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	<title>Robins|Joyce &#8211; artcritical</title>
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		<title>Annabeth Rosen at Ventana 244</title>
		<link>https://artcritical.com/2014/06/12/annabeth-rosen-at-ventana-244/</link>
					<comments>https://artcritical.com/2014/06/12/annabeth-rosen-at-ventana-244/#respond</comments>
		
		<dc:creator><![CDATA[David Cohen]]></dc:creator>
		<pubDate>Thu, 12 Jun 2014 22:19:49 +0000</pubDate>
				<category><![CDATA[a featured item from THE LIST]]></category>
		<category><![CDATA[Features]]></category>
		<category><![CDATA[Butterly| Kathy]]></category>
		<category><![CDATA[ceramics]]></category>
		<category><![CDATA[Matthew Marks Gallery]]></category>
		<category><![CDATA[Price| Ken]]></category>
		<category><![CDATA[Robins|Joyce]]></category>
		<category><![CDATA[Rosen| Annabeth]]></category>
		<category><![CDATA[Tibor de Nagy]]></category>
		<category><![CDATA[Ventana 244]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=40409</guid>

					<description><![CDATA[<p>Annabeth Rosen adds her trippy offering to the Summer of Love for Ceramics.</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/06/12/annabeth-rosen-at-ventana-244/">Annabeth Rosen at Ventana 244</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<figure id="attachment_40334" aria-describedby="caption-attachment-40334" style="width: 550px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/06/MALLO-v-e1402619827526.jpg"><img loading="lazy" class="size-full wp-image-40334" src="https://www.artcritical.com/wp-content/uploads/2014/06/MALLO-v-e1402619827526.jpg" alt="Annabeth Rosen, Mallo, 2013. Ceramic, 14 x 13 x 12. Courtesy of the Artists and Ventura 244" width="550" height="375" /></a><figcaption id="caption-attachment-40334" class="wp-caption-text">Annabeth Rosen, Mallo, 2013. Ceramic, 14 x 13 x 12. Courtesy of the Artists and Ventura 244</figcaption></figure>
<p>Are we experiencing a summer of love for ceramic sculpture?  In the last couple of months there has been a critical mass of shows by sculptors that exploit, in vessel-free form, the timeless medium with zany, inventive, lusciously glazed and chromatically exuberant results on view in New York. We’ve seen exquisite essays in eccentric dexterity from Kathy Butterly at Tibor de Nagy; sumptuous, monumental biomorphs by the late Ken Price at Matthew Marks; restrained yet insouciant clay reliefs by Joyce Robins at Theodore:Art in Bushwick. Not to be missed in this rich, sweet vein, in a somewhat under the radar gem of a show at a stunning little space in Williamsburg, Ventana 244 at 244  North 6th Street on the corner of Roebling, through June 14 — is Californian ceramic sculptor Annabeth Rosen in her second New York outing since 2010.  These monumentally goofy tours de force of constructional complexity and formal singularity include sculptural personae that are as defiantly present as they are elsusive or ambivalent to characterize.  A garden gnome that  could a scholar’s rock; a Guston painting come to life that is also an explosing of loo rolls and fruits; and in Mallo, 2013, a crackle-glazed and cracking up (what a riotous conceit) molten snowman who is revealed to have a heart of bubble-gum.  DAVID COHEN</p>
<p>Annabeth Rosen, Mallo, 2013.  Ceramic, 14 x 13 x 12.  Courtesy of the Artists and Ventana 244</p>
<p>&nbsp;</p>
<p>&nbsp;</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/06/12/annabeth-rosen-at-ventana-244/">Annabeth Rosen at Ventana 244</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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		<title>Big in Bushwick: Bushwick Open Studios is this Weekend</title>
		<link>https://artcritical.com/2014/05/30/bushwick-open-studios-2014/</link>
					<comments>https://artcritical.com/2014/05/30/bushwick-open-studios-2014/#comments</comments>
		
