,<br />
And when I could answer, I began: “Alas,<br />
how many sweet thoughts, what great desire<br />
brought them to this sorry place!”<br />
Then I turned back to them and said:<br />
“Francesca, your suffering makes me cry,<br />
and I pity you terribly –<br />
But tell me, in the days of those sweet sighs<br />
how did love concede to let you know<br />
your dubious desires?”<br />
And she said: “Nothing is worse<br />
than recalling the happiest of times<br />
in utter misery; your teacher knows this well.<br />
But if you really want to learn<br />
our love’s first root, I will tell<br />
although my misery in telling will be plain.<br />
One day for pleasure we were reading<br />
how Lancelot was struck by love.<br />
We were alone and somewhat careless.<br />
But as we read our eyebeams often met<br />
and our faces lost their color.<br />
One part alone was enough to undo us.<br />
When we read how that lady’s lovely smile<br />
was kissed by such a lover,<br />
he, who is forever inseparable from me,<br />
All trembling kissed me on the mouth.<br />
That book and whoever wrote it was our Galeotto.<br />
That day we read no further.”<br />
As the one spirit spoke,<br />
the other wept, so that, pitying them,<br />
I fainted as if I were dying,<br />
And I fell as a dead body falls.<br />
<strong><br />
</strong><strong>1982/2009<br />
for Oona Ratcliffe</strong></p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2009/03/09/berkson-ratcliffe/">Paolo and Francesca, with paintings by Oona Ratcliffe</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></content:encoded>
					
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		<title>Oona Ratcliffe: Deep Forgetting at gallerynine5</title>
		<link>https://artcritical.com/2009/03/01/oona-ratcliffe-deep-forgetting-at-gallerynine5/</link>
					<comments>https://artcritical.com/2009/03/01/oona-ratcliffe-deep-forgetting-at-gallerynine5/#respond</comments>
		
		<dc:creator><![CDATA[Bill Berkson]]></dc:creator>
		<pubDate>Sun, 01 Mar 2009 16:48:55 +0000</pubDate>
				<category><![CDATA[Exhibitions]]></category>
		<category><![CDATA[GalleryNine5]]></category>
		<category><![CDATA[Ratcliffe| Oona]]></category>
		<guid isPermaLink="false">http://testingartcritical.com/?p=490</guid>

