McKenzie Fine Art 511 West 25th Street New York NY 10001 212 989 5467 February 17 to March 19, 2005 Jim Dingilian’s marker drawings and altered found photographs at Mackenzie Fine Art are intriguing in their process and choice of materials, so much so that it can require a conscious decision to linger for a … Continued

Reagen Louie: Orientalia- Sex in Asia Von Lintel Gallery 555 West 25th Street New York NY 10001 212 242 0599 September 4 to October 4, 2003 Jurgen Teller: Daddy You’re So Cute Lehmann Maupin 540 West 26th Street New York NY 10001 212-255-2923 September 13 to October 18, 2003 my people were fair and had … Continued

Art Link New York City, April 14-30, 2003 Around the gallery walls at Art Link in New York’s garment district stand vivid and yet seemingly disconnected images of animals, buildings, keys, and chairs painted against flat neutral tones. The background serves here and there as a placeless terra firma, or as ether or ambient space. … Continued

Ethical issues surrounding the depiction of death in art, considering Stalker 3, the recent video installation by Sergei Bugaev, aka Afrika, at I-20 Gallery.
November 2 – December 14, 2002

Matthew Marks Gallery 523 West 24 Street, New York October 21 to November 2, 2002 In the large video projection “Pietà,” facing the desk at Matthew Marks Gallery, the artist Sam Taylor Wood labors to support the draped body of Robert Downey Jr. Why him, one might ask, and for that matter, why her? Why … Continued

Lennon, Weinberg 560 Broadway Suite #308 New York, NY 10012 May 17 – June 22, 2002 Laura Larson photographs hotel rooms in disarray, discovering in them not only that unsettling convergence of corporate artifice and fugitive intimacy peculiar to such places but something other and particular to her own sensibility. The images are familiar, generic, … Continued

Mary Boone 541 West 24th Street New York, NY 10001 March 9 – April 27, 2002 Those familiar with the work of Marcus Harvey primarily through his piece at the Sensation show will be in for a sensation of a different sort at Mary Boone Gallery. “Myra” (1995) employed children’s handprints in an image of … Continued