The Entwining of Image and Object: Richard Rezac’s Sculpture
His first New York show in ten years was at Luhring Augustine this summer
Otherworldly Objects: Ewelina Bochenska discusses her work with Natalie Sandstrom
Project room show opens Friday at M. David & Co in Bushwick
Michael Landy’s Break Down, 2001, revisited for Sperone Westwater’s installation of Break Down Inventory
The installation is on view on the Lower East Side through March 10
Round Table on Thomas Nozkowski, from 2015
Posted to accompany his new show at Pace, with David Cohen, Joseph Masheck, David Brody, Alexander Ross, Marjorie Welish, Jennifer Riley and Raphael Rubinstein.
Poetry by Other Means: The Collages of John Ashbery
Is there something intrinsic to the appeal of collage to writers — to moving bits of paper around in startling, revelatory juxtapositions? The coincidence of two shows of collages by writers of markedly different ilk – a sometime poet laureate and a member of the third estate – begs the question.
A Playpen Within A Battlefield: The Paintings of Lois Dickson
To greet her current show at the New York Studio School, an essay published last summer
A Topical Pick from the Archives: Ali Banisadr at Sperone Westwater
a review from 2014 as Banisadr shows new work at the same gallery
Unruly Grace: Arlene Shechet in Boston
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA
Enquette: Thomas Nozkowski at Pace Gallery
With David Cohen, Joseph Masheck, David Brody, Alexander Ross, Marjorie Welish, Jennifer Riley and Raphael Rubinstein.
What are Masterpieces and Why Are There So Many of Them?
artcritical is deeply saddened by the passing of its friend and collaborator, Bill Berkson