					<description><![CDATA[<p>March 6 to 24, 2009 24 Spring Street New York City, 212 965 9995 POETRY FOR ART presents newly published poetry (or poetry posted to the web for the first time) that relates, responds, or is dedicated to the work of a contemporary artist on display in New York or elsewhere at the time of &#8230; <a href="https://artcritical.com/2009/03/01/oona-ratcliffe-deep-forgetting-at-gallerynine5/">Continued</a></p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2009/03/01/oona-ratcliffe-deep-forgetting-at-gallerynine5/">Oona Ratcliffe: Deep Forgetting at gallerynine5</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<p>March 6 to 24, 2009<br />
24 Spring Street<br />
New York City, 212 965 9995</p>
<p>POETRY FOR ART presents newly published poetry (or poetry posted to the web for the first time) that relates, responds, or is dedicated to the work of a contemporary artist on display in New York or elsewhere at the time of posting. <strong>Bill Berkson</strong> &#8211; who is editorial advisor to the series &#8211; is a poet and critic who lives in San Francisco and New York. His recent books include <em>Sudden Address: Selected Lectures 1981-2006</em>;<em> Goods and Services</em>;<em> Bill</em>, a words-and-images collaboration with Colter Jacobsen; and <em>Portrait and Dream: New &amp; Selected Poems</em> just out from Coffee House Press. He was awarded the 2008 Goldie for Literature from the San Francisco <em>Bay Guardian</em>. <strong>Oona Ratcliffe </strong>lives and works in Brooklyn. She has participated in various exhibitions across the U.S., including a solo show at Susan Inglett Gallery, New York, and recent group shows at the Morgan Lehman Gallery, New York; Jeff Bailey Gallery, New York,;the Bolinas Museum, California; Roberts &amp; Tilton, California; and Geoffrey Young Gallery, Massachusetts. Ratcliffe received a Janet Sloane Residency Award from Yaddo in 2005.</p>
<figure style="width: 490px" class="wp-caption alignnone"><a href="https://www.artcritical.com/p4a/images/Oona-Ratcliffe-Heartspring.jpg"><img loading="lazy" title="Oona Ratcliffe Heartspring the wreckage 2008. Acrylic on canvas, (diptych) 72 x 168 inches. Cover MARCH 2009: all this and bitten 2008, gouache on paper, 30 x 22-1/2 inches. All courtesy of the artist." src="https://www.artcritical.com/p4a/images/Oona-Ratcliffe-Heartspring.jpg" alt="Oona Ratcliffe Heartspring the wreckage 2008. Acrylic on canvas, (diptych) 72 x 168 inches. Cover MARCH 2009: all this and bitten 2008, gouache on paper, 30 x 22-1/2 inches. All courtesy of the artist." width="490" height="289" /></a><figcaption class="wp-caption-text">Oona Ratcliffe, Heartspring the wreckage 2008. Acrylic on canvas, (diptych) 72 x 168 inches. Cover MARCH 2009: all this and bitten 2008, gouache on paper, 30 x 22-1/2 inches. All courtesy of the artist.</figcaption></figure>
<p><strong>Paolo and Francesca</strong></p>
<blockquote><p><em>after Dante Alighieri, from Canto 5, second circle Inferno, “La Bufera” –<br />
the whirlwind where souls reside whose reason was overwhelmed by desire.</em></p></blockquote>
<p>Smitten, I began: “Poet, I would speak<br />
with that pair who go so lightly there<br />
together on the wind.”<br />
And he said: “You will see<br />
when they come a little closer, ask<br />
by the love that brings them on, they will come.”<br />
So, when the wind swept them near us,<br />
I raised my voice: “O breathless spirits! come,<br />
talk with us, unless another forbids it!”<br />
And as doves whom desire has called,<br />
with wings poised and resolute, borne by their will,<br />
come through the air to their sweet nest,<br />
These left the company where Dido is<br />
and approached us through that wretched air,<br />
such was the power of my soulful cry.</p>
<figure style="width: 413px" class="wp-caption alignnone"><a href="https://www.artcritical.com/p4a/images/Oona-Ratcliffe-hippies.jpg"><img loading="lazy" class=" " title="Oona Ratcliffe hippies in the dust 2009. Acrylic on canvas, 72 x 84 inches." src="https://www.artcritical.com/p4a/images/Oona-Ratcliffe-hippies.jpg" alt="Oona Ratcliffe hippies in the dust 2009. Acrylic on canvas, 72 x 84 inches." width="413" height="359" /></a><figcaption class="wp-caption-text">Oona Ratcliffe, hippies in the dust 2009. Acrylic on canvas, 72 x 84 inches.</figcaption></figure>
<p>“O kind and gracious being<br />
who visits us in this perditious murk,<br />
we who stained the world with blood,<br />
If we could pray to the lord of the universe, we would,<br />
to grant you peace, since you have pitied us<br />
in our sad perversity.<br />
Whatever you please to speak of or to hear<br />
we will hear and speak of with you<br />
while the wind, as here it is, is still.<br />
The place where I was born sits<br />
by the shore where the Po descends,<br />
to be at rest with other lesser streams.<br />
Love, that wakens quickly in the gentlest heart,<br />
seized that one through this beautiful form<br />
which then was torn from me – and manner still offends me.<br />
Love, which excuses no one loved from loving,<br />
fixed this man’s charms on me so firmly<br />
that, as you see, they haven’t left me yet.<br />
Love brought us together to this death:<br />
Cold Hell waits for him who spent our life.”</p>
<figure style="width: 413px" class="wp-caption alignnone"><a href="https://www.artcritical.com/p4a/images/Oone-Ratcliffe-voracious.jpg"><img loading="lazy" class=" " title="Oona Ratcliffe Voracious 2008. Acrylic on canvas, 72 x 84 inches." src="https://www.artcritical.com/p4a/images/Oone-Ratcliffe-voracious.jpg" alt="Oona Ratcliffe Voracious 2008. Acrylic on canvas, 72 x 84 inches." width="413" height="354" /></a><figcaption class="wp-caption-text">Oona Ratcliffe Voracious 2008. Acrylic on canvas, 72 x 84 inches.</figcaption></figure>
<p>These words carried from them to us.<br />
And when I heard how doomed these spirits were,<br />
I hung my head and kept it so long like that<br />
until finally the Poet asked what I thought,<br />
And when I could answer, I began: “Alas,<br />
how many sweet thoughts, what great desire<br />
brought them to this sorry place!”<br />
Then I turned back to them and said:<br />
“Francesca, your suffering makes me cry,<br />
and I pity you terribly –<br />
But tell me, in the days of those sweet sighs<br />
how did love concede to let you know<br />
your dubious desires?”<br />
And she said: “Nothing is worse<br />
than recalling the happiest of times<br />
in utter misery; your teacher knows this well.<br />
But if you really want to learn<br />
our love’s first root, I will tell<br />
although my misery in telling will be plain.<br />
One day for pleasure we were reading<br />
how Lancelot was struck by love.<br />
We were alone and somewhat careless.<br />
But as we read our eyebeams often met<br />
and our faces lost their color.<br />
One part alone was enough to undo us.<br />
When we read how that lady’s lovely smile<br />
was kissed by such a lover,<br />
he, who is forever inseparable from me,<br />
All trembling kissed me on the mouth.<br />
That book and whoever wrote it was our Galeotto.<br />
That day we read no further.”<br />
As the one spirit spoke,<br />
the other wept, so that, pitying them,<br />
I fainted as if I were dying,<br />
And I fell as a dead body falls.</p>
<p><strong>1982/2009<br />
for Oona Ratcliffe</strong></p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2009/03/01/oona-ratcliffe-deep-forgetting-at-gallerynine5/">Oona Ratcliffe: Deep Forgetting at gallerynine5</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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