Susan Rothenberg, Olive, 2008, oil on canvas, 54 x 43 inches
Friday, March 20th, 2009

March 2009: Michael Brenson, Carol Diehl, and David Ebony with moderator David Cohen

Kamrooz Aram at Perry Rubinstein, Siah Armajani at Max Protetch, Alfredo Jaar at Galerie Lelong, and Susan Rothenberg at Sperone Westwater

Friday, February 6th, 2009

Zach Harris: Requiem Reversals at Max Protetch Gallery

Conventional readings of “above” and “below”, of north, south, east and west are confounded in these panels by the integration of patterned motifs – diamond shapes and curlicues – that resist any such perspectival pre-conditions. The improbable worlds that Harris presents are less pictures of places than visual destinations within elaborate structures, guiding the eye ever-centerwards.

Tabaimo, Public Convenience, 2006, video installation, dimensions variable
Friday, April 11th, 2008

April 2008: Dore Ashton, Joshuah Mack, and Stephen Maine with moderator David Cohen

Julian Hatton at Elizabeth Harris, Byron Kim at Max Protetch, Alexander Ross at Marianne Boesky and at David Nolan and Tabaimo at James Cohan

Monday, March 3rd, 2008

Bingyi Huang at Max Protetch

Given Huang’s indirectness, we experience the scene as if imbued with symbolist forms, which reveal their meaning only fleetingly. Yet the painting does not feel deliberately obscure, but rather poses the question, How much must be revealed before the images makes narrative sense?

Zhang Huan, Family Tree, 2000, color photograph. 21 ½ x 16 3/4 Inches
Friday, December 14th, 2007

December 2007: Ben Davis, Lance Esplund, and Lilly Wei with moderator David Cohen

Tara Donovan at the Met, Anne Harris at Alexandre, Bharti Kher at Jack Shainman, David Reed at Max Protetch, and Zhang Huan at the Asia Society

Jake Berthot, Coming Morning, 2005, oil on canvas, 25 x 25 inches, Courtesy of Betty Cuningham Gallery
Friday, March 3rd, 2006

March 2006: Michael Brenson, Martha Schwendener, and Lilly Wei with moderator David Cohen

Rachel Whiteread at Luhring Augustine, Su-en Wong at Danese, Jake Berthot at Betty Cuningham and Thomas Nozkowski at Max Protetch

Thursday, February 23rd, 2006

Thomas Nozkowski at Max Protetch, Tony Berlant at Lennon, Weinberg

THOMAS NOZKOWSKI Max Protetch until March 18 (511 W. 22 Street, between Tenth and Eleventh Avenues, 212-633-6999) TONY BERLANT: Within Lennon, Weinberg until March 11 (514 W. 24 Street, between Tenth and Eleventh Avenues, 212-941-0012) Thomas Nozkowski’s paintings call out for oxymoronic exaltations: bravura reticence! Fluent awkwardness! Grandiose humility! Mr. Nozkowski’s inventions burst with a … Continued

Thursday, December 16th, 2004

David Reed at Max Protetch, Garth Evans at Lori Bookstein, Lisa Hoke at Elizabeth Harris, Alfred Leslie at Allan Stone

“David Reed” at Max Protetch until December 23 (511 W. 22 Street between 10th & 11th Avenues, 212-633-6999). “Garth Evans, Watercolors” at Lori Bookstein until January 7 (37 W. 57th Street, 212-750-0949). “Lisa Hoke: The Gravity of Color” at Elizabeth Harris until December 23 (529 W. 20th Street between 10th & 11th Avenues, 212-463-9666). “Alfred … Continued

Thursday, November 20th, 2003

Howard Hodgkin at Gagosian and Thomas Nozkowski at Max Protetch

“Howard Hodgkin” at Gagosian Gallery, until December 20 (555 W.24th Street at Eleventh Avenue, 212 741 1111). “Thomas Nozkowski: New Paintings” at Max Protetch until December 20 (511 W.22nd Street between Tenth and Eleventh Avenues, 212 633 6999). For most of its history, non-representational painting favored the universal over the particular. The very word “abstraction” … Continued

Saturday, November 1st, 2003

Thomas Nozkowski: New Paintings

Max Protetch 511 W.22nd Street New York NY10011 Tel 212 633 6999 until December 20 Unpacking a Thomas Nozkowski painting is akin to reading Beckett, sinking into Raging Bull, or catching a Dylan song. An experience that always leaves you challenged but full of visual riches. First, the facts. Nozkowski’s working method is simple; a … Continued