criticismExhibitions
Tuesday, April 21st, 2020
The American artist Kara Walker poses questions about slavery’s history and legacy with a major UK commission. ...
Wednesday, April 8th, 2020
The work of earlier artists can be found in scenes from this expat Russian painter’s adolescence. ...
Sunday, March 3rd, 2019
A derangement of the senses is arrived at via multifarious stimuli ...

Monday, October 1st, 2007

Anna Hostvedt: Recent Paintings

Tibor de Nagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4- November 10, 2007 Anna Hostvedt’s small, intricate paintings offer a personal vision of the mundane. One could say she is painting what Georgio Morandi would have painted had his window faced a non-descript American parking lot instead of an Italian … Continued

Gordon Moore, Scroll, 2007. Latex, ink, pumice on canvas, 90 x 66 inches. © Gordon Moore, courtesy of Betty Cuningham Gallery, New York.
Monday, October 1st, 2007

Gordon Moore

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Gordon Moore at Betty Cuningham Gallery

Monday, October 1st, 2007

Lost Vanguard: Soviet Modern Architecture, 1922-32 Photographs by Richard Pare

The Museum of Modern Art 11 West 53 Street, between Fifth and Sixth Avenues New York City 212 708 9400 July 18–October 29, 2007 Richard Pare is a documentary photographer who specializes in historical architecture and has written a book on the subject entitled Photography and Architecture. He spent fifteen years collecting examples of architectural photography, … Continued

Monday, October 1st, 2007

Philip Geiger

Tibor deNagy Gallery 724 Fifth Avenue New York City 212 262 5050 October 4 to November 10, 2007 In Phillip Geiger’s painting “A Different Shirt” of 2006, on display at Tibor deNagy, we look beyond a tabletop display of deliciousness, cake, sunflowers, etc to a young woman, her head turned completely away from the viewer, … Continued

Saturday, September 1st, 2007

Deborah Kass: Feel good paintings for feel bad times and Dana Frankfort: DF

Paul Kasmin Gallery 293 10th Avenue New York City 212-563-4494 September 7 to October 13, 2007 Bellwether Gallery 134 10th Avenue 212-929-5959 September 8 to October 6 The beginning of the season has brought us two remarkable shows at either end of the tenth Avenue gallery corridor. The shows beg for comparison. Both women work … Continued

Saturday, September 1st, 2007

I Am as You Will Be: The Skeleton in Art

Cheim & Read 547 West 25th Street New York City 212 242 7727 September 20 to November 3, 2007 In Pieter Brueghel the Elder’s “Triumph of Death” (circa 1562), hordes of skeletons swarm upon a town, pitilessly inflicting lessons about the transitoriness of life and its diversions. Popular depictions of death have evolved in the … Continued

Saturday, September 1st, 2007

Old School

Zwirner & Wirth 32 East 69 Street New York City 212 517 8677 June 27 to August 31 Zwirner & Wirth’s “Old School” explores a tantalizing mega-generational gap: the divide between sixteenth- and seventeenth-century paintings and our postmodernist counterparts. Nearly thirty landscapes, still lifes and figure paintings by old masters and contemporary artists make for … Continued

Saturday, September 1st, 2007

Yuri Masnyj: The Night’s Still Young

Metro Pictures 519 West 24th Street New York City June 21 – July 31, 2007 Yuri Masnyj’s art bears the burden of historical self-consciousness unwaveringly. The modernist style permeates his compositions, the cartoonish yet exacting watercolors of interior spaces and the hybrid sculptures. Masnyj transforms modernist formal devices and elements of genre painting into a … Continued

Lynda Benglis, Quartered Meteor, 1969. Lead, 57-1/2 x 65-1/2 x 64-1/2 inches, edition 1/3. Courtesy Cheim & Read Gallery
Sunday, July 1st, 2007

Lynda Benglis and Louise Bourgeois: Circa 1970, at Cheim & Read

Louise Bourgeois and Lynda Benglis are both inveterate explorers of sculpture’s soggy underbelly. They are doyennes of a dark sexuality and of the nebulous space between the personal and the universal.

Friday, June 22nd, 2007

Neo Rauch: para at The Metropolitan Museum of Art

Neo is perfectly forenamed for an artist in whom, to paraphrase architectural theorist Charles Jencks, the wasms have become an ism. Rauch’s paintings, fusing elements of romanticism and realism from the last two centuries, resist the idea that anachronism and rejuvenation might be at odds with one another.