criticismExhibitions
Tuesday, April 21st, 2020
 
Installation view of Kara Walker’s Turbine Hall Commission 2019, Fons Americanus. ©Tate photography, Photo by Matt Greenwood.
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
 
Vera Iliatova
The Ties That Bind, 2019
oil on canvas, 24 by 30 inches. Courtesy of Monya Rowe Gallery, New York.
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
 

Tuesday, April 1st, 2003

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Pat Lipsky


Elizabeth Harris Gallery 529 West 20th Street New York, NY 10011 March 13 to April 12, 2003 Tues.-Sat. 11- 6PM L.I.C.K. at LTD Fine Art 46-44 11th Street Long Island City, NY 11101 March 21 to April 17, 2003 Wed.-Sun. 12-6PM Pat Lipsky’s two current New York exhibitions remind us that the art of painting…

Saturday, March 1st, 2003

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Rudy Burckhardt


Rudy Burckhardt: New York Photographs Curated by Vincent Katz Tibor de Nagy Gallery May 1 – June 6, 2003 Rudy Burckhardt’s Maine: An Exhibition of Photographs, Paintings, and Films Curated by Vincent Katz New York Studio School Gallery May 8 – June 21, 2003 Rudy Burckhardt’s career dates from 1935 to 1999. Working in the…

Saturday, March 1st, 2003

Heide Trepanier, Fatalist, 2005. Acrylic enamel on board, 42 x 42 inches. Courtesy Stux Gallery.

Heide Trepanier


Heide Trepanier at Stux Gallery

Saturday, March 1st, 2003

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Thomas Nozkowski Drawings


January 23 to March 1, 2003 New York Studio School 8 West 8 Street, New York NY 10011 The key drawings in Thomas Nozkowski’s exhibition were hung just inside the entrance to the gallery. S68, dated 1984, is a semi-abstract pictogram made from short brushstrokes. The image is centered on a large empty field of…

Saturday, March 1st, 2003

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Abstraction in Photography


Von Lintel Gallery 555 W 25th Street, New York February 6 – March 22 2003 I would venture to guess that your average person regards photography as the instant capture of reality simply because real places and things are often photographed, and because the resulting image is documentary in nature. But the document is not…

Saturday, February 1st, 2003

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Adolph Gottlieb: A Survey Exhibition


It might surprise us to learn that Adolph Gottlieb considered himself to be a conceptual artist. It is hard for us to imagine any painter as a conceptual artist. Don’t conceptual artists make their statements with pickled sharks and soiled beds? This survey at the Jewish Museum includes early paintings heavily influenced by Milton Avery…

Wednesday, January 1st, 2003

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Donald Beal: New Paintings


Prince Street Gallery 530 West 25th Street, New York NY 10001 January 7 through 25, 2003 Tues – Sat 11 – 6 PM Donald Beal’s instinct for color is deeply appealing. And instinct it is. Color sense cannot be forced. It has to come of itself, rather as memories do, by natural association and unbidden,…

Wednesday, January 1st, 2003

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The Irony and the Ecstasy: Michael Craig-Martin and Anselm Kiefer at Gagosian


Michael Craig-Martin: Eye of the Storm Gagosian Gallery, 555 West 24th Street, through February 15 Anselm Kiefer: Merkaba ran from November 8 to December 14; the catalogue is available from Gagosian Gallery at $80. What extraordinary scene changes an art gallery can witness. Take the Gagosian Gallery. One week it’s Anselm Kiefer, the next Michael…

Wednesday, January 1st, 2003

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William Kentridge: Zeno Writing


William Kentridge Zeno Writing Marian Goodman Gallery 24 West 57 Street, New York November 8, 2002- January 4, 2003 ‘Zeno Writing’, a multi-media project by South African artist William Kentridge which included a short animated film and supporting drawings, recently on show at Marian Goodman, is based on Italo Svevo’s 1923 novel Confessions of Zeno. The novel,…

Friday, November 1st, 2002

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Jeff Wall


Marian Goodman Gallery 24 West 57th Street New York, NY 10019 September 20 – November 2, 2002 The remnant of an old suitcase lies open, littered with garbage and filled with rain. Three strangers walk along an overpass on a partially cloudy day, carrying luggage. Smoke from a small fire rises through a forest’s bare…