		<dc:creator><![CDATA[THE EDITORS]]></dc:creator>
		<pubDate>Fri, 30 May 2014 21:19:56 +0000</pubDate>
				<category><![CDATA[Newsdesk]]></category>
		<category><![CDATA[Arts in Bushwick]]></category>
		<category><![CDATA[Bushwick Open Studios]]></category>
		<category><![CDATA[Kirili| Alain]]></category>
		<category><![CDATA[Levy|Gili]]></category>
		<category><![CDATA[Robins|Joyce]]></category>
		<guid isPermaLink="false">https://www.artcritical.com/?p=40322</guid>

					<description><![CDATA[<p>NEWD Art Show, Joyce Robins, Alain Kirili</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/05/30/bushwick-open-studios-2014/">Big in Bushwick: Bushwick Open Studios is this Weekend</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
]]></description>
										<content:encoded><![CDATA[<figure id="attachment_40323" aria-describedby="caption-attachment-40323" style="width: 550px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/05/garage.jpg"><img loading="lazy" class="size-full wp-image-40323" src="https://www.artcritical.com/wp-content/uploads/2014/05/garage.jpg" alt="Photo: Gwendolyn C. Skaggs" width="550" height="384" srcset="https://artcritical.com/app/uploads/2014/05/garage.jpg 550w, https://artcritical.com/app/uploads/2014/05/garage-275x192.jpg 275w" sizes="(max-width: 550px) 100vw, 550px" /></a><figcaption id="caption-attachment-40323" class="wp-caption-text">Photo: Gwendolyn C. Skaggs</figcaption></figure>
<p>This weekend sees a significant expansion in the stunning and sprawling annual three-day festival, Bushwick Open Studios, put together by the volunteer Arts in Bushwick organization.  In addition to the 677 shows on offer, some in labyrinthine studio complexes, others in storefronts and private dwellings around the eastern Brooklyn neighborhood, this year sees the launch of a new art fair in conjunction with the festival, one that promises the literal opposite of business as usual.</p>
<p>NEWD brings together artist collective, project spaces, nonprofits and artist-run galleries in a show sharing 7000 square feet of industrial space.  As befits its acronym, the fair strives for a new level of transparency.  Besides bringing collectors into less mediated contact with artists, NEWD is introducing “negotiated resale royalty agreements” with the sales that take place under its roof.  The event takes place at the 1896, an historic warehouse space at 592 Johnson Avenue close to the Jefferson Street L.</p>
<p>Participants in NEWD are naturally open for business in their own premises, too, over the weekend.  At 56 Bogart Street, for instance, hub of such galleries and alternative spaces as Momenta Art, NURTUREart, and Life on Mars, THEODORE:Art, the latest gallery incarnation of Soho veteran Stephanie Theodore, continues a sensational show of sculptor Joyce Robins that emphasizes her roots in painting—by actually including stunning early 2D works alongside her pigmented clay reliefs.  Upstairs from these galleries, meanwhile, are good old-fashioned open studios by individual practicing artists.  Check out luminous abstractionist Delfina Nahrgang,.</p>
<figure id="attachment_40324" aria-describedby="caption-attachment-40324" style="width: 275px" class="wp-caption alignleft"><a href="https://www.artcritical.com/wp-content/uploads/2014/05/kirili.jpg"><img loading="lazy" class="size-medium wp-image-40324" src="https://www.artcritical.com/wp-content/uploads/2014/05/kirili-275x206.jpg" alt="A work by Alain Kirili on view at ArtHelix" width="275" height="206" srcset="https://artcritical.com/app/uploads/2014/05/kirili-275x205.jpg 275w, https://artcritical.com/app/uploads/2014/05/kirili.jpg 550w" sizes="(max-width: 275px) 100vw, 275px" /></a><figcaption id="caption-attachment-40324" class="wp-caption-text">A work by Alain Kirili on view at ArtHelix</figcaption></figure>
