criticismExhibitions
Sunday, March 3rd, 2019
 
Holling-cover
A derangement of the senses is arrived at via multifarious stimuli ...
Tuesday, February 26th, 2019
 
spot
Her show of bells and mirrors was in Chelsea this winter. ...
Friday, February 22nd, 2019
 
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Interventions in the permanent collection of American art, up through March 3 ...
 

Sunday, March 25th, 2018

Marguerite Louppe, Rustic Chair, n.d. Oil on canvas, 82 x 66.5 cm

Bourgeois Charm: Marguerite Louppe and Maurice Brianchon


Husband and Wife painters, on view at Seton Hall University

Thursday, March 15th, 2018

Untitled (Drift Upload), 2017
UV ink on Alumacore
94 x 46 inches

The Willful Glitch: Chris Dorland and Technological Singularity


His show was at Lyles & King last month

Tuesday, February 27th, 2018

James Castle, Untitled (Red Jacket), n.d. Found paper, thread, crayon with applied paper buttons, 10.5 x 6.5 inches (Double-sided). The William Louis-Dreyfus Foundation Inc. © James Castle Collection and Archive LP

Beyond Soot and Spit: Rethinking James Castle


An important show of his work at the New York Studio School on view through March 4

Thursday, February 15th, 2018

Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation

In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung


A pair of exhibitions makes a case for the German-born post-war French master

Thursday, February 15th, 2018

Suzy Spence, Untitled (Portrait), 2017. Flashe on paper, 16 x 16 inches. Courtesy of the artist and Sears Peyton Gallery, New York

Hunters and Hustlers: Feminism and Theatricality in Suzy Spence and Heather Morgan


Contrasting approaches and messages in two recent shows

Saturday, February 10th, 2018

Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne

The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe


An exhibition of powerful political work at Galerie St. Etienne, through March 10

Sunday, February 4th, 2018

Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery

Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects


A show last year at Massey Lyuben Gallery

Sunday, February 4th, 2018

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Biting a Thumb at Monochrome: Jim Lee at Nicelle Beauchene


A show that dwells on the perversity of painting, closing February 4

Thursday, February 1st, 2018

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At the Edge of Land and Water: John Walker’s Landscapes


His recent Studio School show brought together his visceral and pictographic modes

Thursday, January 25th, 2018

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Insider Criticism: Mrs. Peter Plagens Reveals All


A review of his show at Nancy Hoffman Gallery by the artist’s spouse