Thursday, November 23rd, 2017

Mira Schor at Lyles & King

“Mira Schor’s project space exhibition, The Red Tie Paintings, pulsates with lyrical fury.”

William Kentridge, Whichever Page You Open, 2013. Drawing, India ink on Craggs Universal Technological Dictionary, 1826, 80-3/4 x 82-5/8 inches. Courtesy of Marian Goodman Gallery
Monday, October 21st, 2013

William Kentridge at artcritical

“HUBS” is a new category on artists and subjects discussed multiple times at artcritical

William Kentridge, Whichever Page You Open, 2013. Drawing, India ink on Craggs Universal Technological Dictionary, 1826, 80-3/4 x 82-5/8 inches. Courtesy of Marian Goodman Gallery
Monday, October 21st, 2013

Old Forms For New Uses: William Kentridge at Marian Goodman and the Met

“He works with archaic materials using self-imposed limitations”

Olausen, credit line and permission TK
Friday, August 30th, 2013

The Real Thing: An Interview with Rosalind E. Krauss

“A medium is a little bit like a language—you can’t just speak it once, it is repeated”

William Kentridge Interviews Himself: two stills from William Kentridge, Drawing Lesson 47 (Interview for New York Studio School), 2010. Video, 4'48". YouTube.
Friday, April 22nd, 2011

The Pleasures of the Pursuit: Talks by William Kentridge and Philip Pearlstein in Jerusalem

The artists gave lectures at the Jerusalem Studio School and the Israel Museum

William Kentridge, Drawing for the film Sobriety, Obesity & Growing Old [Soho and Mrs. Eckstein in Pool], 1991. Charcoal and pastel on paper, 47-1/4 x 59 inches. Collection of the artist © 2010 William Kentridge. Photo: John Hodgkiss, courtesy the artist
Wednesday, June 16th, 2010

Taking the World by Drawing: William Kentridge and Animation

Where should we locate Kentridge’s sequential, continuous drawing within the eye-popping history of drawn animation?

Ellen Berkenblit, Horses on a Hill, 2008, Oil on Canvas, 58 x 78 inches
Friday, February 8th, 2008

February 2008: James Gardner, Barry Schwabsky, and Robert Storr with moderator David Cohen

Ellen Berkenbilt at Anton Kern, Katy Grannan at Greenberg Van Doren Gallery and at Salon 94 Freemans, Jane Freilicher at Tibor de Nagy, William Kentridge at Marian Goodman and Chris Martin at Michell-Innes & Nash

William Kentridge, What Will Come, 2007. Courtesy of Marian Goodman Gallery
Thursday, February 7th, 2008

A Surfeit of Genius: William Kentridge at Marian Goodman Gallery

Seeing Double is packed with elaborations of his trademark idiom: imagery transmogrified

Wednesday, February 1st, 2006

Gregory Gillespie, Chaim Gross, William Kentridge

GREGORY GILLESPIE Forum Gallery CHAIM GROSS: REINVENTING FORM Forum Gallery WILLIAM KENTRIDGE: THE MAGIC FLUTE, DRAWINGS AND PROJECTIONS Marian Goodman Gallery Not many contemporary artists came as close as Gregory Gillespie (1936-2000) to the virtuosic rendering of early Renaissance painting, and none took these talents in so unsettling a direction. The thirty-odd paintings at Forum … Continued

Wednesday, January 1st, 2003

William Kentridge: Zeno Writing

William Kentridge Zeno Writing Marian Goodman Gallery 24 West 57 Street, New York November 8, 2002- January 4, 2003 ‘Zeno Writing’, a multi-media project by South African artist William Kentridge which included a short animated film and supporting drawings, recently on show at Marian Goodman, is based on Italo Svevo’s 1923 novel Confessions of Zeno. The novel, … Continued