Jonathan Goodman




More Articles by Jonathan Goodman

Catherine Howe, Reverse Painting (Geisha), 2015. Acrylic, intaglio ink, polyester sheeting, 82 x 40 inches. Courtesy of the Artist and Cross Contemporary Art
Saturday, August 15th, 2015

The Sweep of the Hand: Catherine Howe at Cross Contemporary

Seen at Saugerties, New York

Sunday, July 12th, 2015

Visionaries and Visions: Retrospectives of Tseng Kwong Chi and Ching Ho Cheng

Two innovative artists show the contributions that can be made amid cultural turbulence.

Tuesday, February 17th, 2015

The Pictorial: Deanna Lee on the Cusp of Figuration and Abstraction

Lee’s panels blend aesthetic and biographical heritage, and show their own creation and materials.

Eric Holzman, Late Afternoon / Crestwood II, 2013-14. Oil on canvas, 10 x 10 inches, Courtesy of Lori Bookstein Fine Art
Thursday, February 5th, 2015

Atmosphere is Key: Eric Holzman at Lori Bookstein

Small, luminous paintings reach deep into American art history

Vicky Colombet, Earth series # 1305, 2014. Oil, pigment, alkyd wash on canvas, 7-3/4 x 5-3/4 inches. Courtesy of Christian Duvernois Landscape/Gallery
Sunday, December 7th, 2014

A Philosophy of Form: In Vicky Colombet, Abstraction and Nature Meet on Equal Terms

Her show continues at Christian Duvernois

Theresa Chong, LU (Walking Carefully), 2014. Gouache and colored pencil on Shikibu Gampi, 12 x 11-3/4 inches. Courtesy of Danese/Corey
Thursday, November 6th, 2014

Imagined Landscape: Theresa Chong at Danese/Corey

A show of small works on paper, through November 15

Mengyun Han, Wandering Mind, 2012. Oil on canvas, 72 x 72 inches. Courtesy of the Artist
Friday, August 30th, 2013

Beijing: Mengyun Han at the Today Art Museum

despite the muddy waters of the Chinese art market, a young painter achieves transcendence