Bas Jan Ader, Primary Time, 1974. Color U-matic video tape transferred to DVD, silent, PAL format, TRT: 26 minutes. Copyright the Estate of Bas Jan Ader / Mary Sue Ader Andersen, 2016 / The Artist Right’s Society (ARS), New York. Courtesy of Meliksetian | Briggs, Los Angeles and Simon Lee Gallery, London.
Wednesday, July 27th, 2016

The Fall: Bas Jan Ader at Simon Lee, London

Twin surveys of Ader’s short but brightly burning career are mounted in London and New York.

Tuesday, February 2nd, 2016

“Surprising Conjunctions”: Paul Carey-Kent and Bella Easton Discuss the Collateral Drawings Series

The curatorial project continues, showing drawings and their palimpsests.

Thursday, October 8th, 2015

Looking Back: A Retrospective of German Figure Painting

A show at the historic Städel Museum catalogues German painting from a breakout era.

Monday, May 4th, 2015

Richard Diebenkorn at the Royal Academy: Six Painters on a Painters’ Painter

A visit and discussion at Richard Diebenkorn’s Royal Academy retrospective.

Analia Saban, Fireplace, 2015. Machine rendered acrylic paint on linen, 142.2 x 116.8 x 3.8 cm. Courtesy of the artist and Spru?th Magers.
Monday, March 30th, 2015

Sculpture and Painting on the Line: Analia Saban at Sprüth Magers

Dispatch from London Analia Saban: Interiors at Sprüth Magers February 27 to March 28, 2015 7A Grafton Street London, +44 20 7408 1613 The tradition of paint on canvas can act as a provocation to contemporary artists, who may do without either the liquid (e.g. Binky Palermo’s cloth) or the ground (e.g. Lynda Benglis’s pours). The Los … Continued

Tuesday, March 17th, 2015

“Presence of Absence”: Paul Carey-Kent in Conversation with Bella Easton

Bella Easton and Paul Carey-Kent discuss Carey-Kent’s exhibition of absences and how you make a void present.

Friday, November 7th, 2014

Absolutely Curtains: Karla Black’s Diaphanous Walls at Modern Art

Black’s site-specific installation undermine the conventions around materials and their gendered connotations.

Rupert Goldsworthy, Installation view at Ritter/Zamet Gallery, 2014.
Saturday, October 18th, 2014

Every Love Story is a Ghost Story: The Histories of Rupert Goldsworthy

An exhibition of new work raises insights about the history of culture, fashion, and representation.