John Newman, Blue Ribbon Teardrop, 2008. Wood burl, blown glass, acrylic paint on acqua resin, wood putty, Japanese paper, papier mache, Foamcore, armature wire, string, 14-1/2 x 15-1/2 x 9 inches. The Louis-Dreyfus Family Collection
Tuesday, November 1st, 2016

Generosity of Eye: William Louis-Dreyfus, 1932 to 1984

Countless individuals, institutions, and causes lost a remarkable and irreplaceable friend earlier this fall with his passing

Friday, April 3rd, 2015

Making Art, and Making It Well: Two Recent Group Shows

Exhibitions at the New York Studio School and Freedman Art examine art about its own creation.

Stanley Lewis, Winslow Park, Westport, 2010-2014. Oil on canvas, 21-1/4 x 35-1/4 inches. Courtesy of Betty Cuningham Gallery.
Sunday, September 21st, 2014

One-Two Punch: Stanley Lewis at Betty Cuningham

A crazy-quilt meditation on what painting can be.

Wednesday, March 9th, 2011

Learning to Look: “Nature is the Teacher” at the Painting Center

February 2011 exhibition featured Simon Carr, Stanley Lewis, Thaddeus Radell, and Deborah Rosenthal.

Friday, March 14th, 2008

Stanley Lewis

Lewis’s unfailingly authoritative skill for painting real, rich and crystalline light, joined to his muscular composition, is the key to his power and success.

Wednesday, September 1st, 2004

Gregory Botts and Stanley Lewis

Salander-O’Reilly Galleries 20 East 79th Street, New York, NY 10021, Telephone (212) 879-6606 September 8 to Octobrt 2, 2004 We have a convenient shorthand phrase for the making of meaningful marks on canvas: “the Painting Process.” But it isn’t really a single process, nor even a finite one. For representational painters the challenge has always … Continued