<p>Another sculptor active since the 1970s, Paris- and New York-based Alain Kirili,  inaugurates splendid new premises of ArtHelix at 299 Meserole Street, near the Montrose Avenue L.  Describing Kirili’s new steel wire and rubber tubing drawing-in-space sculptures in the brochure accompanying this show, artcritical’s David Cohen detects “an almost fugue-like relationship between elements chasing and embracing each other like lovers.”</p>
<p>Cutting edge new media artists Man Bartlett and Carla Gannis are part of a five-person open studio at Studio 303 at 41 Varick Avenue.  While their work engages in literally splicing together traditional and innovative techniques and protocols, a group show with an emphasis on painting draws on splice as its organizational metaphor. MIXTAPE, curated by Sophia Alexandrov and Todd Bienvenu, draws a parallel between curatorial efforts and the making of a good party compilation.  Their show, at 195 Morgan Avenue, No. 4 Studio, brings together the likes of Katherine Bradford, Margrit Lewczuk, Gili Levy, Sangram Majumdar and Kyle Staver.</p>
<p>And talking of parties: Twenty-Three Artists From In and Around, in the garage at 386 Jefferson Street, which includes Paula DeLuccia, Lori Ellison, Lawrence Swan and Richard Timperio in their number, has an opening Friday sponsored by Hendrick’s Gin, as if such company weren’t sufficient guarantee of a wild time!</p>
<figure id="attachment_40329" aria-describedby="caption-attachment-40329" style="width: 550px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/05/map-for-bushwick.jpg"><img loading="lazy" class="size-full wp-image-40329" src="https://www.artcritical.com/wp-content/uploads/2014/05/map-for-bushwick.jpg" alt="Map of Bushwick with an itinerary for visiting MIXTAPE (A), Kirili (B), NEWD (C) and Twenty-Three Artists From In and Around (D)" width="550" height="329" srcset="https://artcritical.com/app/uploads/2014/05/map-for-bushwick.jpg 550w, https://artcritical.com/app/uploads/2014/05/map-for-bushwick-275x164.jpg 275w" sizes="(max-width: 550px) 100vw, 550px" /></a><figcaption id="caption-attachment-40329" class="wp-caption-text">Map of Bushwick with an itinerary for visiting MIXTAPE (A), Kirili (B), NEWD (C) and Twenty-Three Artists From In and Around (D)</figcaption></figure>
<figure id="attachment_40325" aria-describedby="caption-attachment-40325" style="width: 275px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/05/Gili_Levy1.jpg"><img loading="lazy" class="size-medium wp-image-40325" src="https://www.artcritical.com/wp-content/uploads/2014/05/Gili_Levy1-275x221.jpg" alt="Gili Levy, IIcebergs, 2014. Oil and Goache on Canvas, 60 x 48 inches. Courtesy of the Artist" width="275" height="221" srcset="https://artcritical.com/app/uploads/2014/05/Gili_Levy1-275x221.jpg 275w, https://artcritical.com/app/uploads/2014/05/Gili_Levy1.jpg 550w" sizes="(max-width: 275px) 100vw, 275px" /></a><figcaption id="caption-attachment-40325" class="wp-caption-text">Gili Levy, IIcebergs, 2014. Oil and Goache on Canvas, 60 x 48 inches. Courtesy of the Artist</figcaption></figure>
<p>&nbsp;</p>
<figure id="attachment_40326" aria-describedby="caption-attachment-40326" style="width: 71px" class="wp-caption alignnone"><a href="https://www.artcritical.com/wp-content/uploads/2014/05/joyce-robins.jpg"><img loading="lazy" class="wp-image-40326 size-thumbnail" src="https://www.artcritical.com/wp-content/uploads/2014/05/joyce-robins-71x71.jpg" alt="Joyce Robins, Big View, 1974. Oil on canvas, 50 x 70 inches. Courtesy of THEODORE:Art" width="71" height="71" /></a><figcaption id="caption-attachment-40326" class="wp-caption-text">click to enlarge</figcaption></figure>
<p>&nbsp;</p>
<p>The post <a rel="nofollow" href="https://artcritical.com/2014/05/30/bushwick-open-studios-2014/">Big in Bushwick: Bushwick Open Studios is this Weekend</a> appeared first on <a rel="nofollow" href="https://artcritical.com">artcritical</a>.</p>
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