David Diao, 40 Years of His Art, 2013. Acrylic and vinyl on canvas, 40 x 60 inches. Courtesy of Postmasters
Friday, April 26th, 2013

Towards A Sense of Closure: David Diao’s TMI at Postmasters

The last day of show and space alike is Saturday, April 27.

Amy Sillman, Untitled (Ohad & Naomi), 2007, Ink on paper, 22-3/8 x 29-3/8 inches, Courtesy of Sikkema Jenkins & Co.
Friday, February 20th, 2009

February 2009: Johanna Burton, Sarah Valdez, and John Zinsser with moderator David Cohen

Alex Bag at the Whitney, David Diao at Postmasters, Mona Hatoum at Alexander and Bonin, Amy Sillman at Sikkema Jenkins

Tuesday, February 17th, 2009

David Diao: “I lived there until I was 6…” at Postmasters

For decades, Diao has injected deeply personal, even confessional content onto the placid surfaces and into the untroubled spaces of Modernism by way of a formal vocabulary grounded in the conventions of presentation diagrams, plans, text. The new work retains its erstwhile formal elegance and restraint, but rueful humor is replaced by a seething emotional undertow stemming from the artist’s inherited memories of his family’s displacement and fragmentation at the hands of the Chinese government.

Tuesday, April 1st, 2003

The Devil’s Cloth: A History of Stripes and Striped Fabric by Michel Pastoureau

Soon after reading Michel Pastoureau’s fascinating book, The Devil’s Cloth: A History of Stripes and Striped Fabric, I noticed that the inside of the cardboard container that holds Macdonald’s french fries is lined with a pattern of delicate yellow stripes. Utilizing the information in the book, I was able to trace the historical roots of … Continued