Edward Hopper, Night Window, 1928. Oil on canvas, 29 x 34 inches. Museum of Modern Art, New York. Gift of John Hay Whitney
Wednesday, September 12th, 2018

“Right There, Looking”: Brian O’Doherty’s Collected Essays

Irish-honed literary skills placed at service of cosmopolitan visual culture

Monday, April 11th, 2016

Perceptual Inventory: A New Anthology by Barry Schwabsky

The poet-critic’s recent writing for The Nation is collected by Verso.

Photo of Regina Bogat with her painting Hammill, 2014. Courtesy of Zürcher Gallery, New York
Friday, March 11th, 2016

“I Was Free To Do As I Pleased”: Regina Bogat on her Life as an Artist

The veteran painter reminisces in her New Jersey studio

Friedel Dzubas, Heath Cote (sketch), 1976. Magna acrylic on canvas, 6½ x 6½ inches. Courtesy Loretta Howard Gallery.
Wednesday, May 6th, 2015

Friedel Dzubas: Thesis/Antithesis/Synthesis

Works from the 1960s and 1970s in shows at Elkon and Loretta Howard

Wednesday, April 8th, 2015

Presentational: Walter Darby Bannard on his early reductive paintings

A dialogue occasioned by his exhibition at Berry Campbell Gallery through April 18

Words For Art
Friday, October 11th, 2013

Too Smart To Be Caught In A System: Barry Schwabsky’s Words for Art

“Schwabsky is a master of concision”

Anne Truitt, Second Requiem, 1977/1980. Acrylic on wood, 84 x 8 x 10 inches. Courtesy of Matthew Marks Gallery
Friday, October 11th, 2013

Finding a Place: Anne Truitt from the 1970s at Matthew Marks Gallery

A true independent with a pastoral sense of existing within a landscape

Angelina Gualdoni, Opening the Gates, 2011, acrylic on canvas, 47 x 52 inches. Courtesy of the artist and Asya Geisberg Gallery.
Thursday, September 19th, 2013

Oil as Water: POUR at Lesley Heller and Asya Geisberg

Is the act of pouring paint free from the shackles of art history?

Jackson Pollock, Number 7, 1952, 1952, enamel and oil on canvas, 53 x 40 inches. The Metropolitan Museum of Art, New York. Purchase, Emilio Azcarraga Gift, in honor of William S. Lieberman, 1987.
Thursday, August 1st, 2013

Elective Affinities: Alfonso Ossorio and his Masterful Friends

Angels, Demons, and Savages: Pollock, Ossorio, Dubuffet at the Parrish Art Museum

James Walsh, Jolts, 2012. Acrylic on canvas, 24-1/8 x 18 inches. Collection of Spanierman Modern, New York
Thursday, May 16th, 2013

Swoops, Blobs and Swirls: James Walsh At Spanierman

A show of small paintings in Spanierman’s Modern Library project room