detail of Robert Ryman's Arista. Photo: Dennis Kardon Jacobson © Robert Ryman/Artists Rights Society (ARS), New York
Monday, February 15th, 2016

How Bloodless is Robert Ryman?

The author finds “complex, metaphoric activity” despite Ryman’s avowed materialism

Thomas Hirschhorn, Gramsci Monument, 2013, Gramsci Archive and Library, Forest Houses, Bronx, New York. Courtesy Dia Art Foundation. Photo: Romain Lopez.
Sunday, October 13th, 2013

Not on the High Line: Scenes from the Gramsci Monument

…It made me proud to be an artist and a New Yorker

Sunday, June 1st, 2003

Jo Baer: The Minimalist Years, 1960-1975

Jo Baer: The Minimalist Years, 1960-1975, DIA, Chelsea through June 15, 2003 Richard Serra’s initial reaction upon seeing Jo Baer’s orchid-inspired “Wraparound” paintings, Baer has recalled, was to ask, “How does it feel to do revolutionary work?” [quoted in Stein, see below]. Moreover, the first important art-world article on Baer’s work — a cover article by … Continued