criticismExhibitions
Tuesday, April 21st, 2020
 
Installation view of Kara Walker’s Turbine Hall Commission 2019, Fons Americanus. ©Tate photography, Photo by Matt Greenwood.
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
 
Vera Iliatova
The Ties That Bind, 2019
oil on canvas, 24 by 30 inches. Courtesy of Monya Rowe Gallery, New York.
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Sunday, March 3rd, 2019
 
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A derangement of the senses is arrived at via multifarious stimuli ...
 

Wednesday, June 13th, 2018

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Body Language: Michal Rovner’s Evolution at Pace


At both Chelsea venues, the show includes her trademark video tableaux

Wednesday, June 6th, 2018

Charles Gaines, Faces 1: Identity Politics, #4, W.E.B. Du Bois, 2018 (detail). Acrylic sheet, acrylic paint, lacquer, wood, 74 x 59-1/8 x 5-3/4 inches. Courtesy of the artist and Paula Cooper Gallery.

Workable Identity: Charles Gaines at Paula Cooper


An unusual show of portraits, on view in Chelsea through June 9

Tuesday, June 5th, 2018

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The Restlessness of Thought: Adrian Piper at MoMA


A Synthesis of Intuitions is up through July 22

Wednesday, May 16th, 2018

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A Scrambling of Clues: Paul Resika, Geometry and the Sea


A two-part show at Bookstein Projects and Steven Harvey Fine Art Projects

Thursday, May 3rd, 2018

Laura Newman, Reach, 2018. Acrylic, ink and Flashe on canvas, 54 x 70 inches. Courtesy of the artist and Victoria Munroe Fine Art

Being in the World: Laura Newman at Victoria Munroe


A show of new paintings, on view on the Upper East Side

Wednesday, April 18th, 2018

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Eros, Weaver of Myth: Image and Text in Cy Twombly

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Two exhibitions at Gagosian Gallery, the Sesostris cycle and a survey of drawings, through late April

Sunday, April 15th, 2018

Diana Cooper, Wall Piece, 2018. Mixed media, dimensions variable. Photo: artcritical

Mappa Mundi: Diana Cooper at the Studio School


“It is as if she didn’t get the memo that drawing has an end.” Show closes Sunday

Friday, April 13th, 2018

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From Stasis to Kinesis: The Woosters of Ted Stamm


After years of neglect, Lisson Gallery show offers interpretative clarity.

Friday, April 6th, 2018

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Excess Devoured: Steve DiBenedetto at Derek Eller


Paintings of newfound restraint, on view on the Lower East Side

Tuesday, March 27th, 2018

Perry Hoberman, Suspensions, 2018. Installation view with visitor preparing to wear VR goggles. Courtesy of the artist and Postmasters, New York

Non-Trip to a Non-Site: Perry Hoberman’s Suspensions


Combining virtual reality and assemblage, on view at Postmasters through March 31