Scott Williams, Fenced Waterfront, 2017. Oil on panel, 18 x 28 inches. Courtesy of the artist
Monday, December 10th, 2018

Surfaces Sparkling: The cityscapes of Scott Williams

On view at 490 Atlantic through December 18

Mathew Cerletty, Almost Done 2, 2015. Oil on canvas, 48 X 70 X 1 1/4 inches. Courtesy of the artist and Marlborough Chelsea.
Tuesday, August 2nd, 2016

The World Outside: “Landscapes” at Marlborough Chelsea

An exhibition wonders at how landscape painting has changed to address the contemporary world.

Gio Sumbadze, Soviet period bath building, 2015. Photo-Tex, 36 x 48 inches, Tskaltubo. Courtesy of the artist and Rail Curatorial Projects.
Thursday, February 4th, 2016

“A Sanctuary for Weeds”: Social Ecologies at the Gallery at Industry City

A group show curated by Greg Lindquist gathers an array of artists addressing the environment

Friday, November 13th, 2015

Love Canal: Joan Linder at Mixed Greens

Project Sunshine is penultimate show at much-valued gallery, closing Saturday

David Hockney, A Bigger Message, 2010. Oil on 30 canvases, 36 x 48 inches each, 180 x 288 inches overall. © 2013 David Hockney. Photo: Richard Schmidt
Sunday, December 8th, 2013

David Hockney: A Bigger Vision

An artist of unflagging curiosity about picture-making and relentless rhythm of production

Sanford Schwartz and Carole Obedin. Photo: Robin Siegel (c) 2013
Saturday, May 11th, 2013

Killer Opening For “Murdering The World,” Mark Greenwold’s Long-Awaited Debut at Sperone Westwater

Chuck Close, Paul Simon, Elena Sisto, Rackstraw Downes

Rackstraw Downes, Henry Hudson Bridge Substructure, A.M./ P.M., 2006. Oil on canvas, 39 x 32 inches (Part I, A.M, of the diptych)
Tuesday, April 28th, 2009

Rackstraw Downes

Rackstraw Downes

Saturday, March 1st, 2008

Rackstraw Downes at Betty Cuningham and Greg Lindquist at Elizabeth Harris

Downes paintings reflect a unique combination of aggressive conception and passive elaboration. Fervent perceptions of space enliven their broad outlines; details follow, filling in the story of each site exactly “as is.” Colors add atmosphere and light.

Justine Kurland, The Fencer, 2004, Toned silver gelatin print, 22-3/4 x 17-3/4 Inches, Courtesy of Gorney Bravin & Lee
Friday, October 1st, 2004

October 2004: Ken Johnson, Maureen Mullarkey, and Jerry Saltz with moderator David Cohen

Justine Kurland at Gorney, Bravin and Lee, Richard Deacon at Marian Goodman, Rackstraw Downes at Betty Cuningham and Pipilotti Rist at Luhring Augustine

Thursday, September 30th, 2004

“Coaxed into fullness of existence”: A conversation with Rackstraw Downes

Published on the occasion of the inaugural exhibition at the Betty Cuningham Gallery in 2004