uncategorizedArmory Week 2012
Monday, March 5th, 2012

What to expect at the Piers, the Armory, the other Armory, even some Williamsburg bars

Armory Show is upon us.  The fair that spreads itself over two piers on the Hudson, Pier 92 and Pier 94, opens its doors to the public Thursday as The Art Show uptown, countless satellites and happenings around town hot up an art filled Spring weekend.  artcritical will, as ever, cover the events with an open mind, but our editor’s inbox gives some clues about what to expect.

Nordic countries provide the special Armory Focus in its third edition this year.  A Nordic Lounge at Pier 94 will feature 19 galleries from Helsinki,Copenhagen, Stockholm, Osla, Malmö, and Reykjavik while Armory Performance will include A Symphonic Poem about the Financial Situation in Iceland from Örn Alexander Ámundason, Performed by Metropolis Ensemble on Wednesday afternoon at the Wall Street Journal Media Lounge.

Elsewhere on Pier 94: Leon Golub’s Transparency, an installation created from works from an early 1990s series by the late artist, will feature at Ronald Feldman Booth 824.  CRG survey small paintings by LA-based Tomory Dodge at Booth 811.  On Stellar Rays has Clifford Owens at Both 521 and Horton Gallery has Wallace Whitney at Book 530.  Edward Tyler Nahem debuts new work from Andres Serrano at Booth 604.  Josée Bienvenu has a solo spot for Guatemala City-based Dario Escobar at Booth 526.  Winkleman, in their first presentation at the Armory Show, are devoting their booth, 536, to a solo spot for gallery artist Jennifer Dalton.

Jennifer Bartlett, Sm. M. Lg. 1-1000 Horizontal, 2011. Enamel over silkscreen grid on baked enamel steel plates, 57 x 75 inches. Courtesy of Locks Gallery, Philadelphia
Jennifer Bartlett, Sm. M. Lg. 1-1000 Horizontal, 2011. Enamel over silkscreen grid on baked enamel steel plates, 57 x 75 inches. Courtesy of Locks Gallery, Philadelphia

Uptown at the ever-confusing show at the Armory that isn’t the Armory Show, The Art Show at the Park Avenue Armory, P.P.O.W. presents important historic work in Fleshing out the Grid: David Wojnarowicz and Hunter Reynolds.  The Art Show tends to feature more blue chip historic materials than the Armory: Peter Freeman has prints, paintings and a photograph by James Ensor, for instance, while Philadelphia’s Locks Gallery Jennifer Bartlett’s paintings on baked enamel steel plates from the early 1970s until last year. Philip Pearlstein is the focus of a solo display there at Betty Cuningham Gallery

Some galleries of course bridge the divide and show at both.  Nicole Klagsbrun, for instance, has Xaviera Simmons at the Art Show at the Armory and Patrick Jackso at the The Armory Show at the piers, at Book 532, Pier 94.

A still from John Bjerklie, Do Not Be Afraid, 2006, video. Courtesy of Parker's Box
A still from John Bjerklie, Do Not Be Afraid, 2006, video. Courtesy of Parker's Box

And just to clarify (or perhaps intensify) the historic confusion, Fountains Art Fair takes place at the 69th Regiment Armory at 68 Lexington Ave, at 25th Street, the locale of the historic 1913 Armory Show from which the whole jamboree takes its name.  Bob Clyatt shows new sculpture at Lambert Fine Arts while Dacia Gallery features Tania Marmolejo among others.

Many arts organizations think beyond the box of any fair location.  Art Middle East, for instance, presents Amir Baradaran’s augmented reality installation, SamovAR and “The Tempest in the Teahouse” at 10 Downing Street on March 10 from 6-8 pm.

Neighborhoods entice visitors on themed days. The Lower East Side has its Armory Arts Week Day on Sunday March 7, featuring on the hour guided tours of the neighborhood leaving from the New Museum from noon to 3pm.  Saturday sees Soho Night: The Phaidon Store, for instance, at 83 Wooster, previews their newest collectors edition from Pawel Althamer.  And on March 10th it’s Brooklyn Armory Night in Williamsburg where selected Parker’s Box artists will project videos at local bars Banter’s, Clem’s and Iona, amongst them John Bjerklie’s Do Not Be Afraid, 2006.

Jennifer Dalton, Paradox Party Favors, 2012. Mixed media. Courtesy of Winkleman Gallery
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