Tuesday, April 21st, 2020
![](https://artcritical.com/app/uploads/2020/04/c-Tate-Matt-Greenwood-3-275x205.jpg)
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission.
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Wednesday, April 8th, 2020
![](https://artcritical.com/app/uploads/2020/04/cover-275x205.jpg)
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence.
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Sunday, March 3rd, 2019
![](https://artcritical.com/app/uploads/2019/03/Holling-cover-275x205.jpg)
A derangement of the senses is arrived at via multifarious stimuli
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![](https://artcritical.com/app/uploads/2018/04/Screen-Shot-2018-04-06-at-11.45.52-PM-275x178.png)
Friday, April 6th, 2018
Excess Devoured: Steve DiBenedetto at Derek Eller
Paintings of newfound restraint, on view on the Lower East Side
![Perry Hoberman, Suspensions, 2018. Installation view with visitor preparing to wear VR goggles. Courtesy of the artist and Postmasters, New York](https://artcritical.com/app/uploads/2018/03/hoberman-viewer-275x207.jpg)
Tuesday, March 27th, 2018
Non-Trip to a Non-Site: Perry Hoberman’s Suspensions
Combining virtual reality and assemblage, on view at Postmasters through March 31
![Marguerite Louppe, Rustic Chair, n.d. Oil on canvas, 82 x 66.5 cm](https://artcritical.com/app/uploads/2018/03/Rustic-Chair-275x342.jpg)
Sunday, March 25th, 2018
Bourgeois Charm: Marguerite Louppe and Maurice Brianchon
Husband and Wife painters, on view at Seton Hall University
![](https://artcritical.com/app/uploads/2018/03/LK_CDorland_Jan18_033-1500-e1521156814768-275x434.jpg)
Thursday, March 15th, 2018
The Willful Glitch: Chris Dorland and Technological Singularity
His show was at Lyles & King last month
![James Castle, Untitled (Red Jacket), n.d. Found paper, thread, crayon with applied paper buttons, 10.5 x 6.5 inches (Double-sided). The William Louis-Dreyfus Foundation Inc. © James Castle Collection and Archive LP](https://artcritical.com/app/uploads/2018/02/castle-red-275x423.jpg)
Tuesday, February 27th, 2018
Beyond Soot and Spit: Rethinking James Castle
An important show of his work at the New York Studio School on view through March 4
![Hans Hartung, T1982-H29, 1982. Acrylic on canvas, 70.9 x 55.9 inches. Courtesy of Nahmad Contemporary, Perrotin and Hartung-Bergman Foundation](https://artcritical.com/app/uploads/2018/02/Hartung_T1982_H29_19820-275x355.jpg)
Thursday, February 15th, 2018
In a Galaxy of their Own Design: Line and Atmosphere in Hans Hartung
A pair of exhibitions makes a case for the German-born post-war French master
![Suzy Spence, Untitled (Portrait), 2017. Flashe on paper, 16 x 16 inches. Courtesy of the artist and Sears Peyton Gallery, New York](https://artcritical.com/app/uploads/2018/02/33871_h500w820gt.3-275x275.jpg)
Thursday, February 15th, 2018
Hunters and Hustlers: Feminism and Theatricality in Suzy Spence and Heather Morgan
Contrasting approaches and messages in two recent shows
![Käthe Kollwitz, Seed-Corn Must Not be Ground, 1941. Lithograph , 14.5 x 15.5 inches. Private collection, Courtesy of Galerie St. Etienne](https://artcritical.com/app/uploads/2018/02/KN274SeedCornMustNotBeGround-275x235.jpg)
Saturday, February 10th, 2018
The Volunteers: Graphic Arts by Käthe Kollwitz and Sue Coe
An exhibition of powerful political work at Galerie St. Etienne, through March 10
![Claire Lieberman, Sunspot Silencer, 2017. Sunspot Silencer, Glass, 5.25 x 10.5 x 2.75 inches. Courtesy of the artist and Massey Lyuben Gallery](https://artcritical.com/app/uploads/2018/02/ClaireLiebermanSunspotSilencer51_422hx105_822wx27_822d-275x184.jpg)
Sunday, February 4th, 2018
Serious Play: Claire Lieberman’s Unidentified Dangerous Beautiful Objects
A show last year at Massey Lyuben Gallery
![](https://artcritical.com/app/uploads/2018/02/3_SP_6570-full-275x183.jpg)
Sunday, February 4th, 2018
Biting a Thumb at Monochrome: Jim Lee at Nicelle Beauchene
A show that dwells on the perversity of painting, closing February 4