Reinterpreting Flavin’s purist experiments with light within the medium of oil on linen enables Mosse to describe the moment when color becomes something as indefinable as light.

Joseph Beuys: Make the Secrets Productive at Pace Gallery, March 5 to April 10, 2010

If nature was his springboard, as Avery once famously declared, then in this body of work nature is also the lens through which he experienced the city.

His touring exhibition, now arriving at the Brooklyn Museum, was reviewed at the Tang this summer.

These staggering images made it clear that the universe is an interconnected assembly of electrical circuits and that energy and matter are, indeed, infinite in their connectivity.

The size of the projection is matched by the scale of its content.

Jaffe completely jettisoned the stiff grid and strict geometric shapes in favor of a loose, undeniably playful series of rectangles with interior forms.

The ensemble represents a series of very carefully thought-out painting decisions — yet never do the results look cold or calculated.

Gillick’s show is cerebrally engaging and visually interesting, but the visual and cerebral components never coming together to form a layered experience.

Jensen is in some ways a reticent painter, removing all signs of a brushstroke. His quietness, though, becomes something else when one regards the casual mastery and expressiveness of color in much of his art.