Thursday, October 6th, 2016

So Slow It Stopped: Teiji Furuhashi at MoMA

MoMA re-stages a 1995 installation by one of Japan’s late, great performance, tech, and collaboration innovators.

Saturday, May 21st, 2016

Faith and Formalism: Rachel Harrison at MoMA

The sculptor examines religious faith as feeling carefully for something not fully seen.

Friday, April 8th, 2016

“This is how it’s done”: David Salle Curates Recent Painting

“Nice Weather” is at Skarstedt, uptown and Chelsea, through April 16

Thursday, April 7th, 2016

Poet, Printer, Prankster: Marcel Broodthaers in Retrospect

The late artist is the subject of four simultaneous exhibitions, including a MoMA retrospective.

Friday, December 11th, 2015

Tell Me: with Bill Corbett

Corbett discusses his personal and aesthetic interest in the work of Franz Kline.

Saturday, March 28th, 2015

Björk at MoMA: A Conversation with Todd Simmons

Husband and wife critics — and confirmed Björk fans — discuss the chanteuse’s MoMA retrospective.

Oscar Murillo. 6. 2012-14. Oil, oil stick, dirt, graphite, and thread on linen and canvas. 7’ 2 ¼” x 6’ 13/16." Courtesy the artist and David Zwirner, New York/London and Carlos/Ishikawa, London. Photo: Matthew Hollow
Monday, February 9th, 2015

Roundtable: “The Forever Now” at MoMA

with Becky Brown, Dennis Kardon, Carrie Moyer, Raphael Rubinstein, and Jason Stopa

Lygia Clark, Clark’s proposition Diálogo de mãos ("Dialogue of hands," 1966), in use probably by Clark and Hélio Oiticica. The object is made of elastic. Courtesy Associação Cultural “O Mundo de Lygia Clark,” Rio de Janeiro.
Tuesday, August 19th, 2014

Offline: Lygia Clark and the Original Social Media

This ambitious retrospective of Clark’s work is one of the first major exhibitions of her work outside of Brazil.

Sigmar Polke, German, 1941–2010, Negative Value II (Mizar) (Negativwert II (Mizar)), 1982, Dispersion paint, resin, and pigment on canvas, 103 1/8 × 79 1/8? (262 × 201 cm), Private Collection. Photo: Alistair Overbruck, © 2014 Estate of Sigmar Polke/ Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn
Thursday, July 3rd, 2014

A Critics’ Roundtable on Sigmar Polke at MoMA

with Eric Gelber, Suzanne Joelson, Drew Lowenstein and Saul Ostrow

Wednesday, June 25th, 2014

Suspect Artforms: Lee Ann Norman on Photographic Appropriation

Does the use of appropriation in photography show more than it hides?