A survey of Sean Scully’s formative work of the 1980s.

The poet-critic’s recent writing for The Nation is collected by Verso.

He exposed emotion and poise in subtly modulated, streamlined form.

David Carrier reports on the politics and curatorial gambits of “Manifesta 10,” now on view in St. Petersburg.

“…fashion or soft-core erotica are intermittently spaced around the gallery to form an underlayer of camp.”

An exhibition of the artist’s later cut-outs opened at MoMA on October 12.