![Regina Bogat, Palmyra I, 2015. Acrylic, board on canvas, 40 x 46 inches. Courtesy of Zürcher Gallery, New York/Paris](https://artcritical.com/app/uploads/2016/03/regina_bogat_palmyra_1_2015_acrylic_board_on_canvas_40_x_46_in_low_res-275x205.jpg)
![Arlene Shechet, A Night Out, 2011. Glazed Ceramic, acrylic paint, and hardwood, 45 x 13 x 17 inches, Courtesy of the artist and Sikkema Jenkins & Co.](https://artcritical.com/app/uploads/2015/09/Shechet-Night-Out-275x205.jpg)
![Installation shot of Richard Rezac's show at Luhring Augustine Chelsea, with Chigi, 2017 in the foreground](https://artcritical.com/app/uploads/2020/10/rezac-install-275x206.jpg)
The Entwining of Image and Object: Richard Rezac’s Sculpture
His first New York show in ten years was at Luhring Augustine this summer
![Ewelina Bochenska, Sciezki Blasku, 2018, oil and yarn on rug, 10x7.5in, image courtesy of the artist](https://artcritical.com/app/uploads/2018/11/EwelinaBochenska_Sciezki-Blasku_10x7.5in_oil-yarn-on-rug_2018-275x204.jpg)
Otherworldly Objects: Ewelina Bochenska discusses her work with Natalie Sandstrom
Project room show opens Friday at M. David & Co in Bushwick
![Poster for Michael Landy's Break Down, 2001](https://artcritical.com/app/uploads/2018/03/a1e1602bcd957b03febacbe441668fa7-michael-okeefe-275x374.jpg)
Michael Landy’s Break Down, 2001, revisited for Sperone Westwater’s installation of Break Down Inventory
The installation is on view on the Lower East Side through March 10
![Thomas Nozkowski, "Untitled (7-10)," 1992](https://artcritical.com/app/uploads/2018/01/download.jpg)
Round Table on Thomas Nozkowski, from 2015
Posted to accompany his new show at Pace, with David Cohen, Joseph Masheck, David Brody, Alexander Ross, Marjorie Welish, Jennifer Riley and Raphael Rubinstein.
![](https://artcritical.com/app/uploads/2008/09/Ashbery_Chutes-and-Ladders--275x308.jpg)
Poetry by Other Means: The Collages of John Ashbery
Is there something intrinsic to the appeal of collage to writers — to moving bits of paper around in startling, revelatory juxtapositions? The coincidence of two shows of collages by writers of markedly different ilk – a sometime poet laureate and a member of the third estate – begs the question.
![Lois Dickson, Aria, 2017. Oil on linen, 72 x 60 inches. Courtesy of the Artist](https://artcritical.com/app/uploads/2017/06/larger-2-275x331.jpg)
A Playpen Within A Battlefield: The Paintings of Lois Dickson
To greet her current show at the New York Studio School, an essay published last summer
![](https://artcritical.com/app/uploads/2017/05/SW_17125_We_work_in_shadows_copy0-275x187.jpg)
A Topical Pick from the Archives: Ali Banisadr at Sperone Westwater
a review from 2014 as Banisadr shows new work at the same gallery
![Arlene Shechet, Jewel, 2016. Glazed ceramic, painted and carved hardwood, 17 x 15 x 16 inches. Courtesy of the Artist and Sikkema Jenkins & Co.](https://artcritical.com/app/uploads/2015/09/arlene-cover-275x412.jpg)
Unruly Grace: Arlene Shechet in Boston
As stunning new show opens at Sikkema Jenkins & Co, a look back at last year’s retrospective at Boston’s ICA
![Thomas Nozkowski, Untitled (9-32), 2014. Oil on linen on panel, 22 x 28 inches. Courtesy of Pace Gallery, New York](https://artcritical.com/app/uploads/2015/04/nozkowski-rubinstein-275x217.jpg)
Enquette: Thomas Nozkowski at Pace Gallery
With David Cohen, Joseph Masheck, David Brody, Alexander Ross, Marjorie Welish, Jennifer Riley and Raphael Rubinstein.
![](https://artcritical.com/app/uploads/2011/07/matisse-sarah1-235x300.jpg)
What are Masterpieces and Why Are There So Many of Them?
artcritical is deeply saddened by the passing of its friend and collaborator, Bill Berkson