Saturday, April 4th, 2015

Dallas in Wonderland: Chuck and George at CentralTrak

A group show of portraits of the artists by their friends, creates a maximalist collaborative installation in Dallas.

Analia Saban, Fireplace, 2015. Machine rendered acrylic paint on linen, 142.2 x 116.8 x 3.8 cm. Courtesy of the artist and Spru?th Magers.
Monday, March 30th, 2015

Sculpture and Painting on the Line: Analia Saban at Sprüth Magers

Dispatch from London Analia Saban: Interiors at Sprüth Magers February 27 to March 28, 2015 7A Grafton Street London, +44 20 7408 1613 The tradition of paint on canvas can act as a provocation to contemporary artists, who may do without either the liquid (e.g. Binky Palermo’s cloth) or the ground (e.g. Lynda Benglis’s pours). The Los … Continued

Friday, December 5th, 2014

Lite Installation: Spencer Finch at The Morgan

The light artist’s work is beautiful but problematic.

Friday, November 7th, 2014

Absolutely Curtains: Karla Black’s Diaphanous Walls at Modern Art

Black’s site-specific installation undermine the conventions around materials and their gendered connotations.

Friday, October 31st, 2014

Give You So Much More: Jim Hodges at the Hammer Museum

A traveling retrospective of the artist’s work renders the personal political and beautiful.

Rupert Goldsworthy, Installation view at Ritter/Zamet Gallery, 2014.
Saturday, October 18th, 2014

Every Love Story is a Ghost Story: The Histories of Rupert Goldsworthy

An exhibition of new work raises insights about the history of culture, fashion, and representation.

caption to follow. Martial Raysse © Adagp, Paris 2014.
Saturday, October 18th, 2014

Hippie Pop: Martial Raysse at the Pompidou

Retrospective reveals ambivalent embrace of popular culture

Saturday, September 20th, 2014

Looming Tower: Monika Sosnowska at Hauser & Wirth

The artist’s enormous installation at raises questions about how architecture relates to history.

Lygia Clark, Clark’s proposition Diálogo de mãos ("Dialogue of hands," 1966), in use probably by Clark and Hélio Oiticica. The object is made of elastic. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.
Tuesday, August 19th, 2014

Offline: Lygia Clark and the Original Social Media

This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.

Tuesday, August 5th, 2014

Model as Mayhem: Franklin Evans pace Yve-Alain Bois

“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”