Tuesday, April 21st, 2020
![](https://artcritical.com/app/uploads/2020/04/c-Tate-Matt-Greenwood-3-275x205.jpg)
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission.
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Wednesday, April 8th, 2020
![](https://artcritical.com/app/uploads/2020/04/cover-275x205.jpg)
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence.
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Sunday, March 3rd, 2019
![](https://artcritical.com/app/uploads/2019/03/Holling-cover-275x205.jpg)
A derangement of the senses is arrived at via multifarious stimuli
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![Scott Williams, Fenced Waterfront, 2017. Oil on panel, 18 x 28 inches. Courtesy of the artist](https://artcritical.com/app/uploads/2018/12/williams-fenced-275x183.jpg)
Monday, December 10th, 2018
Surfaces Sparkling: The cityscapes of Scott Williams
On view at 490 Atlantic through December 18
![Helio Oiticica, Metaesquema 212, 1957. Gouache on board, 16.6 x 19.5 inches. Courtesy of Galerie Lelong & Co., New York](https://artcritical.com/app/uploads/2018/11/F097D3C2-A314-432A-9D91-BF5799AEF15B-275x235.jpeg)
Thursday, November 29th, 2018
The Source of Growth and Change: Hélio Oiticica at Galerie Lelong
Early forays into abstraction by the Brazilian master
![Installation shot, Stanley Whitney: In the Color, Lisson Gallery, New York, 2018 © Stanley Whitney; Courtesy Lisson Gallery](https://artcritical.com/app/uploads/2018/11/06CC8EF8-8C04-4D39-8F40-D57DDDE39E39-275x206.jpeg)
Thursday, November 29th, 2018
Where Color Takes Shape: Stanley Whitney at Lisson Gallery
His fourth show with the gallery, up through December 21
![](https://artcritical.com/app/uploads/2018/11/JM-cover-275x183.jpg)
Sunday, November 11th, 2018
The Painted Word: Monique Johannet at The Painting Center
Her project room show, Intimations, is up through November 24
![Kara Walker, Untitled, 2016, graphite on paper, 75 x 37.5 in. ©Kara Walker. Courtesy of the artist and Sikkema Jenkins & Co., New York](https://artcritical.com/app/uploads/2018/11/Walker-Kara_Untitled_2016.jpg)
Saturday, November 10th, 2018
Representing Rape: A Powerful Show at John Jay College
Curated by Monika Fabijianska earlier this fall
![](https://artcritical.com/app/uploads/2018/11/lampe2-e1541471824472.jpg)
Monday, November 5th, 2018
Nemo: The Anonymous Portaits of Katinka Lampe and Colin Chillag
Overlapping Lower East Side shows at Elizabeth Houston Gallery
![Installation shot, Ron Baron: Ode to A Void, at Studio 10, Brooklyn, 2018](https://artcritical.com/app/uploads/2018/11/Baron_image_3-275x207.jpg)
Thursday, November 1st, 2018
Silent Procession: Ron Baron in Bushwick
Ode to a Void, at Studio 10, through Sunday
![](https://artcritical.com/app/uploads/2018/10/pritchard-detail-cover-275x197.jpg)
Saturday, October 27th, 2018
Initial Impact: Benjamin Pritchard and the Art of Legible Shapes
Wayfarer, his first show at SFA Projects, through Sunday
![Elena Sisto, Rapunella, 2018. Oil on linen, 24 x 30 inches. Courtesy of the artist and Bookstein Projects](https://artcritical.com/app/uploads/2018/10/ES-rapunzella-275x220.jpg)
Sunday, October 21st, 2018
A New Ecology of Signs: Elena Sisto beyond the studio
As We Dream at Bookstein Projects through October 27
![Installation shot, Graham Nickson: Cumulus, Monumental Trees and Transient Skies, at the New York Studio School, 2018, with works from the Monumental Tree series in the collection of the Louis-Drefus Family Collection. Image courtesy of the New York Studio School](https://artcritical.com/app/uploads/2018/10/Nickson-install-275x184.jpg)
Thursday, October 18th, 2018
Saturated Color and Subtle Harmonies: Graham Nickson’s Watercolors
“Cumulus, Monumental Trees and Transient Skies”, on view at the New York Studio School