Sunday, May 3rd, 2015

Mapping Joyce Kozloff: The Political and The Decorative Intertwined

Seen recently at DC Moore, the French Institute, the Brooklyn Historical Society and BRIC

Alexi Worth, Green Bedroom, 2015. Acrylic on mylar, 12 x 18 inches. Courtesy of DC Moore Gallery
Friday, April 24th, 2015

Through a Green Glass Door Opaquely: Perspectives in Alexi Worth

His show at DC Moore Gallery closes Saturday

Jane Wilson in front her painting, The Open Scene, 1960. Collection of The Museum of Modern Art. Photograph by John Jonas Gruen, May 1960.
Sunday, February 1st, 2015

“Looking for the Color Behind the Color”: Jane Wilson, 1924 to 2015

Wilson belongs to a tradition of transcendental American landscape

Alexi Worth, Comma, 2013. Acrylic on nylon mesh, 42 x 36 inches. Courtesy of DC Moore Gallery
Friday, June 7th, 2013

June 2013: Eva Díaz, Ken Johnson and Chloé Rossetti with moderator David Cohen

Lorna Williams, Wolfgang Tillmans, Alexi Worth and Brock Enright

Janet Fish, Blue Decanter, Polka-Dot Bowl, Suzani, 2009. Oil on canvas, 48 x 70 inches. Courtesy of DC Moore Gallery
Saturday, February 18th, 2012

Hallucinatory Beauty: The Poetic is the Political in the Still Lives of Janet Fish

Her exhibition, up through March 17, spans a decade of recent work

Robert Kushner, September Wildflower Convocation, 2010. Oil on canvas with gold leaf, 72 x 72 inches. Courtesy of DC Moore Gallery
Thursday, February 24th, 2011

Healing Hurt Pages: Robert Kushner’s Scriptorium

DC Moore moves downtown to Chelsea with Kushner’s Wildflower Convocation.

Installation photograph, El Anatsui exhibition, Jack Shainman Gallery, February 10, to March 13, 2010
Friday, February 26th, 2010

February 2010: Carly Berwick, Michèle C. Cone, and Mario Naves with moderator David Cohen

El Anatsui at Jack Shainman, Damien Hirst at Gagosian, Yvonne Jacquette at DC Moore, and Tino Sehgal at the Guggenheim

Monday, December 1st, 2008

Alexi Worth at D.C. Moore

The grainy, opaque paint surfaces and austere earth palette bespeak an unfashionably non-ironic desire to produce ‘quality’ paintings. And there are learned references and quotations from art history and photography.

Thursday, September 7th, 2006

Alexi Worth at DC Moore, Joe Coleman at Jack Tilton

ALEXI WORTH: COUPLES DC Moore until October 7 (724 Fifth Avenue at 57 Street, 212 247 2111) JOE COLEMAN Jack Tilton until October 4 (8 East 76 Street, between Madison and Fifth Avenues, 212 737 2221)     The girl in Alexi Worth’s “Beautiful Unfinishable Magazine” (all works 2006) crouches in a moulded plastic Eames … Continued

Thursday, March 23rd, 2006

Yvonne Jacquette: Arrivals and Departures at DC Moore Gallery

Until April 22 724 Fifth Avenue at 57 Street, 212 247 2111 The paintings of Yvonne Jacquette are at once immensely likeable and seriously odd.  There is a compelling sense of presentness in her density of color and form, quirky and chirpy, and yet they are weirdly alienating precisely thanks to the same manic qualities. … Continued