Tuesday, April 21st, 2020
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission.
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Wednesday, April 8th, 2020
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence.
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Sunday, March 3rd, 2019
A derangement of the senses is arrived at via multifarious stimuli
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Wednesday, October 23rd, 2013
Failing Better: Bjorn Copeland at Jack Hanley
“a Bushwick flaneurial revelling in oddball sidewalk finds”
Monday, October 21st, 2013
Old Forms For New Uses: William Kentridge at Marian Goodman and the Met
“He works with archaic materials using self-imposed limitations”
Wednesday, October 16th, 2013
Spooky and Luscious: Aldo Tambellini at James Cohan
Reconstructed environments of pioneering cameraless films prefigure upcoming MoMA screenings
Friday, October 11th, 2013
Finding a Place: Anne Truitt from the 1970s at Matthew Marks Gallery
A true independent with a pastoral sense of existing within a landscape
Thursday, October 10th, 2013
The New Image: Torbjørn Rødland at Algus Greenspon
A photographer’s serious conceptual tone with a hint of satire
![Joanne Ziprin, screen-printed greeting card for Inkweed Art [“Stop doodling! Be my Valentine~”] 4 7?8 x 23 7?8 inches, ca. 1952. Photo credit: Jeffrey Sturges. Courtesy of the artist and Maccarone, New York.](https://artcritical.com/app/uploads/2013/10/12.CB-2013-Install@Maccarone-275x120.jpg)
Tuesday, October 8th, 2013
Carol Bove’s Uncanny Authorship
A staged meeting of the art object with its other at Maccarone
Sunday, October 6th, 2013
Starkness and Range: David Rhodes at Hionas Gallery
As his second solo show opens at the same venue, a review of his 2013 debut there
Friday, October 4th, 2013
The Flow of the Pulse: Gretchen Bender at The Kitchen
The future was in the past
Thursday, September 19th, 2013
Oil as Water: POUR at Lesley Heller and Asya Geisberg
Is the act of pouring paint free from the shackles of art history?
