criticismExhibitions
Tuesday, April 21st, 2020
 
Installation view of Kara Walker’s Turbine Hall Commission 2019, Fons Americanus. ©Tate photography, Photo by Matt Greenwood.
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
 
Vera Iliatova
The Ties That Bind, 2019
oil on canvas, 24 by 30 inches. Courtesy of Monya Rowe Gallery, New York.
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
 

Thursday, November 1st, 2018

Installation shot, Ron Baron: Ode to A Void, at Studio 10, Brooklyn, 2018

Silent Procession: Ron Baron in Bushwick


Ode to a Void, at Studio 10, through Sunday

Saturday, October 27th, 2018

pritchard-detail-cover

Initial Impact: Benjamin Pritchard and the Art of Legible Shapes


Wayfarer, his first show at SFA Projects, through Sunday

Sunday, October 21st, 2018

Elena Sisto, Rapunella, 2018. Oil on linen, 24 x 30 inches. Courtesy of the artist and Bookstein Projects

A New Ecology of Signs: Elena Sisto beyond the studio


As We Dream at Bookstein Projects through October 27

Thursday, October 18th, 2018

Installation shot, Graham Nickson: Cumulus, Monumental Trees and Transient Skies, at the New York Studio School, 2018, with works from the Monumental Tree series in the collection of the Louis-Drefus Family Collection. Image courtesy of the New York Studio School

Saturated Color and Subtle Harmonies: Graham Nickson’s Watercolors


“Cumulus, Monumental Trees and Transient Skies”, on view at the New York Studio School

Saturday, October 13th, 2018

245_kwg-lernerwalking-backward-running-forward-2018-v3

The Sounds of Music: Marilyn Lerner at Kate Werble Gallery


Walking Backward Running Forward was on view this fall

Friday, October 12th, 2018

lunch

Subtle Ambiguities: Katherine Bradford at CANADA


Her show, titled “Friends and Strangers”, is up through October 21

Wednesday, October 10th, 2018

Hannes Schmid, Cowboy #230, 2017. Oil on linen, 48 x 71 inches. Courtesy of Mitchell Algus Gallery

“Fuck Richard Prince”: The Stolen Memes of Hannes Schmid


on view at Mitchell Algus through October 14

Friday, October 5th, 2018

JH-cover

Endless Cycles of Misogyny: Julie Heffernan at P.P.O.W.


“Hunter Gatherer” closes in Chelsea on Saturday

Thursday, October 4th, 2018

Tim Kent, Stored Memory, 2018. Oil on canvas, 80 x 100 inches. Courtesy of the artist and Slag Gallery

The Matrix: Tim Kent at Slag Gallery


Dark Pools and Data Lakes, on view in Bushwick through October 7

Wednesday, October 3rd, 2018

Jason Stopa, The Big Picture, 2018. Oil on canvas, 62 x 48 inches. Courtesy of the artist and Steven Harvey Fine Art Projects.

Jason Stopa: Between Audience and Stage


The Gate was at Steven Harvey in August