Spring/Break is the most anarchic and exuberant of the fairs: each room of these administrative offices of the USPS (the space has a David Lynch-like quality, a time-capsule of New Deal-era bureaucracy) has its own organizing principle. Here is artist Megan Liu Kincheloe installing Thing Gap Method in Room 23 featuring works by Sophia Flood, Sascha Ingber, Kelly McCafferty, Sarah Tortora and herself.
Thursday, March 9th, 2017

All Our Blurbs from Art Fair Week, March 2017

Capsule reviews by David Cohen and Roman Kalinovski from the commercial front lines

Brenda Goodman, Burial, 2010. Oil on wood, 52 x 56 inches. Courtesy of John Davis Gallery
Monday, August 2nd, 2010

Death, Loss, Pain and Longing: Core themes abound in the profound work of Brenda Goodman

Brenda Goodman: Work 1990-2010 at John Davis Gallery until August 15

Brenda Goodman, Self-Portrait 4 2004 oil on wood, 64 x 60 inches (diptych)
Saturday, May 19th, 2007

Brenda Goodman

I had Kiki Smith over when I had just finished these and she said, You know, you should approach some galleries from a revisionist point of view because usually it’s a male in the studio with a model, or a male at the easel, and here you’re a nude figure in your own studio with all your paintings and your tools around you. There aren’t many paintings like that, she said. So I thought, well that’s interesting, that’s not something I was thinking about—I was thinking about what I feel in my studio, the vulnerability.