ABANDON HOPE ALL YE WHO ENTER The neon sign over the door by Paris-based collective Claire Fontaine suggests a Dante-esque Divine Comedy awaits. “Part consortium, part collective,” is what Independent art fair called itself, as launched by gallerists Elizabeth Dee (X Initiative, N.Y.) and Darren Flook (Hotel, London). Making use of the former Dia Art Foundation’s … Continued

Throughout the show we are taken on a journey through the predominant narrative of 1960s art history, as told by the institution that has dictated modern art as we know it.