Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center Installation shot, works by Lee Boroson, including Ruderal Object, 2017 Steel, maple branches, collages, fabric, mirror, hardware. Courtesy of Ildiko Butler Gallery, Fordham University at Lincoln Center
Tuesday, March 28th, 2017

Site Specific: Diana Cooper and Lee Boroson at Fordham

Prismatic Shifts, a two person show curated by Carleen Sheehan

Luis Gispert and Jeffrey Reed stereomongrel, still, 35mm film, 10 minutes, 2005, Courtesy Zach Feuer Gallery
Friday, November 4th, 2005

November 2005: Lance Esplund, Deborah Garwood, and Raphael Rubinstein with moderator David Cohen

Luc Tuymans at David Zwirner, Elizabeth Murray at the Museum of Modern Art, Jeremy Blake at Feigen Contemporary and Luis Gispert and Jeffrey Reed at Zach Feuer

Jeremy Blake, Reading Ossie Clark, 2003. Six stills from the DVD Courtesy Feigen Contemporary
Sunday, February 1st, 2004

Notes on Jeremy Blake

Can video become the new painting? Not just in the art scene, where video takes an ever larger slice of the exhibition pie, but in the aesthetic sense as well. “Autumn Almanac,” a recent show by Jeremy Blake at Feigen in Chelsea has me wondering.

Thursday, December 18th, 2003

Urban Baroque at Plane Space, Jeremy Blake at Feigen Contemporary, Aristides Logothetis at Cue Art Foundation, Augusto Arbizo at Michael Steinberg

“Urban Baroque” at Plane Space through December 21 (102 Charles Street, between Bleecker and Hudson Streets, 917 606 1266) “Jeremy Blake: Autumn Almanac” at Feigen Contemporary through December 20 (535 W 20 Street, between 10 and 11th Aves, 212 929 0500) “Aristides Logothetis: Speculative Grammar” at Cue Art Foundation through January 24 (511 W 25 … Continued