Monday, September 22nd, 2008

Geo/Metric: Prints and Drawings from the Collection at The Museum of Modern Art, New York

After being run through the pressure chamber of Conceptual Art, geometric forms for many artists working today are not indicative of a strict allegiance to any kind of school of non-objective thought or practice. From the storied history laid out in the rooms of “Geo/Metric” it seems that geometry in art has indeed reached its highest accomplishment: the freedom of eternal fresh starts.

Giorgio Morandi, Giorgio Morandi, Still Life (Natural Morta) 1953. Oil on canvas, 8 x 15-3/4 inches, Washington DC, The Phillips Collection © Giorgio Morandi by SIAE 2008
Monday, September 1st, 2008

Giorgio Morandi: Resistence and Persistence

GIORGIO MORANDI: Resistence and Persistence BY SEAN SCULLY On the occasion of Giorgio Morandi 1890-1964 at the Metropolitan Museum of Art, September 16 to December 14, 2008, we post abstract painter Sean Scully’s 2005 essay on his Italian forebear. This essay was first published in Sean ScullyResistance and Persistence: Selected Writings Edited by Florence Ingleby, (Merrell, … Continued

Sunday, March 30th, 2008

Gustave Courbet

As a painter, Courbet ravishes a nude in the same manner as he would a tree or a trout: for the visual evidence of its expressive physicality.

Sunday, December 23rd, 2007

Damien Hirst’s Shark

Hirst seems to play to the peanut gallery, the broadest audience, those who think of art as hallowed, more so because they don’t understand it.

Zhang Huan, Family Tree, 2000, color photograph. 21 ½ x 16 3/4 Inches
Friday, December 14th, 2007

December 2007: Ben Davis, Lance Esplund, and Lilly Wei with moderator David Cohen

Tara Donovan at the Met, Anne Harris at Alexandre, Bharti Kher at Jack Shainman, David Reed at Max Protetch, and Zhang Huan at the Asia Society

Tuesday, December 4th, 2007

The Age of Rembrandt: Dutch Paintings in The Metropolitan Museum of Art

In tribute to curator Walter Liedtke, tragically killed in the Metro-North train crash Tuesday.

Friday, June 22nd, 2007

Neo Rauch: para at The Metropolitan Museum of Art

Neo is perfectly forenamed for an artist in whom, to paraphrase architectural theorist Charles Jencks, the wasms have become an ism. Rauch’s paintings, fusing elements of romanticism and realism from the last two centuries, resist the idea that anachronism and rejuvenation might be at odds with one another.

Monday, January 1st, 2007

Sean Scully: Wall of Light

Metropolitan Museum of Art 1000 Fifth Avenue New York September 28, 2006 – January 15, 2007 This article was first published in the New York Sun, September 28, 2006 By the time Sean Scully (b. 1945) began his career in the 1960s, two generations of the avant-garde had already established the legitimacy of nonrepresentational art. … Continued

Monday, August 1st, 2005

Matisse: The Fabric of Dreams – His Art and His Textiles

An exhibition of the artist’s later cut-outs opened at MoMA on October 12.

Saturday, November 1st, 2003

Vincent van Gogh: The Drawings

The Metropolitan Museum of Art 1000 Fifth Avenue at 82nd Street (212) 879-5500 October 18, 2005–December 31, 2005 There are about 1,100 Van Gogh drawings in existence and this exhibition includes 113 of them. Art historians have spent many years analyzing the work of Van Gogh but he remains an enigma. How and why did … Continued